Album Info
Artist: | A$AP Rocky |
Album: | At.Long.Last.A$AP |
Released: | US, 26 Aug 2016 |
Tracklist:
A1 | Holy Ghost | |
Co-producer - DJ Khalil | ||
Featuring - Joe Fox | ||
Mixed By - Kennie Takahashi | ||
Producer - Danger Mouse | ||
Recorded By - Hector Delgado | ||
Recorded By, Mixed By [Assisted] - Todd Monfalcone | ||
A2 | Canal St. | |
Featuring - Bones | ||
Mixed By - Derek Ali | ||
Mixed By [Assisted] - James Hunt , Matt Schafer | ||
Producer - A$AP Rocky, Frans Mernick | ||
Producer, Recorded By [A$AP Rocky] - Hector Delgado | ||
Recorded By [Assisted] - Tom Upex | ||
A3 | Fine Whine | |
Arranged By, Recorded By, Mixed By - Hector Delgado | ||
Featuring - Future , Joe Fox, M.I.A. | ||
Producer - S.I.K. | ||
Producer [Additional] - THC | ||
Recorded By [Assisted] - Beatriz Artola | ||
A4 | L$D | |
Co-producer - Rakim Mayers | ||
Co-producer, Programmed By, Keyboards, Recorded By, Mixed By - Hector Delgado | ||
Guitar - Michael Burman | ||
Producer, Programmed By, Keyboards - FNZ, Jim Jonsin | ||
Recorded By - Nikolas Marzouca | ||
Recorded By [Assisted] - Dana Richard, Nathan Burgess | ||
Recorded By [Assisted], Mixed By [Assisted] - Taheed Watson, Todd Monfalcone | ||
Vocals [Additional] - Joe Fox | ||
A5 | Excuse Me | |
Guitar - Michael Burman | ||
Producer - A$AP Rocky, Vulkan The Krusader | ||
Producer, Programmed By, Keyboards - FNZ, Jim Jonsin | ||
Producer, Programmed By, Keyboards, Recorded By, Mixed By - Hector Delgado | ||
Recorded By - Nikolas Marzouca | ||
Recorded By [Assisted] - Dana Richard, Nathan Burgess | ||
B1 | JD | |
Arranged By, Recorded By - Hector Delgado | ||
Mixed By - Derek Ali | ||
Mixed By [Assisted] - James Hunt , Matt Schafer | ||
Producer - Plu2o Nash | ||
Recorded By [Assisted] - Beatriz Artola | ||
B2 | Lord Pretty Flacko Jodye 2 (LPFJ2) | |
Mixed By - Jason Schweitzer | ||
Producer - Mario Loving, Nesbitt Wesonga | ||
Recorded By, Mixed By - Hector Delgado | ||
B3 | Electric Body | |
Featuring - Schoolboy Q | ||
Mixed By - Derek Ali | ||
Mixed By [Assisted] - James Hunt , Matt Schafer | ||
Producer [Additional] - Danger Mouse, THC , Teddy Walton | ||
Producer, Recorded By - Hector Delgado | ||
Recorded By [Assisted] - Dan Fyfe, Taheed Watson, Todd Monfalcone | ||
Vocals [Additional] - Joe Fox, King Kanobby, Theola "Theezy" Borden | ||
B4 | Jukebox Joints | |
Arranged By, Recorded By, Mixed By - Hector Delgado | ||
Featuring - Joe Fox | ||
Featuring, Producer - Kanye West | ||
Producer - Che Pope | ||
Recorded By - Noah Goldstein | ||
Recorded By, Mixed By - Beatriz Artola | ||
B5 | Max B | |
Featuring - Joe Fox | ||
Mixed By - Derek Ali | ||
Mixed By [Assisted] - James Hunt , Matt Schafer | ||
Producer - A$AP Rocky | ||
Producer [Assisted] - Pablo Dylan | ||
Producer, Recorded By - Hector Delgado | ||
Recorded By - Beatriz Artola | ||
C1 | Pharsyde | |
Featuring, Guitar - Joe Fox | ||
Mixed By - Kennie Takahashi | ||
Producer - Danger Mouse | ||
Producer [Additional] - Frans Mernick | ||
Recorded By - Hector Delgado | ||
Recorded By, Mixed By [Assisted] - Todd Monfalcone | ||
C2 | Wavybone | |
Edited By [Pimp C] - Michael "Crazy Mike" Foster | ||
Featuring - UGK | ||
Featuring, Producer - Juicy J | ||
Mixed By - Derek Ali | ||
Mixed By [Assisted] - James Hunt , Matt Schafer | ||
Producer - Crazy Mike, Lil Awree | ||
Producer [Additional], Arranged By, Recorded By - Hector Delgado | ||
Recorded By [Juicy J] - Michael "Crazy Mike" Foster | ||
C3 | West Side Highway | |
Featuring - James Fauntleroy | ||
Mixed By - Kennie Takahashi | ||
Producer - Danger Mouse | ||
Producer [Additional] - Frans Mernick | ||
Recorded By, Mixed By [Assisted] - Todd Monfalcone | ||
Vocals [Background] - Christina Milian | ||
C4 | Better Things | |
Mixed By - Kennie Takahashi | ||
Mixed By [Assisted] - Todd Monfalcone | ||
Producer, Recorded By - Frans Mernick | ||
Recorded By, Mixed By - Hector Delgado | ||
D1 | M'$ | |
Co-producer, Mixed By - Mike Dean | ||
Featuring - Lil Wayne | ||
Producer - Da Honorable C.N.O.T.E. | ||
Recorded By [2 Chainz] - Angel Apontel | ||
Recorded By, Mixed By [Additional], Edited By - Hector Delgado | ||
Vocals [Additional] - 2 Chainz | ||
D2 | Dreams (Interlude) | |
Mixed By [Assisted], Edited By [Assisted], Arranged By [Assisted] - Todd Monfalcone | ||
Producer - A$AP Rocky, Frans Mernick | ||
Recorded By, Mixed By, Edited By, Arranged By - Hector Delgado | ||
D3 | Everyday | |
Co-producer - Jeff Bhasker | ||
Engineer - Austen Jux-Chandler, Jason Staniulis, Kenta Yoneksaka, Rhys Downing, Riccardo Damian | ||
Featuring - Rod Stewart | ||
Featuring, Engineer - Miguel | ||
Featuring, Keyboards, Bass, Drum Programming, Producer, Engineer - Mark Ronson | ||
