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Amy Winehouse - Back To Black (LP) - US Pressing

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$66.00
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New
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Genre(s):
Funk, Soul, Soul
Format:
Vinyl Record LP
$66.00

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Amy Winehouse - Back To Black Vinyl Record Album Art
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Album Info

Artist: Amy Winehouse
Album: Back To Black
Released: US

Tracklist:

A1Rehab
Alto Saxophone - Andy Mackintosh, Chris Davies
Arranged By [Band] - Gabriel Roth, Mark Ronson
Arranged By [Orchestra], Conductor - Chris Elliott
Baritone Saxophone - Dave Bishop, Ian Hendrickson-Smith
Bass Guitar - Nick Movshon
Cello - Anthony Pleeth, Joely Koos, John Heley
Drums - Homer Steinweiss
Guitar - Binky Griptite, Thomas Brenneck
Handclaps - Mark Ronson, Vaughan Merrick
Harp - Helen Tunstall
Leader [Orchestra] - Perry Montague-Mason
Percussion - Frank Ricotti
Piano, Electric Piano [Wurlitzer], Handclaps - Victor Axelrod
Tenor Saxophone - Jamie Talbot, Mike Smith , Neal Sugarman
Tenor Trombone - Richard Edwards
Trumpet - Dave Guy, Steve Sidwell
Viola - Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt
Violin - Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski
A2You Know I'm No Good
Arranged By [Band] - Gabriel Roth, Mark Ronson
Baritone Saxophone - Ian Hendrickson-Smith
Bass Guitar - Nick Movshon
Drums - Homer Steinweiss
Guitar - Binky Griptite, Thomas Brenneck
Piano, Electric Piano [Wurlitzer], Handclaps - Victor Axelrod
Tenor Saxophone - Neal Sugarman
Trumpet - Dave Guy
A3Me And Mr Jones
Bass Trumpet, Flugelhorn - Bruce Purse
Double Bass [Upright Bass], Drums, Piano - Salaam Remi
Guitar, Backing Vocals - Amy Winehouse
Guitar, Baritone Saxophone, Tenor Saxophone - Vincent Henry
A4Just Friends
Bass - Salaam Remi
Clarinet, Bass Clarinet, Guitar - Vincent Henry
Drums - Troy Auxilly-Wilson
Guitar - Amy Winehouse
Organ, Electric Piano [Rhodes] - John Adams
Trumpet, Bass Trumpet, Flugelhorn - Bruce Purse
A5Back To Black
Alto Saxophone - Andy Mackintosh, Chris Davies
Arranged By [Band] - Gabriel Roth
Arranged By [Orchestra], Conductor - Chris Elliott
Baritone Saxophone - Dave Bishop
Bass Guitar - Nick Movshon
Cello - Anthony Pleeth, Joely Koos, John Heley
Drums - Homer Steinweiss
Guitar - Binky Griptite, Thomas Brenneck
Leader [Orchestra] - Perry Montague-Mason
Percussion - Frank Ricotti
Piano - Victor Axelrod
Tenor Saxophone - Jamie Talbot
Viola - Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt
Violin - Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski
Written-By - Amy Winehouse
Written-By, Arranged By [Band], Tambourine - Mark Ronson
A6Love Is A Losing Game
Alto Saxophone - Andy Mackintosh, Chris Davies
Arranged By [Band] - Gabriel Roth, Mark Ronson
Arranged By [Orchestra], Conductor - Chris Elliott
Baritone Saxophone - Dave Bishop
Bass Guitar - Nick Movshon
Cello - Anthony Pleeth, Joely Koos, John Heley
Drums - Homer Steinweiss
Guitar - Binky Griptite, Thomas Brenneck
Harp - Helen Tunstall
Leader [Orchestra] - Perry Montague-Mason
Percussion - Frank Ricotti
Piano - Victor Axelrod
Tenor Saxophone - Jamie Talbot, Mike Smith
Tenor Trombone - Richard Edwards
Trumpet - Steve Sidwell
Viola - Bruce White, Jon Thorne , Katie Wilkinson, Rachel Bolt
Violin - Boguslaw Kostecki, Chris Tombling, Liz Edwards, Everton Nelson, Jonathan Rees, Mark Berrow, Perry Montague-Mason, Peter Hanson, Tom Piggot-Smith, Warren Zielinski
B1Tears Dry On Their Own
Backing Vocals - Amy Winehouse
Baritone Saxophone, Tenor Saxophone, Alto Saxophone, Flute, Clarinet, Piano, Celesta, Guitar - Vincent Henry
Bass, Piano, Guitar - Salaam Remi
Drums, Tambourine - Troy Auxilly-Wilson
Performer [Uncredited, Sample Interpolation] - Marvin Gaye, Tammi Terrell
Trumpet, Bass Trumpet, Flugelhorn - Bruce Purse
Written-By - Amy Winehouse, Nickolas Ashford and Valerie Simpson
Written-By [Sample Interpolation] - Nickolas Ashford and Valerie Simpson
B2Wake Up Alone
Arranged By [Band] - Gabriel Roth
Bass Guitar - Nick Movshon
Drums - Homer Steinweiss
Guitar - Binky Griptite, Thomas Brenneck
Piano - Victor Axelrod
Written-By - Paul O'Duffy
B3Some Unholy War
Bass, Drums, Guitar - Salaam Remi
Guitar - Vincent Henry
Guitar, Backing Vocals - Amy Winehouse
Organ - John Adams
B4He Can Only Hold Her
Backing Vocals - Ade, Zalon
Baritone Saxophone - Cochemea Gastelum
Bass Guitar - Nick Movshon
Drums - Homer Steinweiss
Finger Snaps - Mark Ronson
Guitar - Binky Griptite, Thomas Brenneck
Percussion - Sam Koppelman
Performer [Uncredited, Sample interpolation] - The Icemen
Piano - Victor Axelrod
Producer [Original Demo] - PNut
Tenor Saxophone - Neal Sugarman
Trumpet - Dave Guy
Written-By - Amy Winehouse, Richard Poindexter, Robert Poindexter
Written-By [Sample Interpolation] - Robert Poindexter
Written-By [Sample interpolation] - Richard Poindexter
B5You Know I'm no Good
Arranged By [All band arrangements] - Gabriel Roth, Mark Ronson
Baritone Saxophone - Ian Hendrickson-Smith
Bass Guitar - Nick Movshon
Drums - Homer Steinweiss
Featuring - Ghostface Killah
Guitar - Binky Griptite, Thomas Brenneck
Piano, Electric Piano [Wurlitzer], Handclaps [Claps] - Victor Axelrod
Producer - Mark Ronson
Rap [Rap Vocals] - Ghostface Killah
Tenor Saxophone - Neal Sugarman
Trumpet - Dave Guy
Written-By - Amy Winehouse


