Album Info
Artist: | Various |
Album: | From Dusk Till Dawn (Music From The Motion Picture) |
Released: | Europe, 23 Feb 2012 |
Tracklist:
A1 | George Clooney - Everybody Be Cool | |
Written-By [Dialogue] - Quentin Tarantino | ||
A2 | The Blasters - Dark Night | |
Producer - Jeff Eyrich | ||
Written-By - Dave Alvin | ||
A3 | ZZ Top - Mexican Blackbird | |
Producer - Bill Ham | ||
Written-By - Gibbons, Hill, Beard | ||
A4 | Jon Wayne - Texas Funeral | |
Producer - David Vaught | ||
Written-By - David Vaught | ||
A5 | The Mavericks - Foolich Heart | |
Producer - Don Cook, Raul Malo | ||
Written-By - Evan York, Raul Malo | ||
A6 | Juliette Lewis & Quentin Tarantino - Would You Do Me A Favour | |
Written-By [Dialogue] - Quentin Tarantino | ||
A7 | Jimmie Vaughan - Dengue Woman Blues | |
Engineer - Chris Minto | ||
Producer - Jimmie Vaughan | ||
Written-By - Jimmie Vaughan | ||
A8 | The Leftovers - Torquay | |
Engineer - Joel Soyffer | ||
Mixed By - Joel Soyffer, Robert Rodriguez | ||
Producer - Robert Rodriguez, Tito Larriva | ||
Written-By - George Tomsco | ||
A9 | ZZ Top - She's Just Killing Me | |
Engineer - Joe Hardy | ||
Mixed By - Joe Hardy | ||
Producer - Bill Ham, Billy F Gibbons | ||
Written-By - Gibbons, Hill, Beard | ||
B1 | Cheech Marin - Chet's Speech | |
Written-By [Dialogue] - Quentin Tarantino | ||
B2 | Tito And Tarantula - Angry Cockroaches (Cucarachas Enojadas) | |
Backing Vocals [Background Vocals] - Robert Rodriguez, Tito Larriva | ||
Engineer - Joel Soyffer, Mark Goldenberg | ||
Mixed By - Joel Soyffer, Robert Rodriguez | ||
Producer - Mark Goldenberg, Tito Larriva | ||
Written-By - Peter Atanasoff, Tito Larriva | ||
B3 | Stevie Ray Vaughan And Double Trouble - Mary Had A Little Lamb | |
Producer - Stevie Ray Vaughan And Double Trouble | ||
Written-By - Buddy Guy | ||
B4 | Tito And Tarantula - After Dark | |
Engineer - Joel Soyffer, Mark Goldenberg | ||
Mixed By - Joel Soyffer, Robert Rodriguez | ||
Producer - Mark Goldenberg, Robert Rodriguez, Tito Larriva | ||
Written-By - Steven Huffsteder, Tito Larriva | ||
B5 | Stevie Ray Vaughan And Double Trouble - Willie The Wimp (And His Cadillac Coffin) | |
Producer - Stevie Ray Vaughan And Double Trouble | ||
Written-By - Bill Carter , Ruth Ellen Ellsworth | ||
B6 | Tom Savini - Kill The Band | |
Written-By [Dialogue] - Quentin Tarantino | ||
B7 | Graeme Revell - Mexican Standoff | |
Producer - Graeme Revell | ||
Written-By - Graeme Revell | ||
B8 | Graeme Revell - Sex Machine Attacks | |
Producer - Graeme Revell | ||
Written-By - Graeme Revell |
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Description
"From Dusk Till Dawn: Music From The Motion Picture," released in 1996, is the soundtrack album for the cult film directed by Robert Rodriguez and written by Quentin Tarantino. The soundtrack is as eclectic and vibrant as the film itself, featuring a wide range of musical styles including rock, blues, country, and Latin, reflecting the film's unique blend of horror, action, and dark comedy. The soundtrack not only complements the film's atmospheric and often intense scenes but also stands on its own as a compelling collection of music that captures the spirit of the movie's borderlands setting.
The album kicks off with "Everybody Be Cool," a dialogue snippet from the film that sets the tone for the unconventional and edgy nature of the soundtrack. This leads into "Dark Night" by The Blasters, a high-energy rockabilly track that immediately immerses the listener in the film's gritty, adrenaline-fueled world.
One of the standout tracks is "After Dark" by Tito & Tarantula, a sultry, Latin-infused rock song that plays during one of the film's most iconic scenes in the Titty Twister bar. The song's hypnotic rhythm and seductive guitar work perfectly capture the scene's tense and sensual atmosphere, making it a memorable moment in both the film and the soundtrack.
"Willie the Wimp (And His Cadillac Coffin)" by Stevie Ray Vaughan and Double Trouble showcases the soundtrack's blues influences, with Vaughan's masterful guitar work and powerful vocals bringing a sense of depth and emotion to the album. The track's inclusion highlights the film's connection to Texas and the Southwestern United States, both in setting and in musical heritage.
"Dengue Woman Blues" by Jimmie Vaughan adds a raw, gritty blues number to the mix, featuring haunting guitar riffs and a laid-back groove that contrasts with the album's more energetic tracks. The instrumental piece evokes the film's darker, more atmospheric moments, contributing to the soundtrack's diverse musical landscape.
The inclusion of "Mexican Blackbird" by ZZ Top and "She's Just Killing Me" adds a touch of Southern rock and blues-rock to the soundtrack, further emphasizing the film's Tex-Mex and cross-border influences. These tracks, with their catchy riffs and driving rhythms, add a sense of fun and irreverence that echoes the film's blend of horror and comedy.
The soundtrack also features traditional Mexican music, including "Mariachi Suite" by Los Lobos, which adds an authentic cultural dimension to the album. This track, with its vibrant mariachi arrangement, reflects the film's setting and the cultural crossroads at the heart of the story.
In conclusion, "From Dusk Till Dawn: Music From The Motion Picture" is a dynamic and eclectic soundtrack that captures the essence of the film's genre-blending style. The diverse collection of songs not only serves to enhance the cinematic experience but also stands as a compelling compilation of music in its own right. The soundtrack's blend of rock, blues, country, and Latin music reflects the film's unique atmosphere and setting, making it an essential listen for fans of the movie and for those who appreciate a diverse and engaging musical experience.