Album Info
| Artist: | Grace Jones |
| Album: | Nightclubbing |
| Released: | Europe, 7 Mar 2025 |
Tracklist:
| A1 | Walking In The Rain | 4:18 |
| Written-By - H. Vanda/G. Young | ||
| A2 | Pull Up To The Bumper | 4:40 |
| Written-By - Dana Mano, G. Jones, Kookoo Baya | ||
| A3 | Use Me | 5:03 |
| Written-By - B. Withers | ||
| A4 | Nightclubbing | 5:04 |
| Written-By - D. Jones, J. Osterberg | ||
| B1 | Art Groupie | 2:40 |
| Written-By - B. Reynolds, G. Jones | ||
| B2 | I've Seen That Face Before (Libertango) | 4:28 |
| Written-By - A. Piazzolla, B. Reynolds, D. Wilkey, N. Delon | ||
| B3 | Feel Up | 4:02 |
| Written-By - G. Jones | ||
| B4 | Demolition Man | 4:04 |
| Written-By - Sting | ||
| B5 | I've Done It Again | 3:48 |
| Written-By - B. Reynolds, M. Faithfull |
Info About Buying Vinyl From Our Record Store
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Description
Grace Jones's 1981 album Nightclubbing is often hailed as a masterpiece, and for good reason. It represents a perfect synthesis of her unique artistic vision, the innovative production of the Compass Point All Stars, and a selection of songs that blend genres and styles in a way that feels both timeless and ahead of its time.
The album was recorded at Compass Point Studios in the Bahamas, with production helmed by Alex Sadkin and Island Records founder Chris Blackwell. The studio's house band, the Compass Point All Stars, provided the musical backbone, with contributions from musicians like Sly Dunbar and Robbie Shakespeare, whose rhythm section is integral to the album's sound. The result is a record that seamlessly fuses reggae, new wave, funk, and art pop, creating a soundscape that is as lush as it is minimalistic.
One of the standout tracks is the opening number, "Walking in the Rain", a cover of a song by Australian band Flash and the Pan. Jones's delivery is cool and detached, yet it carries an undeniable charisma. The track sets the tone for the album, with its hypnotic rhythm and atmospheric production. Another highlight is "Pull Up to the Bumper", a funk-infused track with a driving beat and suggestive lyrics that became one of Jones's signature songs. Its infectious groove and bold attitude make it a standout moment on the record.
The title track, "Nightclubbing", originally written by David Bowie and Iggy Pop, is transformed in Jones's hands into a sultry, slow-burning anthem. Her interpretation is both haunting and seductive, with a sparse arrangement that allows her voice to take centre stage. Other covers, like "Use Me" by Bill Withers and "I've Seen That Face Before (Libertango)", showcase Jones's ability to reinterpret songs in a way that makes them entirely her own.
Jones's vocal performance throughout the album is remarkable. Her voice is commanding and versatile, capable of conveying both strength and vulnerability. She uses her voice as an instrument, playing with phrasing and tone to create a sense of drama and intrigue. This, combined with the album's innovative production, makes Nightclubbing a truly immersive listening experience.
Upon its release, Nightclubbing received critical acclaim and solidified Jones's status as a music and style icon. It has since been recognised as one of the greatest albums of the 1980s, influencing countless artists across genres. Its impact can still be felt today, as it continues to inspire new generations of musicians and fans.
In conclusion, Nightclubbing is a landmark album that showcases Grace Jones at her artistic peak. Its blend of genres, innovative production, and Jones's magnetic presence make it a timeless classic that remains as compelling today as it was over four decades ago.