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Description

It doesn't take much listening to Amy Winehouse's 1960s pop period piece to realize that this is a tribute with an edge--nice girls back then didn't sing about boozing and rehab. Since her 2003 debut album, FRANK, Winehouse has been a frequent presence on the gossip pages of the U.K. tabloids, and her songwriting here candidly reflects her experiences with drinking, sex, and drugs. BACK TO BLACK's production is an artful blend of sophisticated '60s R&B and 21st-century stylistic poaching, with "Tears Dry on Their Own" incorporating elements of Marvin Gaye and Tammi Terrell's "Ain't No Mountain High Enough," and Winehouse sounding like Billie Holiday fronting a reggae band on the old-fashioned cheating song "Just Friends." Densely packed with musical history and often conjuring a dark, Portishead-esque atmosphere, BACK TO BLACK is a sumptuous-sounding collection freighted with blunt confessionals of a lush life.




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Amy Winehouse's "Back to Black," released on October 27, 2006, is a timeless masterpiece that continues to resonate with listeners around the world. This album, which was Winehouse's second and final studio release, is often credited with revitalizing interest in soul music and influencing a new generation of artists.

"Back to Black" was met with critical acclaim upon its release, and it's easy to see why. The album's production, primarily handled by Mark Ronson and Salaam Remi, perfectly complements Winehouse's raw and emotive vocal delivery. The sound is a rich tapestry of 1960s soul, jazz, and R&B, with a modern twist that makes it feel both nostalgic and fresh.

One of the standout tracks, "Rehab," became an anthem of sorts, with its catchy chorus and candid lyrics about Winehouse's refusal to go to rehabilitation. The song's success was a testament to Winehouse's ability to blend personal storytelling with universal themes, a skill that permeates the entire album. "Rehab" not only topped charts worldwide but also won three Grammy Awards, including Record of the Year and Song of the Year.

Another highlight is the title track, "Back to Black," which delves into the depths of heartbreak and loss. The song's haunting melody and Winehouse's poignant delivery capture the essence of the album's themes of love, betrayal, and despair. The accompanying music video, with its black-and-white aesthetic, further emphasizes the song's somber tone.

The album's critical reception was overwhelmingly positive. Publications like Rolling Stone and The Guardian praised Winehouse's vocal prowess and the album's cohesive production. Rolling Stone even included "Back to Black" in its list of the 500 Greatest Albums of All Time, a testament to its enduring impact.

"Back to Black" was not only a commercial success, selling over 16 million copies worldwide, but it also garnered numerous accolades. At the 50th Annual Grammy Awards, the album won five awards, including Best Pop Vocal Album, making Winehouse the first British woman to win five Grammys in one night.

Beyond its commercial and critical success, "Back to Black" holds significant cultural importance. It played a pivotal role in the late 2000s soul revival, influencing artists like Adele, Duffy, and Florence Welch. Winehouse's candid exploration of her personal struggles with addiction and relationships resonated with many, making her a relatable and iconic figure.

The album's production is also worth noting. Mark Ronson's use of vintage recording techniques and live instrumentation gives the album a warm, authentic sound that sets it apart from the heavily produced pop music of the time. This approach not only highlighted Winehouse's vocal talent but also paid homage to the classic soul records that inspired her.

In interviews, Winehouse often spoke about her love for artists like The Shangri-Las and The Ronettes, and this influence is evident throughout "Back to Black." The album's retro sound, combined with Winehouse's modern lyrical sensibility, creates a unique listening experience that feels both timeless and contemporary.

In conclusion, "Back to Black" is more than just an album; it's a cultural milestone that showcases Amy Winehouse's extraordinary talent and artistic vision. Its blend of classic and modern elements, coupled with Winehouse's honest and powerful lyrics, ensures that it will remain a beloved classic for years to come. Whether you're a longtime fan or a newcomer to her music, "Back to Black" is an essential listen that captures the essence of Amy Winehouse's legacy.

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