Album Info
Artist: | Eminem |
Album: | Encore |
Gatefold: | Yes |
Released: | Europe, 9 Dec 2013 |
Tracklist:
A1 | Curtains Up (Skit) | 0:46 |
A2 | Evil Deeds | 4:19 |
Keyboards - Mark Batson, Mike Elizondo | ||
Keyboards [Intro] - Luis Resto | ||
Producer - Dr. Dre | ||
Written-By - A. Young, C. Pope, M. Batson, M. Mathers, M. Elizondo | ||
A3 | Never Enough | 2:39 |
Featuring - 50 Cent, Nate Dogg | ||
Keyboards - Mike Elizondo | ||
Producer - Dr. Dre, Mike Elizondo | ||
Written-By - A. Young, C. Jackson, M. Mathers, M. Elizondo, N. Hale | ||
A4 | Yellow Brick Road | 5:46 |
Guitar, Mandolin - Steve King | ||
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - L. Resto, M. Mathers, S. King | ||
Written-By [Funkin Lesson] - G. Shider, G. Clinton, Jr., J.Hunter, W. Morrison | ||
A5 | Like Toy Soldiers | 4:56 |
Bass, Guitar - Steve King | ||
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - L. Resto, M. Mathers | ||
Written-By, Written-By [Toy Soldiers] - M. Dawson, M. J. Margules | ||
B1 | Mosh | 5:17 |
Guitar - Mike Elizondo | ||
Keyboards - Mark Batson, Mike Elizondo | ||
Producer - Dr. Dre, Mark Batson | ||
Written-By - A. Young, C. Pope, M. Batson, M. Mathers, M. Elizondo | ||
B2 | Puke | 4:07 |
Bass, Guitar - Steve King | ||
Keyboards - Luis Resto | ||
Performer [We Will Rock You] - Queen | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - L. Resto, M. Mathers, S. King | ||
Written-By, Written-By [We Will Rock You] - B. May | ||
B3 | My 1st Single | 5:02 |
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - L. Resto, M. Mathers | ||
B4 | Paul (Skit) | 0:31 |
B5 | Rain Man | 5:13 |
Keyboards - Mark Batson, Mike Elizondo | ||
Producer - Dr. Dre | ||
Written-By - A. Young, C. Pope, M. Batson, M. Mathers, M. Elizondo | ||
C1 | Big Weenie | 4:26 |
Guitar - Mike Elizondo | ||
Keyboards - Mark Batson, Mike Elizondo | ||
Keyboards [Additional] - Luis Resto | ||
Producer - Dr. Dre | ||
Written-By - A. Young, C. Pope, M. Batson, M. Mathers, M. Elizondo | ||
C2 | Em Calls Paul (Skit) | 1:11 |
C3 | Just Lose It | 4:08 |
Guitar - Mike Elizondo | ||
Keyboards - Mark Batson, Mike Elizondo | ||
Producer - Dr. Dre, Mike Elizondo | ||
Written-By - A. Young, C. Pope, M. Batson, M. Mathers, M. Elizondo | ||
Written-By [Loose Yourself] - J. Bass, L. Resto, M. Mathers | ||
Written-By [U Can't Touch This] - A. Miller, K. Burrell, R. James | ||
Written-By [Without Me] - A. Dudley, J. Bass, K. Bell, M. McLaren, M. Mathers, T. Horn | ||
C4 | Ass Like That | 4:25 |
Guitar [Sitar Guitar], Keyboards - Mike Elizondo | ||
Producer - Dr. Dre, Mike Elizondo | ||
Written-By - A. Young, C. Pope, M. Batson, M. Mathers, M. Elizondo | ||
C5 | Spend Some Time | 5:10 |
Featuring - 50 Cent, Obie trice, Stat Quo | ||
Guitar - Steve King | ||
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - C. Jackson, L. Resto, M. Mathers, O. trice, S. Benton, S. King | ||
Written-By, Written-By [Self Seeking Man] - G. Wright | ||
D1 | Mockingbird | 4:10 |
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - L. Resto, M. Mathers | ||
D2 | Crazy In Love | 4:02 |
Bass, Guitar - Steve King | ||
Keyboards - Luis Resto | ||
Performer [Crazy On You] - Heart | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - L. Resto, M. Mathers | ||
Written-By, Written-By [Crazy On You] - A. Wilson, N. Wilson, R. Fisher | ||
D3 | One Shot 2 Shot | 4:26 |
Featuring - D-12 | ||
Guitar - Steve King | ||
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production] - Luis Resto | ||
Written-By - D. Porter, L. Resto, M. Mathers, O. Moore, R. Johnson, V. Carlisle | ||
D4 | Final Thought (Skit) | 0:30 |
D5 | Encore (Curtains) | 5:48 |
Featuring - 50 Cent, Dr. Dre | ||
Guitar - Mike Elizondo | ||
Keyboards - Mark Batson, Mike Elizondo | ||
Keyboards [Additional] - Luis Resto | ||
Producer - Dr. Dre, Mark Batson | ||
Programmed By [Additional Programming] - Che Vicious | ||
Written-By - A. Young, C. Pope, C. Jackson, M. Batson, M. Mathers, M. Elizondo |
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Description
Eminem's 2004 album Encore stands as a significant chapter in the rapper's storied career. Released on November 12, 2004, the album followed the massive success of The Eminem Show and was highly anticipated by fans and critics alike. However, Encore is often remembered as a polarising entry in Eminem's discography, showcasing both his lyrical prowess and a shift in tone that sparked varied reactions.
The album features a mix of introspective tracks and the kind of provocative, satirical songs that Eminem is known for. Tracks like "Mockingbird" and "Like Toy Soldiers" highlight Eminem's ability to delve into personal and emotional territory, with "Mockingbird" being a heartfelt letter to his daughter and "Like Toy Soldiers" addressing conflicts within the music industry. These songs are often praised for their sincerity and depth, showcasing Eminem's storytelling skills and his knack for crafting compelling narratives.
On the other hand, Encore also includes tracks like "Just Lose It" and "Ass Like That", which lean heavily into humour and absurdity. While these songs demonstrate Eminem's playful side, they also drew criticism for their juvenile tone and reliance on shock value. This dichotomy in the album's content reflects a transitional period in Eminem's career, as he grappled with fame, personal struggles, and the expectations of his audience.
Production-wise, Encore features contributions from long-time collaborators Dr. Dre and Mike Elizondo, among others. The beats are polished and varied, ranging from the haunting piano-driven melody of "Mockingbird" to the upbeat and quirky rhythm of "Just Lose It." The production complements Eminem's dynamic delivery and helps to underscore the themes of each track.
Despite its mixed reception, Encore achieved commercial success, debuting at number one on the Billboard 200 and earning multi-platinum certifications. It spawned several hit singles and solidified Eminem's status as one of the most influential artists of his time. However, the album's uneven quality and controversial content have made it a topic of debate among fans and critics, with some viewing it as a misstep and others appreciating its raw honesty and experimentation.
In retrospect, Encore serves as a snapshot of Eminem's career at a crossroads. It captures the tension between his desire to push boundaries and the challenges of maintaining artistic integrity in the face of immense pressure. While it may not be his most celebrated work, it remains an important part of his journey and a testament to his willingness to take risks and explore new territory.