Album Info
| Artist: | Erykah Badu |
| Album: | New Amerykah: Part One (4th World War) |
| Gatefold: | Yes |
| Released: | Europe, 6 Jan 2023 |
Tracklist:
| A1 | Amerykahn Promise | 4:16 |
| Arranged By, Written-By - Edwin Birdsong, Roy Ayers, William Allen | ||
| Co-producer - Edwin Birdsong, William Allen | ||
| Management - Ro - Ayer Productions | ||
| Producer - Roy Ayers | ||
| Producer [Additional Production] - E. Badu, Mike "Chav" Chavarria | ||
| Recorded By - James Green, Jerry Soloman, Ron Johnson | ||
| Recorded By [Additional Recording By - Assisted By], Mixed By [Assisted By] - Paul Suarez | ||
| Recorded By [Additional Recording By], Mixed By - Mike “Chav” Chavarria, Tom Soares | ||
| Remix, Recorded By [Re-Recorded By] - E. Badu | ||
| Vocals - E. Badu, Ramp , Ramp | ||
| A2 | The Healer | 3:57 |
| Guest, Vocals - Bilal | ||
| Mixed By - Mike “Chav” Chavarria, Tom Soars | ||
| Producer - Madlib | ||
| Programmed By [Additional Programming By], Effects [Additional FX By] - Mike “Chav” Chavarria | ||
| Recorded By - Chris Bell , Mike “Chav” Chavarria | ||
| Written-By - E. Badu, Madlib, Otis Jackson Jr. | ||
| Written-By [“Kono Samourai” Sample] - Daniel Vangarde | ||
| A3 | Me | 5:38 |
| Bass - Steve "Thunder Cat" Bruner | ||
| Guitar - Jeff Lee Johnson | ||
| Horns - Roy Hargrove | ||
| Keyboards [Keys] - James Poyser | ||
| Mixed By - Mike “Chav” Chavarria, Tom Soars | ||
| Producer, Written-By - E. Badu, Shafiq Husayn | ||
| Recorded By - Chris Bell , Mike Chavaria | ||
| Vocals, Arranged By [Vocals], Written-By [Vocals] - E. Badu | ||
| A4 | My People | 3:25 |
| Congas, Percussion - Josef Liemberg | ||
| Guest, Vocals - Bilal | ||
| Mixed By - Mike “Chav” Chavarria, Tom Soars | ||
| Producer - Madlib | ||
| Recorded By - Chris Bell , Mike “Chav” Chavarria | ||
| Talking Drum - E. Badu, Josef Liemberg | ||
| Vocals, Percussion - E. Badu | ||
| Written-By - E. Badu, Otis Jackson, Jr. | ||
| Written-By [“My People Hold On” Portions] - A. Poree, L. Caston | ||
| B1 | Soldier | 5:03 |
| Backing Vocals - Alfredo Grey, Kay K Rosemond, Mike "Chav" Chavarria | ||
| Guest, Vocals - Bilal | ||
| Lyrics By [Additional Lyrics By] - Shafiq Husayn | ||
| Mixed By - Mike “Chav” Chavarria, Tom Soars | ||
| Producer, Written-By - E. Badu, Karriem Riggins | ||
| Recorded By - Chris Bell , Mike “Chav” Chavarria | ||
| Recorded By [Additional Recording By] - Tom Soares | ||
| Vocals [Additional Vocals By] - Alfredo Gray, Kay K Rosemond, Mike “Chav” Chavarria | ||
| Vocals, Arranged By [Vocals], Written-By [Vocals] - E. Badu | ||
| Written-By [“Theme” Excerpts] - G. Willemse, H. Waterman, T. Barlage, W. Ennes | ||
| B2 | The Cell | 4:20 |
| Bass - Steve "Thunder Cat" Bruner | ||
| Mixed By - Mike "Chav” Chavarria, Tom Soars | ||
| Producer, Written-By - E. Badu, Shafiq Husayn | ||
| Recorded By - Chris Bell , Mike “Chav” Chavarria | ||
| Vocals, Percussion - E. Badu | ||
| B3 | Twinkle | 6:56 |
| Effects [Additional FX], Programmed By [Additional Programming By] - Mike Chavarria | ||
| Guest, Vocals - Bilal | ||
| Guitar - Jeff Lee Johnson, Omar A Rodriguez-Lopez | ||
| Lyrics By [Additional Lyrics By] - Shafiq Husayn | ||
| Lyrics By, Arranged By [Lyrics], Performer [Lyrics Performed By] - E. Badu | ||
| Mixed By - Mike “Chav” Chavarria, Tom Soars | ||
| Producer - Shafiq Husayn, Taz Arnold | ||
| Recorded By - Chris Bell , Mike “Chav” Chavarria | ||
| Written-By - E. Badu, Shafiq Husayn, Taz Arnold | ||
| C1 | Master Teacher | 6:42 |
| Bass - Steve "Thunder Cat" Bruner | ||
| Keyboards [Fender Rhodes, Roland; Juno 106] - Georgia Anne Muldrow | ||
| Mixed By - Mike “Chav” Chavarria, Tom Soars | ||
| Producer, Programmed By, Keyboards [Arp String Ensemble] - Shafiq Husayn | ||
| Rap [Lyrics Freestyled By] - Georgia Anne Muldrow | ||
| Recorded By - Chris Bell , Mike “Chav” Chavarria | ||
| Recorded By [Assisted By] - Paul Suarez | ||
| Recorded By [Originally Recorded By] - Om'Mas Keith, Shafiq Husayn | ||
| Vocals - Bilal Oliver, E. Badu, Georgia Anne Muldrow, Ty & Kory | ||
