Album Info
Artist: | Eminem |
Album: | The Marshall Mathers LP 2 |
Released: | Europe, 2013 |
Tracklist:
A1 | Bad Guy | 7:14 |
Chorus, Vocals [Part 1] - Sarah Jaffe | ||
Co-producer - Vinny Venditto | ||
Keyboards [Additional Part 1] - Luis Resto | ||
Keyboards [Additional Part 2] - I.L.O | ||
Mixed By - Eminem, Mike Strange | ||
Performer [Part 1 - Hocus Pokus] - Walter Murphy | ||
Performer [Part 2 - Ode To Billie Joe] - Lou Donaldson | ||
Producer [Part 1] - M-Phazes, S1 | ||
Producer [Part 2] - Streetrunner | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Recorded By [Chorus Vocals] - Maurice "Malex" Alexander | ||
A2 | Parking Lot (Skit) | 0:55 |
Producer - Eminem | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - M. Mathers | ||
A3 | Rhyme Or Reason | 5:01 |
Edited By [Digital Editing] - Jason Lader | ||
Engineer [Assistant] - Dave "Squirrel" Covell, Eric Lynn, Phillip Broussard Jr., Sean Oakley | ||
Keyboards - Luis Resto | ||
Mixed By - Eminem, Mike Strange | ||
Producer - Eminem, Rick Rubin | ||
Recorded By - Jason Lader, Joe Strange , Mike Strange, Tony Campana | ||
Written-By - M. Mathers, R. Argent | ||
A4 | So Much Better | 4:21 |
Bass Guitar - Mike Strange | ||
Mixed By - Eminem, Mike Strange | ||
Producer - Eminem | ||
Producer [Additional] - Luis Resto | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - L. Resto, M. Mathers | ||
B1 | Survival | 4:32 |
Chorus, Vocals - Liz Rodrigues Of The New Royales | ||
Drum Programming - Khalil Abdul Rahman | ||
Guitar - Erik Alcock | ||
Guitar [Additional] - Mike Strange, Pranam Injeti | ||
Mixed By - Eminem, Mike Strange | ||
Producer - DJ Khalil | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - E. Alcock, K. Rahman, L. Rodrigues, M. Mathers, M. Strange, P. Injeti | ||
B2 | Legacy | 4:56 |
Keyboards [Additional] - Luis Resto | ||
Mixed By - Eminem, Mike Strange | ||
Producer - Emile Haynie | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Vocals [Additional] - Polina | ||
Written-By - D. Brook, E. Haynie, M. Mathers, P. Goudieva | ||
B3 | Asshole | 4:48 |
Featuring - Skylar Grey | ||
Keyboards [Additional] - Luis Resto | ||
Mixed By - Manny Marroquin | ||
Mixed By [Assisted By] - Chris Galland, Delbert Bowers | ||
Producer - Alex Da Kid | ||
Producer [Additional] - Eminem | ||
Recorded By - Joe Strange , Josh Mosser, Mike Strange, Tony Campana | ||
Written-By - A. Grant, H. Hafermann, L. Resto, M. Mathers | ||
B4 | Berzerk | 3:58 |
Edited By [Digital Editing], Guitar, Keyboards - Jason Lader | ||
Engineer [Assistant] - Dave "Squirrel" Covell, Eric Lynn, Phillip Broussard Jr., Sean Oakley | ||
Engineer [Mix] - Mauricio "Veto" Iragorri | ||
Guitar [Additional] - Mike Strange | ||
Keyboards [Additional] - Luis Resto | ||
Mixed By - Dr. Dre, Veto | ||
Performer [Feel Me Flow] - Naughty By Nature | ||
Performer [Fight For Your Right] - The Beastie Boys | ||
Performer [The Stroke] - Billy Squier | ||
Producer - Rick Rubin | ||
Recorded By - Jason Lader, Joe Strange , Mike Strange, Tony Campana | ||
Written-By - A. Horowitz, A. Yauch, A. Criss, A. Neville, W. Squier, C. Neville, J. Modeliste, K. Gist, M. Mathers, R. Rubin, V. Brown | ||
C1 | Rap God | 6:03 |
Co-producer - Filthy | ||
Instruments [All Instruments Played By] - DVLP | ||
Keyboards [Additional], Programmed By [Additional] - Joe Strange | ||
Mixed By - Eminem, Mike Strange | ||
