Album Info
Artist: | Eminem |
Album: | The Marshall Mathers LP 2 |
Released: | USA & Europe, 6 Feb 2024 |
Tracklist:
A1 | Bad Guy | |
Chorus [Chorus Vocals By, Part 1], Vocals [Chorus Vocals By, Part 1] - Sarah Jaffe | ||
Co-producer [Part 2] - Vinny Venditto | ||
Keyboards [Additional Keyboards By, Part 1] - Luis Resto | ||
Keyboards [Additional Keys By, Part 2] - I.L.O | ||
Performer [Part 1 - Elements Of "Hocus Pokus"] - Walter Murphy | ||
Performer [Part 2 - Elements Of "Ode To Billie Joe"] - Lou Donaldson | ||
Producer [Part 1] - M-Phazes, S1 | ||
Producer [Part 2] - Streetrunner | ||
A2 | Parking Lot (Skit) | |
Producer - Eminem | ||
A3 | Rhyme Or Reason | |
Edited By [Digital Editing By] - Jason Lader | ||
Keyboards - Luis Resto | ||
Performer [Elements Of "Time Of The Season"] - The Zombies | ||
Producer - Eminem, Rick Rubin | ||
A4 | So Much Better | |
Bass Guitar - Mike Strange | ||
Producer - Eminem | ||
Producer [Additional Production By] - Luis Resto | ||
B5 | Survival | |
Chorus [Chorus Vocals By], Vocals [Chorus Vocals By] - Liz Rodrigues | ||
Drum Programming - Khalil Abdul Rahman | ||
Guitar - Erik Alcock | ||
Guitar [Additional Guitars] - Mike Strange, Pranam Injeti | ||
Producer - DJ Khalil | ||
B6 | Legacy | |
Keyboards [Additional Keyboards By] - Luis Resto | ||
Producer - Emile Haynie | ||
Vocals [Additional Vocals By] - Polina | ||
B7 | Asshole | |
Featuring - Skylar Grey | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Producer - Alex Da Kid | ||
Producer [Additional Production By] - Eminem | ||
B8 | Berzerk | |
Edited By [Digital Editing By] - Jason Lader | ||
Guitar [Additional Guitars] - Mike Strange | ||
Guitar, Keyboards - Jason Lader | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Performer [Elements Of "Feel Me Flow"] - Naughty By Nature | ||
Performer [Elements Of "Fight For Your Right"] - The Beastie Boys | ||
Performer [Elements Of "The Stroke"] - Billy Squier | ||
Producer - Rick Rubin | ||
C9 | Rap God | |
Co-producer - DVLP | ||
Instruments [All Instruments Played By] - DVLP | ||
Keyboards [Additional Keyboards By], Programmed By [Additional Programming By] - Joe Strange | ||
Producer - Filthy | ||
C10 | Brainless | |
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production By] - Luis Resto | ||
C11 | Stronger Than I Was | |
Keyboards - Luis Resto | ||
Producer - Eminem | ||
Producer [Additional Production By] - Luis Resto | ||
C12 | The Monster | |
Backing Vocals - Bebe | ||
Co-producer - Aalias | ||
Featuring - Rihanna | ||
Instrumentation By [Additional Instrumentation By] - Maki Athanasiou | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Producer - Frequency | ||
D13 | So Far... | |
Edited By [Digital Editing By] - Brent Kolatalo, Jason Lader, Ken Lewis | ||
Guitar, Bass, Keyboards [Keys By] - Jason Lader | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Performer [Excerpts Of "P.S.K. Whut Does It Mean"] - Schooly D | ||
Performer [Samples From "Life's Been Good"] - Joe Walsh | ||
Producer - Rick Rubin | ||
D14 | Love Game | |
Chorus [Additional Chorus Vocals By], Vocals [Additional Chorus Vocals By] - Keira Marie | ||
Edited By [Digital Editing By] - Jason Lader | ||
Featuring - Kendrick Lamar | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Performer [Samples Of "Game Of Love"] - Wayne Fontana & The Mindbenders | ||
Producer - Rick Rubin | ||
D15 | Headlights | |
Featuring - Nate Ruess | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Producer - Emile Haynie, Jeff Bhasker | ||
Producer [Additional Production By] - Eminem | ||
D16 | Evil Twin | |
Guitar [Additional Guitars By] - Mike Strange | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Performer [Elements Of "Eyeless Dream"] - W. Düren | ||
Performer [Elements Of "The Reunion"] - Bad Meets Evil | ||
Producer - Sid Roams | ||
Producer [Additional Production By] - Eminem | ||
* | Anniversary Bonus Tracks | |
E1 | Baby | |
Keyboards - Luis Resto, Mike Strange | ||
Producer - Eminem | ||
Producer [Additional Production By] - Luis Resto | ||
E2 | Desperation | |
Bass [Additional Bass By] - James Dee | ||
Chorus [Chorus Background Vocals By], Backing Vocals [Chorus Background Vocals By] - Benjamin Markham, Gus Collins, James Dee , Jamie N Commons | ||
Chorus [Lead Chorus Vocal], Lead Vocals [Lead Chorus Vocal], Guitar, Tambourine - Jamie N Commons | ||
Drums [Additional Drums By] - George Cook | ||
Featuring - Jamie N Commons | ||
