Album Info
Artist: | Pages |
Album: | Pages |
Released: | Europe, 27 Sept 2024 |
Tracklist:
A1 | Clearly Kim | 3:23 |
Arranged By [Horns] - Bobby Colomby, Tom Malone | ||
Bass [Solo] - Jerry Manfredi | ||
Drums - Russ Battlene | ||
Electric Piano [Fender Rhodes], Synthesizer [Mini-moog, solo], Backing Vocals - Steve George | ||
Guitar - Peter Leinheiser | ||
Lead Vocals, Backing Vocals, Clavinet - Richard Page | ||
Percussion - Steve Forman | ||
Written-By - J. Lang, R. Page, S. George | ||
A2 | This Is For The Girls | 3:29 |
Backing Vocals - Philip Bailey | ||
Bass - Jerry Manfredi | ||
Drums - Russ Battelene | ||
Electric Guitar, Acoustic Guitar - Peter Leinheiser | ||
Electric Piano [Fender Rhodes], Synthesizer [Mini-moog], Backing Vocals - Steve George | ||
Lead Vocals, Backing Vocals - Richard Page | ||
Percussion - Claudio Slon | ||
Vibraphone - Victor Feldman | ||
Written-By - J. Lang, R. Page | ||
A3 | Let It Go | 4:14 |
Backing Vocals - Bobby Colomby | ||
Bass - Jerry Manfredi | ||
Drums - Russ Battelene | ||
Guitar - Peter Leinheiser | ||
Guitar [Solo], Backing Vocals - Richard Page | ||
Lead Vocals, Backing Vocals, Electric Piano [Fender Rhodes], Synthesizer [Yamaha CS-80 & Mini-moog solo] - Steve George | ||
Percussion - Claudio Slon | ||
Vocals - Lani Groves | ||
Written-By - J. Lang, R. Page, S. George | ||
A4 | Listen For The Love | 3:44 |
Arranged By [Horns] - Randy Brecker | ||
Backing Vocals - Donna Fien, Linda Mallah, Mary Hylan | ||
Backing Vocals, Percussion - Bobby Colomby | ||
Bass - Jerry Manfredi | ||
Drums - Russ Battelene | ||
Guitar [Solo] - Peter Leinheiser | ||
Lead Vocals, Backing Vocals - Richard Page | ||
Lead Vocals, Backing Vocals, Grand Piano - Steve George | ||
Percussion - Claudio Slon | ||
Written-By - J. Manfredi, J. Lang, R. Page, S. George | ||
A5 | Love Dance | 2:07 |
Arranged By [Strings], Conductor - Dave Grusin | ||
Bass - Jerry Manfredi | ||
Drums - Russ Battelene | ||
Electric Piano [Fender Rhodes], Synthesizer [Mini-moog] - Steve George | ||
Guitar - Peter Leinheiser | ||
Percussion - Chuck Silverman, Steve Forman | ||
Written-By - J. Manfredi | ||
B1 | If I Saw You Again | 3:24 |
Arranged By [Strings] - Dave Grusin | ||
Backing Vocals - Bobby Colomby | ||
Bass - Jerry Manfredi | ||
Drums - Russ Battelene | ||
Electric Piano [Fender Rhodes], Synthesizer [Yamaha CS-80], Synthesizer [Mini-moog] - Steve George | ||
Guitar [Solo] - Peter Leinheiser | ||
Lead Vocals, Backing Vocals - Richard Page | ||
Percussion - Claudio Slon | ||
Written-By - J. Manfredi, J. Lang, R. Page, S. George | ||
B2 | Interlude | 1:00 |
Written-By, Arranged By [Strings], Conductor - D. Grusin | ||
B3 | It's Alright | 3:26 |
Arranged By [Strings] - Dave Grusin | ||
Backing Vocals - Lani Groves, Steve George | ||
Bass - Jerry Manfredi | ||
Drums - Russ Battelene | ||
Guitar - Peter Leinheiser | ||
Lead Vocals, Backing Vocals, Grand Piano - Richard Page | ||
Tenor Saxophone [Solo] - Michael Brecker | ||
Written-By - J. Manfredi, J. Lang, R. Page, S. George | ||
B4 | Room At The Top | 3:50 |
Bass - Jerry Manfredi | ||
Congas - Francisco Aquabella | ||
Drums - Russ Battelene | ||
Electric Piano [Fender Rhodes], Synthesizer [Oberheim], Backing Vocals - Steve George | ||
Guitar [Solo] - Peter Leinheiser | ||
Lead Vocals, Backing Vocals, Clavinet - Richard Page | ||
Timbales - Chuck Silverman | ||
Written-By - J. Manfredi, J. Lang, R. Page, S. George | ||
B5 | I Get It From You | 4:12 |
Arranged By [Strings & Flutes] - Dave Grusin | ||
Bass - Jerry Manfredi | ||
Drums - Russ Battelene | ||
Electric Piano [Fender Rhodes], Backing Vocals - Steve George | ||
Guitar - Peter Leinheiser | ||
Lead Vocals, Backing Vocals - Richard Page | ||