Producer - DVLP (Develop) | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - B. Zayas Jr., D. Birks, D. Davis, F. Shaheed, J. Burns, J. Lee, K. Nazel, M. Mathers, M. Delgiorno, L. Walters, S. Hacker | ||
C2 | Brainless | 4:46 |
Keyboards - Luis Resto | ||
Mixed By - Eminem, Mike Strange | ||
Producer - Eminem | ||
Producer [Additional] - Luis Resto | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - L. Resto, M. Mathers | ||
C3 | Stronger Than I Was | 5:36 |
Keyboards - Luis Resto | ||
Mixed By - Eminem, Mike Strange | ||
Producer - Eminem | ||
Producer [Additional] - Luis Resto | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - L. Resto, M. Mathers | ||
C4 | The Monster | 4:10 |
Backing Vocals - Bebe | ||
Co-producer - Aalias | ||
Engineer [Assistant Mix] - RJ Colston | ||
Engineer [Mix] - Mauricio "Veto" Iragorri | ||
Featuring - Rihanna | ||
Keyboards [Additional] - Luis Resto | ||
Mixed By - Dr. Dre, Veto | ||
Producer - Frequency | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - A. Kleinstub, B. Rexha, B. Fryzel, J. Bellion, M. Athanasiou, M. Mathers, R. Fenty | ||
D1 | So Far... | 5:17 |
Edited By [Digital Editing] - Brent Kolatalo, Jason Lader, Ken Lewis | ||
Guitar, Bass, Keyboards - Jason Lader | ||
Keyboards [Additional] - Luis Resto | ||
Mixed By - Manny Marroquin | ||
Mixed By [Assisted By] - Chris Galland, Delbert Bowers | ||
Performer [Life's Been Good] - Joe Walsh | ||
Performer [P.S.K. Whut Does It Mean] - Schooly D | ||
Producer - Rick Rubin | ||
Recorded By - Jason Lader, Joe Strange , Mike Strange, Tony Campana | ||
Written-By - J. Weaver, J. Walsh, M. Mathers | ||
D2 | Love Game | 4:56 |
Chorus [Additional], Vocals [Additional] - Keira Marie | ||
Edited By [Digital Editing] - Jason Lader | ||
Engineer [Mix] - Mauricio "Veto" Iragorri | ||
Featuring - Kendrick Lamar | ||
Keyboards [Additional] - Luis Resto | ||
Mixed By - Dr. Dre, Veto | ||
Performer [Game Of Love] - Wayne Fontana & The Mindbenders | ||
Producer - Rick Rubin | ||
Recorded By - Jason Lader, Joe Strange , Mike Strange, Tony Campana | ||
Written-By - C. Ballard, C. Poe, J. Grier, K. Lamar, M. Mathers, P. Tomlin | ||
D3 | Headlights | 5:43 |
Featuring - Nate Ruess | ||
Keyboards [Additional] - Luis Resto | ||
Mixed By - Eminem, Mike Strange | ||
Producer - Emile Haynie, Jeff Bhasker | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana | ||
Written-By - E. Haynie, J. Bhasker, L. Resto, M. Mathers, N. Ruess | ||
D4 | Evil Twin | 7:27 |
Guitar [Additional] - Mike Strange | ||
Keyboards [Additional] - Luis Resto | ||
Mixed By - Eminem, Mike Strange | ||
Performer [Eyeless Dream] - W. Düren | ||
Performer [The Reunion] - Bad Meets Evil | ||
Producer - Sid Roams | ||
Recorded By - Joe Strange , Mike Strange, Tony Campana |
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Description
Sequel albums are a challenging proposition. Often burdened by the weight of expectation and the legacy of their predecessors, few manage to carve out their unique identity. Eminem's "The Marshall Mathers LP 2" (MMLP2) from 2013, however, is an audacious attempt to both acknowledge its iconic antecedent and stride forward into new territories..
From the onset, MMLP2 is draped in self-awareness. With "Bad Guy," Eminem revisits the narrative of "Stan," one of his most famous tracks, presenting a sequel-story with a chilling twist. It's a bold move, one that immediately sets the tone for an album that isn't afraid to confront its shadows..
