Album Info
Artist: | Eminem |
Album: | The Marshall Mathers LP |
Released: | US, 2022 |
Tracklist:
A1 | Public Service Announcement 2000 | 0:25 |
Performer - Eminem, Jeff Bass | ||
A2 | Kill You | 4:24 |
Bass - Mike Elizondo | ||
Engineer [Assistant] - Jim McCrone | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Guitar - Sean Cruse | ||
Keyboards - Tommy Coster Jr. | ||
Mixed By - Dr. Dre | ||
Producer - Dr. Dre, Mel-Man | ||
Written-By - A. Young, M. Mathers, M. Bradford | ||
A3 | Stan | 6:44 |
Bass - Mike Elizondo | ||
Co-producer - Eminem | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Featuring - Dido | ||
Guitar - Sean Cruse | ||
Producer - The 45 King | ||
Written-By - D. Armstrong, M. Mathers, P. Herman | ||
A4 | Paul (Skit) | 0:10 |
Performer - Paul "Bunyan" Rosenberg | ||
A5 | Who Knew | 3:47 |
Bass - Mike Elizondo | ||
Engineer [Assistant] - Jim McCrone | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Guitar - John Bigham | ||
Keyboards - Tommy Coster Jr. | ||
Producer - Dr. Dre, Mel-Man | ||
Written-By - A. Young, M. Mathers, M. Bradford | ||
A6 | Steve Berman | 0:53 |
Engineer - Richard "Segal" Huredia | ||
Engineer [Assistant] - Michelle Forbes | ||
Performer - Eminem, Steve Berman | ||
B1 | The Way I Am | 4:50 |
Bass, Guitar - Mike Elizondo | ||
Engineer [Assistant] - Thomas Rounds | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Keyboards - Mike Elizondo, Tommy Coster Jr. | ||
Mixed By - Eminem | ||
Producer - Eminem | ||
Written-By - M. Mathers | ||
B2 | The Real Slim Shady | 4:44 |
Bass, Guitar - Mike Elizondo | ||
Engineer [Assistant] - Jim McCrone, Michelle Forbes | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Keyboards - Tommy Coster Jr. | ||
Mixed By - Dr. Dre | ||
Producer - Dr. Dre, Mel-Man | ||
Written-By - A. Young, M. Mathers, M. Bradford | ||
B3 | Remember Me? | 3:38 |
Bass - Mike Elizondo | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Featuring - RBX, Sticky Fingaz | ||
Keyboards - Camara Kambon | ||
Mixed By - Dr. Dre | ||
Producer - Dr. Dre, Mel-Man | ||
Written-By - A. Young, E. Collins, K. Jones, M. Mathers | ||
B4 | I'm Back | 5:10 |
Bass - Mike Elizondo | ||
Engineer [Assistant] - Jim McCrone | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Guitar - John Bigham | ||
Keyboards - Tommy Coster Jr. | ||
Mixed By - Dr. Dre | ||
Producer - Dr. Dre, Mel-Man | ||
Written-By - A. Young, M. Mathers, M. Bradford | ||
C1 | Marshall Mathers | 5:20 |
Drum Programming - D.J. Head | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Mixed By - Dr. Dre | ||
Producer - Eminem, F.B.T. | ||
Written-By - M. Mathers, Bass Brothers | ||
C2 | Ken Kaniff (Skit) | 1:01 |
Engineer - Richard "Segal" Huredia | ||
Engineer [Assistant] - Michelle Forbes | ||
Keyboards - Tommy Coster Jr. | ||
C3 | Drug Ballad | 5:00 |
Drum Programming - D.J. Head | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Producer - Eminem, F.B.T. | ||
Written-By - M. Mathers, Bass Brothers | ||
C4 | Amityville | 4:14 |
Bass - Mike Elizondo | ||
Drum Programming - D.J. Head | ||
Engineer [Assistant] - Jim McCrone | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Featuring - Bizarre | ||
Mixed By - Eminem | ||
Producer - Eminem, F.B.T. | ||
Written-By - M. Mathers, R. Johnson, Bass Brothers | ||
C5 | Bitch Please II | 4:48 |
Bass, Keyboards - Mike Elizondo | ||
Engineer [Assistant] - Jim McCrone | ||
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Featuring - Dr. Dre, Nate Dogg, Snoop Dogg, Xzibit | ||
Producer, Mixed By - Dr. Dre | ||
Written-By - A. Joiner, A. Young, C. Broadus, M. Mathers, M. Bradford, M. Elizondo | ||
D1 | Kim | 6:17 |
Engineer [Recording And Mix] - Richard "Segal" Huredia | ||
