Album Info
Artist: | Janelle Monáe |
Album: | Dirty Computer |
Gatefold: | Yes |
Released: | USA, Canada & Europe, 2018 |
Tracklist:
A1 | Dirty Computer | 1:59 |
Backing Vocals [Background Empathic Choir Vocals] - Brian Wilson, Matt Jardine | ||
Bass [Gristle Frequency Bass] - Jon Jon Traxx | ||
Cello - Grace Shim | ||
Drums [Additional Silicon Drums] - Soundwave | ||
Featuring - Brian Wilson | ||
Guitar [Amnesiac Strum Guitar] - Kellindo | ||
Performer - The Wondaland ArchOrchestra | ||
Synthesizer [Subterranean Waveform Synthesizer], Mallets [Mauve Mallets] - Jon Brion | ||
Violin - Alexander Page | ||
Written-By - Janelle Monáe Robinson, Nathaniel Irvin III | ||
A2 | Crazy, Classic, Life | 4:46 |
Bass [Gonosome Freaquency Bass] - Jon Jon Traxx | ||
Guitar [Little Red Strum Guitar] - Kellindo | ||
Synthesizer [Babel Waveform Synthesizer] - Jon Brion | ||
Written-By - Charles Joseph II, Janelle Monáe Robinson, Nathaniel Irvin III | ||
A3 | Take A Byte | 4:07 |
Backing Vocals [Background Worship Vocals] - Brian Wilson | ||
Bass [Elemental Freaquency Bass] - Thundercat | ||
Guitar [Wonder Giga Strum Guitar] - Kellindo | ||
Piano [Tickled Ivory] - Dennis Hamm | ||
Synthesizer [Binary Waveform Synthesizer] - Jon Brion | ||
Written-By - Janelle Monáe Robinson, John M. Webb Jr., Nana Kwabena Tuffuor, Nathaniel Irvin III | ||
A4 | Jane's Dream | 0:18 |
B1 | Screwed | 5:02 |
Arranged By [Additional Arrangement] - Jidenna | ||
Bass [Night Shift Freaquency Bass] - Jon Jon Traxx | ||
Featuring, Lead Vocals [Lead Resistance Vocals] - Zoë Kravitz | ||
Guitar [Revolutionary Strum Guitar] - Kellindo | ||
Lyrics By - Ben Hudson | ||
Recorded By - Marco Sonzini | ||
Synthesizer [Chisholm Abolition Waveform Synthesizer] - Nana Kwabena | ||
Vocals [Additional Proselytizing Hollers] - Tessa Thompson | ||
Written-By - Benjamin Hudson McIldowie, Charles Joseph II, Janelle Monáe Robinson, Nathaniel Irvin III, Roman GianArthur Irvin | ||
B2 | Django Jane | 3:10 |
Recorded By, Lyrics By, Lead Vocals [Lead Warrior Chant] - Janelle Monáe | ||
Sampler, Written-By, Performer - David Axelrod | ||
Written-By - Janelle Monáe Robinson, Nana Kwabena Tuffuor, Nathaniel Irvin III | ||
B3 | Pynk | 4:00 |
Featuring, Vocals [Gräfenberg Background Testimony] - Grimes | ||
Guitar [Sensual Strum Guitar] - Kellindo | ||
Lyrics By - Tayla Parx | ||
Sampler, Written-By - Glen Ballard, Richard Supa, Steven Tallarico | ||
Written-By - Charles Joseph II, Janelle Monáe Robinson, Nathaniel Irvin III, Taylor Parks, Wynne Bennett | ||
C1 | Make Me Feel | 3:14 |
Vocals [Vocal Alchemy] - Julia Michaels, Justin Tranter | ||
Written-By - Janelle Monáe Robinson, Julia Michaels, Justin Trantor, Matt Friedman, Robin Fredriksson | ||
C2 | I Got The Juice | 3:46 |
Backing Vocals [Background Geeked Up Chants] - The Skunks | ||
Featuring, Lyrics By, Lead Vocals [Lead Geeked Up Vocals] - Pharrell Williams | ||
Guitar [Sauce Strum Guitar] - Kellindo | ||
Lyrics By - Joshua Dean, Tayla Parx | ||
Lyrics By, Guitar [Sauce Strum Guitar] - Roman GianArthur | ||
Synthesizer [Strutting Waveform Synthesizer] - Andrew Horowitz | ||
Written-By - Janelle Monáe Robinson, Joshua Dean, Nana Kwabena Tuffuor, Nathaniel Irvin III, Pharrell Williams, Roman GianArthur Irvin, Taylor Parks | ||
C3 | I Like That | 3:20 |
Backing Vocals [Background Hell Naw Vocals] - Sleepy Brown, The Skunks , Todd Bergman | ||
Lyrics By - Tayla Parx | ||
Written-By - Janelle Monáe Robinson, Nathaniel Irvin III, Patrick L. Brown, Ray Murray, Rico Wade, Taylor Parks | ||
D1 | Don't Judge Me | 6:03 |
Backing Vocals [Background Anticipatory Vocals And Thoughts] - Isis Valentino | ||
Bass [Booty Bass] - Jon Jon Traxx | ||
Cello - Grace Shim | ||
Lyrics By - Josh Dean, Tayla Parx | ||
Orchestra - The Wondaland ArchOrchestera | ||
Violin [Violins] - Alexander Page | ||
Written-By - Janelle Monáe Robinson, Joshua Dean, Nathaniel Irvin III, Roman GianArthur Irvin, Taylor Parks | ||
D2 | Stevie's Dream | 0:46 |
Other [Oratory Blessings] - Stevie Wonder | ||
Written-By - Nathaniel Irvin III, Roman GianArthur Irvin | ||
D3 | So Afraid | 4:04 |
Guitar [Awe Strum Guitar] - Kellindo | ||
Percussion [Percussive Truths] - Jon Jon Traxx | ||
Synthesizer [Vulnerability Waveform Synthesizer] - Jon Brion | ||