Guitar [Additional Guitar By] - J Browz | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Percussion [Additional Percussion By] - Benjamin Markham, George Cook , Gus Collins | ||
Piano [Additional Piano By] - Gus Collins | ||
Producer - Alex Da Kid | ||
E3 | Groundhog Day | |
Co-producer - Eminem | ||
Performer [Samples From "Big Menu"] - Sam Kinison | ||
Performer [Samples Of "Sleight Of Hand"] - Menahan Street Band | ||
Producer - Cardiak , Frank Dukes | ||
F4 | Beautiful Pain | |
Co-producer - Eminem | ||
Featuring - Sia | ||
Keyboards [Additional Keyboards By] - Luis Resto | ||
Producer - Emile Haynie | ||
F5 | Wicked Ways | |
Producer - Alex Da Kid | ||
F6 | Don't Front | |
Featuring - Buckshot | ||
Producer - Katalyst | ||
G7 | Survival (Instrumental) | |
G8 | Berzerk (Instrumental) | |
G9 | The Monster (Instrumental) | |
H10 | Rap God (Instrumental) | |
H11 | Headlights (Instrumental) |
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Description
Released in 2013, "The Marshall Mathers LP 2" is Eminem's eighth studio album and serves as a sequel to his critically acclaimed and commercially successful album, "The Marshall Mathers LP" (2000). This album finds Eminem revisiting themes of fame, personal struggles, and his alter ego, Slim Shady, with a mature perspective, blending complex lyricism, intricate rhymes, and a wide range of production styles. It's a reflective work that acknowledges Eminem's legacy while also pushing his artistic boundaries.
The album kicks off with "Bad Guy," a sequel to "Stan" from the original Marshall Mathers LP, which immediately sets a narrative tone, showcasing Eminem's storytelling prowess. The track serves as a bridge between Eminem's past and present, with its narrative driven by the fictional younger brother of Stan, seeking revenge, ultimately leading to a self-reflective finale where Eminem confronts his own demons and the consequences of his earlier work.
"Rap God," one of the album's standout tracks, displays Eminem's technical skill and speed, with rapid-fire verses that reference his career, hip-hop history, and his status in the rap game. The song is both a demonstration of Eminem's lyrical dexterity and an exploration of the complexities of his public persona.
"Berzerk," the lead single, is a throwback to the old-school hip-hop sound, sampling Beastie Boys and Billy Squier. It's a high-energy track that contrasts with the more introspective moments on the album, showcasing Eminem's versatility and his ability to adapt different styles while still maintaining his distinctive voice.
"The Monster," featuring Rihanna, is another highlight, delving into Eminem's struggles with fame and his inner demons. The collaboration marks another successful partnership between Eminem and Rihanna, following their previous hit, "Love the Way You Lie." The track's catchy chorus and introspective verses struck a chord with listeners, becoming one of the album's most commercially successful songs.
Thematically, "The Marshall Mathers LP 2" is a complex tapestry that weaves together Eminem's personal experiences, his reflections on fame and its impact, and his growth as an artist. Songs like "Legacy" and "Headlights" (featuring Nate Ruess) offer a more vulnerable side of Eminem, with the latter serving as an apology to his mother for past grievances, showcasing a level of emotional depth and maturity not often associated with his earlier work.
The production on the album, handled by a variety of producers including Rick Rubin, Dr. Dre, and Eminem himself, blends classic hip-hop beats with more contemporary sounds, ensuring that the album feels both nostalgic and fresh. This diversity in production complements Eminem's lyrical themes and showcases his ability to adapt and evolve as an artist.
Critically, "The Marshall Mathers LP 2" was well-received, with many praising Eminem's lyrical skill and the depth of the album's content. While some critics noted that the album might not reach the iconic status of its predecessor, it was nonetheless recognized as a significant and worthy addition to Eminem's discography, further cementing his place as one of the most influential figures in hip-hop.
In retrospect, "The Marshall Mathers LP 2" stands as a testament to Eminem's enduring relevance and his ability to navigate the complexities of his past while looking towards the future. The album not only revisits the themes that defined the original Marshall Mathers LP but also expands upon them, offering a richer and more nuanced exploration of Eminem's career, his persona, and his artistry.