Mixed By - Dr. Dre | ||
Producer - F.B.T. | ||
Written-By - M. Mathers, Bass Brothers | ||
D2 | Under The Influence | 5:22 |
Drum Programming - D.J. Head | ||
Engineer [Mix] - Richard "Segal" Huredia | ||
Engineer [Recording] - Aaron Lepley, Mike Butler | ||
Featuring - D12 | ||
Mixed By - Eminem | ||
Producer - Eminem, F.B.T. | ||
Written-By - D. Holton, D. Porter, M. Mathers, O. Moore, R. Johnson, V. Carlisle | ||
D3 | Criminal | 5:21 |
Drum Programming - D.J. Head | ||
Engineer [Mix] - Richard "Segal" Huredia | ||
Mixed By - Dr. Dre | ||
Producer - Eminem, F.B.T. | ||
Written-By - M. Mathers, Bass Brothers |
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Description
Eminem's "The Marshall Mathers LP," released on May 23, 2000, is often hailed as one of the most influential albums in hip-hop history. This album not only solidified Eminem's status as a rap icon but also sparked numerous discussions about the boundaries of artistic expression and the impact of music on society.
From the moment it dropped, "The Marshall Mathers LP" was a commercial juggernaut. It debuted at number one on the Billboard 200, selling over 1.76 million copies in its first week in the United States alone, which was a record-breaking feat at the time. The album's raw and unfiltered content, combined with Eminem's lyrical prowess, captivated audiences and critics alike.
One of the standout tracks, "Stan," featuring British singer Dido, tells the haunting story of an obsessed fan. The song's narrative style and emotional depth were praised by critics and listeners, making it one of Eminem's most memorable tracks. "Stan" has since become a cultural reference point, with the term "stan" entering the lexicon to describe an overly zealous fan.
Another track, "The Real Slim Shady," became an anthem of sorts, showcasing Eminem's ability to blend humor with sharp social commentary. The song won a Grammy Award for Best Rap Solo Performance and was accompanied by a memorable music video that further cemented Eminem's place in pop culture.
The album was not without controversy. Eminem's lyrics, often violent and provocative, drew criticism from various quarters, including LGBTQ+ groups and women's rights organizations. Songs like "Kim" and "Kill You" were particularly contentious, with their graphic depictions of violence. Despite—or perhaps because of—this controversy, the album sparked important conversations about freedom of speech and the responsibilities of artists.
Critically, "The Marshall Mathers LP" received widespread acclaim. Rolling Stone gave it a glowing review, highlighting Eminem's skillful storytelling and complex rhyme schemes. The album was nominated for Album of the Year at the Grammy Awards, a rare feat for a rap album at the time, and it won Best Rap Album, further cementing its legacy.
The production of the album was handled by Dr. Dre, among others, and his influence is evident in the polished yet gritty sound that characterizes the record. Eminem has often spoken about the intense pressure he felt while creating this album, following the success of his previous release, "The Slim Shady LP." In interviews, he has mentioned how he channeled his personal struggles and the chaos of his newfound fame into the music, resulting in a deeply personal and often dark body of work.
"The Marshall Mathers LP" is not just an album; it's a cultural artifact that captures a moment in time when Eminem was at the peak of his creative powers. Its impact is still felt today, as it continues to influence new generations of artists and listeners. Whether you love it or hate it, there's no denying the album's significance in the landscape of music history.