"Rap God" is an exercise in technical brilliance. The track sees Eminem deliver a relentless barrage of rhymes, weaving through various flows and cadences, all while name-checking his inspirations and contemporaries. It's an assertion of skill, a six-minute opus where Eminem plants his flag firmly in the ground of rap supremacy..
But MMLP2 isn't just a showcase of Eminem's lyrical prowess. There's introspection here too. "Headlights," featuring Nate Ruess, offers a heartfelt apology to his mother, Debbie Mathers. It stands in stark contrast to the vitriol of "Cleaning Out My Closet" from the first MMLP, indicating growth and reflection..
The album also sees Eminem diving into rock-rap hybrids. "Berzerk," produced by Rick Rubin, samples Billy Squier's "The Stroke," and feels like a throwback to the Beastie Boys era of hip-hop. Similarly, "Rhyme or Reason" interpolates The Zombies' "Time of the Season," creating a delightful fusion of 60s pop and modern rap..
A surprising collaboration on the album is "The Monster," which features Rihanna. It's a pop-inflected track that delves into Eminem's internal struggles, juxtaposing his introspective verses with Rihanna's haunting chorus. Given their previous collaboration on "Love the Way You Lie," this track solidifies their chemistry as a powerful musical duo..
However, MMLP2 isn't without its missteps. At times, the album can feel disjointed, with certain tracks not living up to the high bar set by its standout moments. Eminem's exploration of new sounds and themes is commendable, but it sometimes results in a lack of cohesion across the album's entirety..
In conclusion, "The Marshall Mathers LP 2" is a complex tapestry of self-exploration, nostalgia, and technical mastery. While it may not consistently reach the heights of its namesake, it remains a testament to Eminem's enduring relevance and ability to evolve as an artist. For fans and newcomers alike, MMLP2 provides a fascinating glimpse into the mind of one of hip-hop's most polarizing figures.
Why is "The Marshall Mathers LP 2" considered an important follow-up to its predecessor?.
"The Marshall Mathers LP 2" (often referred to as MMLP2) is Eminem's sequel to his iconic 2000 release, "The Marshall Mathers LP." Rather than merely banking on nostalgia, MMLP2 seeks to provide a reflective look at the artist's career, touching upon themes of fame, family, and personal demons. The album is not a retread but an introspective continuation, examining the evolution of Eminem's life and career over the ensuing 13 years..
How does Eminem address his earlier works in this album?.
Throughout "MMLP2," Eminem frequently references and revisits his earlier works. Songs like "Bad Guy" act as a direct sequel to tracks from the original "Marshall Mathers LP" (in this case, "Stan"). Additionally, there are lyrical callbacks, samples, and thematic continuations scattered throughout the album, providing a rich tapestry for long-time fans, while simultaneously reflecting on his past controversies, regrets, and successes..
Which collaborators and producers worked with Eminem on "MMLP2"?.
Eminem enlisted a mix of long-time collaborators and new faces for "MMLP2." On the production side, Dr. Dre and Rick Rubin played significant roles. Guest appearances on the album include Rihanna ("The Monster"), Kendrick Lamar ("Love Game"), Skylar Grey ("Asshole"), and Nate Ruess ("Headlights"). The blend of classic hip-hop production with contemporary collaborators helped bridge Eminem's storied past with the present music landscape..
What are the major themes and subjects Eminem raps about in this album?.
Eminem delves deep into introspection on "MMLP2." Major themes include reflections on fame and its pitfalls, his struggles with addiction, his often tumultuous relationship with his family (particularly his mother, as evident in "Headlights"), and his place in the current hip-hop pantheon. There's a maturity to many of the tracks, showing a more reflective side of the rapper, while still maintaining his signature fiery wordplay and intricate rhymes..
How was "The Marshall Mathers LP 2" received by critics and fans?.
"The Marshall Mathers LP 2" was generally well-received by critics, who praised Eminem's lyricism and the album's production. Many viewed it as a worthy sequel to its iconic predecessor, though opinions varied on whether it reached the same heights. Fans embraced the album, appreciating its nods to the past while showcasing Eminem's continued relevance and growth as an artist. It went on to win the Grammy Award for Best Rap Album, further solidifying its place in Eminem's impressive discography..