Guitar - Dan Auerbach | ||
Keyboards - Victor Axelrod | ||
Mixed By - Jaycen Joshua | ||
Mixed By [Assisted] - Maddox Chimm, Ryan Kaul | ||
Producer [Additional] - A$AP Rocky, Hudson Mohawke, Tom Elmhirst | ||
Producer [Additional], Drum Programming, Engineer - Frans Mernick | ||
Producer, Drum Programming - Emile Haynie | ||
Recorded By [A$AP Rocky] - Hector Delgado | ||
Vocals [Additional] - Yasiin Bey | ||
D4 | Back Home | |
Bass - Carter Lang | ||
Co-producer - DDot Omen, Rakim Mayers | ||
Featuring - Yams, Acyde, Mos Def | ||
Mixed By - Derek Ali | ||
Mixed By [Assisted] - James Hunt , Matt Schafer | ||
Producer - Frans Mernick, Thelonious Martin | ||
Recorded By - Beatriz Artola, Hector Delgado | ||
Recorded By [Assisted] - Max Ervin, Taheed Watson | ||
Trumpet - Will Miller | ||
Vocals [Additional] - Acyde, Anthony Pavel |
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Description
A$AP Rocky's album "At.Long.Last.A$AP," released on May 26, 2015, is a fascinating exploration of the rapper's evolution, both musically and personally. This sophomore effort came after a significant gap following his debut album, "Long.Live.A$AP," and it showcases a more introspective and mature Rocky, grappling with fame, loss, and identity.
The album was met with critical acclaim upon its release, with many reviewers praising its ambitious production and Rocky's lyrical depth. Major publications like Pitchfork and Rolling Stone highlighted the album's eclectic sound, which blends elements of hip-hop, psychedelic rock, and even jazz. The production features contributions from notable figures such as Danger Mouse, Mark Ronson, and Kanye West, creating a rich tapestry of sound that complements Rocky's unique style.
One of the standout tracks is "L$D," which is both a love letter and a psychedelic journey, showcasing Rocky's ability to blend romantic themes with experimental sounds. The song's dreamy production and introspective lyrics resonate deeply, making it a fan favorite. Another highlight is "Everyday," featuring Rod Stewart, Miguel, and Mark Ronson, which combines a catchy hook with a reflective narrative about the struggles of everyday life. The collaboration is a testament to Rocky's ability to bring together diverse artists and create something fresh and engaging.
The album also holds cultural significance, as it was released during a time when hip-hop was increasingly embracing experimental sounds and themes. Rocky's willingness to push boundaries and explore new musical territories has influenced a generation of artists who followed in his footsteps. The album's cover art, featuring a striking image of Rocky in a surreal landscape, further emphasizes the artistic vision he aimed to convey.
In terms of accolades, "At.Long.Last.A$AP" was nominated for Best Rap Album at the 58th Annual Grammy Awards, which speaks to its impact and recognition within the industry. While it didn't win, the nomination itself highlighted Rocky's status as a leading figure in contemporary hip-hop.
Interestingly, the album was also marked by personal tragedy for Rocky. The passing of his close friend A$AP Yams, a key figure in the A$AP Mob collective, deeply affected the album's themes. Rocky has mentioned in interviews how Yams' influence and untimely death shaped the emotional landscape of the project. This sense of loss permeates the album, adding a layer of depth that resonates with listeners.
The production of "At.Long.Last.A$AP" is noteworthy for its experimental nature. Rocky and his collaborators took risks, incorporating unconventional sounds and structures that set the album apart from typical hip-hop releases. The use of live instrumentation, particularly in tracks like "Jukebox Joints," showcases a departure from the standard beat-driven approach, allowing for a more organic feel.
Fans of A$AP Rocky will appreciate the growth he displays throughout the album. His lyrical content delves into themes of fame, substance use, and the complexities of relationships, reflecting a more vulnerable side of the artist. This shift is particularly evident in tracks like "Pharsyde," where he contemplates his place in the world and the pressures that come with success.
Overall, "At.Long.Last.A$AP" is a significant entry in A$AP Rocky's discography and a landmark album in the hip-hop genre. Its blend of introspection, innovative production, and cultural commentary makes it a must-listen for anyone interested in the evolution of modern rap. Whether you're a long-time fan or new to Rocky's music, this album offers a rich listening experience that invites you to explore the depths of his artistry.