Written-By - Janelle Monáe Robinson, Nathaniel Irvin III | ||
D4 | Americans | 4:06 |
Guitar [Hope Strum Guitar] - Kellindo | ||
Written-By - Charles Joseph II, Janelle Monáe Robinson, John M. Webb Jr., Nathaniel Irvin III |
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Description
Janelle Monáe's album "Dirty Computer," released on April 27, 2018, is a vibrant and audacious exploration of identity, sexuality, and societal norms, wrapped in a futuristic pop sound that is both infectious and thought-provoking. This album marks a significant evolution in Monáe's artistry, showcasing her growth as a musician and a storyteller. It has been widely praised by critics and fans alike, earning a Grammy nomination for Best Urban Contemporary Album and solidifying her place as a leading voice in contemporary music.
From the very first track, "Dirty Computer (Emotion Picture)," listeners are thrust into Monáe's world, where she blends genres seamlessly, incorporating elements of funk, R&B, and pop. The album is structured like a narrative, with each song contributing to a larger story about self-acceptance and the struggles faced by marginalized communities. The standout track, "Make Me Feel," is a celebration of love and desire, drawing comparisons to Prince's iconic sound. Its infectious groove and catchy chorus make it an instant classic, and it’s no surprise that it became a fan favorite.
Another highlight is "PYNK," featuring the talented Grimes. This track is a bold anthem of femininity and empowerment, with lyrics that embrace the beauty of womanhood. The accompanying music video is a visual feast, filled with vibrant colors and striking imagery that further emphasizes the song's themes. Monáe's ability to blend visual art with her music is one of the many reasons she stands out in the industry.
Critics have lauded "Dirty Computer" for its ambitious scope and production quality. The album was produced by a team of talented individuals, including Nate "Rocket" Wonder and Chuck Lightning, who helped craft its eclectic sound. The production is polished yet retains a raw energy that makes it feel alive. Major publications like Rolling Stone and Pitchfork have praised the album, with Pitchfork calling it "a bold statement of identity and self-acceptance" and highlighting Monáe's ability to tackle complex themes with grace and style.
The cultural significance of "Dirty Computer" cannot be overstated. In a time when discussions about race, gender, and sexuality are at the forefront of societal discourse, Monáe's work resonates deeply. She uses her platform to advocate for LGBTQ+ rights and to challenge the status quo, making her an important figure in the music industry and beyond. The album's themes of liberation and self-expression are particularly poignant, as Monáe herself identifies as pansexual, and she has been open about her experiences and the importance of representation in media.
One of the most interesting aspects of "Dirty Computer" is its accompanying "emotion picture," a 48-minute visual narrative that serves as a companion piece to the album. This film not only enhances the listening experience but also provides a deeper understanding of the themes Monáe explores. It features stunning visuals and a compelling storyline that ties together the songs in a cohesive manner, showcasing Monáe's artistic vision.
In terms of personal anecdotes, Monáe has shared that the album was inspired by her own experiences of feeling like an outsider and the desire to create a space where everyone can feel accepted. This personal touch adds an extra layer of authenticity to the album, making it relatable to many listeners who have faced similar struggles.
Overall, "Dirty Computer" is a landmark album that showcases Janelle Monáe's unique artistry and her commitment to pushing boundaries. It’s a celebration of individuality and a call to embrace one’s true self, wrapped in a package of infectious beats and thought-provoking lyrics. Whether you're dancing to "Make Me Feel" or reflecting on the deeper messages in tracks like "Django Jane," this album is a testament to Monáe's talent and her role as a cultural icon. If you haven't yet experienced "Dirty Computer," it's definitely worth a listen—it's not just an album; it's an experience.