| Written-By - Georgia Anne Muldrow, Shafiq Husayn | ||
| Written-By [“Freddie’s Dead” Sample] - Curtis Mayfield | ||
| C2 | That Hump | 5:30 |
| Bass - Steve "Thunder Cat" Bruner | ||
| Drums [trap Drums] - Karreim Riggins, Om'Mas Keith | ||
| Keyboards [Additional Keys By] - James Poyser | ||
| Keyboards [Fender Rhodes, Juno 106], Synth [Synth Bass, Roland Sh-101] - Om'Mas Keith | ||
| Mixed By - Mike “Chav” Chavarria, Tom Soars | ||
| Producer - E. Badu, Om'Mas Keith, Shafiq Husayn | ||
| Recorded By - Chris Bell , Mike “Chav” Chavarria | ||
| Recorded By [Originally Recorded By - Assistant] - Alex Kruse | ||
| Recorded By [Originally Recorded By] - Om'Mas Keith | ||
| Vocals - E. Badu | ||
| Written-By - E. Badu, Om'Mas Keith | ||
| D1 | Telephone | 7:15 |
| Bass - Michael Elazonda | ||
| Drums - Ahmir "? Luv" Thompson | ||
| Guitar - Mike "Chav" Chavarria | ||
| Keyboards - James Poyser | ||
| Mixed By - Mike "Chav" Chavarria, Tom Soars | ||
| Producer, Written-By - Ahmir Thompson, E. Badu, James Poyser | ||
| Recorded By - Chris Bell | ||
| Recorded By [Re-Recorded By] - Tom Soars | ||
| Recorded By [Vocals Re-Recorded By] - Tom Soares | ||
| D2 | Honey (Bonus track) | 5:21 |
| Mastered By - Chris Athens | ||
| Mixed By - Mike “Chav” Chavarria | ||
| Producer - 9th Wonder | ||
| Recorded By - Chris Bell | ||
| Written-By - E. Badu, Patrick Douthit | ||
| Written-By [“I’m In Love” Excerpts] - C. McDonald, D. Shields, F. Baskett |
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Description
Erykah Badu's 2008 album "New Amerykah: Part One (4th World War)" is a bold and ambitious work that showcases her ability to blend genres, tackle complex themes, and push the boundaries of neo-soul. Released on February 26, 2008, this album marked a significant moment in Badu's career, as it saw her diving deeper into experimental production and socially conscious lyricism.
From the very first track, "Amerykahn Promise", the album sets a tone that is both funky and politically charged. The production, handled by a range of collaborators including Madlib, 9th Wonder, and Sa-Ra Creative Partners, is dense and layered, drawing from funk, hip-hop, soul, and electronic influences. This eclectic soundscape serves as the perfect backdrop for Badu's introspective and often provocative lyrics.
One of the standout tracks, "The Healer", is a hypnotic ode to hip-hop as a cultural force, with its minimalist beat and mantra-like chorus. Badu's voice is both soothing and commanding, drawing the listener into her world. "Soldier" is another highlight, addressing issues of systemic oppression and resilience with a groove that is impossible to ignore. The album's lead single, "Honey", is perhaps its most accessible moment, with a playful and infectious energy that contrasts with the heavier themes explored elsewhere.
"New Amerykah: Part One" is not an easy listen, but it is a rewarding one. Badu challenges her audience to engage with the music on a deeper level, both sonically and thematically. The album's title hints at its ambitious scope, with "4th World War" suggesting a battle for the soul and consciousness of society. Throughout the record, Badu grapples with issues of identity, community, and the state of the world, all while maintaining her signature wit and charisma.
Critics widely praised the album upon its release, with many noting its innovative production and thought-provoking content. It was a commercial success as well, debuting at number two on the Billboard 200 chart. Over the years, "New Amerykah: Part One" has been recognised as a landmark album in Badu's discography and in the broader landscape of 21st-century music.
In conclusion, "New Amerykah: Part One (4th World War)" is a testament to Erykah Badu's artistry and vision. It is an album that demands attention and rewards repeated listens, revealing new layers and insights each time. For fans of neo-soul, hip-hop, or simply great music, this album is an essential listen.