Percussion - Tim Downs | ||
Vibraphone - Victor Feldman | ||
Written-By - J. Lang, R. Page, S. George |
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Description
"Pages" by Pages is an album that often flies under the radar, but it deserves a moment in the spotlight. Released in 1978, this self-titled debut album from the duo of David Foster and Jay Graydon showcases a blend of soft rock and pop that was emblematic of the era. Foster, who would go on to become a legendary producer and songwriter, and Graydon, a talented guitarist and songwriter, created a sound that is both polished and heartfelt.
The album features a collection of tracks that highlight the duo's impressive musicianship and songwriting skills. One of the standout tracks is "I’ll Be Over You," which later became a hit for Toto, a band that Foster would frequently collaborate with. The song's poignant lyrics and smooth melodies encapsulate the essence of late '70s soft rock, making it a timeless piece that resonates with listeners even today. Another notable track is "Love Is the Answer," which showcases their ability to blend catchy hooks with thoughtful lyrics, a hallmark of Foster's later work.
Critically, "Pages" received a warm reception, with many reviewers praising the duo's harmonies and the album's production quality. Major publications like Billboard and Rolling Stone recognized the album's potential, noting its lush arrangements and the seamless integration of pop and rock elements. While it may not have garnered the same level of fame as some of Foster's later projects, it certainly laid the groundwork for his illustrious career.
One interesting aspect of the album is its production. Foster and Graydon were not just performers; they were also deeply involved in the production process, which was somewhat unusual for artists at the time. Their attention to detail and commitment to crafting a polished sound is evident throughout the album. The lush instrumentation, featuring strings and horns, adds a rich texture that elevates the listening experience.
In terms of cultural significance, "Pages" represents a moment in music history where soft rock was at its peak. The late '70s was a time when artists were exploring new sounds and pushing the boundaries of pop music. Foster and Graydon's work on this album contributed to the evolution of the genre, influencing countless artists who followed in their footsteps.
Personal anecdotes from the duo reveal their passion for music and the creative process. In interviews, Foster has mentioned how they would often spend long hours in the studio, experimenting with different sounds and arrangements. This dedication is palpable in the final product, as each track feels meticulously crafted yet emotionally resonant.
Despite its initial release being over four decades ago, "Pages" has found a new audience in recent years, thanks in part to the resurgence of interest in classic rock and soft rock. Many listeners are discovering the album for the first time, drawn in by its nostalgic sound and the undeniable talent of its creators. It’s a testament to the timeless quality of the music that it continues to resonate with new generations.
In conclusion, "Pages" is an album that deserves more recognition than it often receives. With its beautiful melodies, thoughtful lyrics, and exceptional production, it stands as a significant work in the soft rock genre. Whether you're a longtime fan of David Foster or just discovering his music, this album is a delightful listen that showcases the early brilliance of two incredibly talented musicians. So, if you haven't yet given it a spin, I highly recommend you do—it's a hidden gem waiting to be appreciated.