Lil Uzi Vert - Pink Tape (2LP) - Pink Marbled Vinyl

Lil Uzi Vert’s Pink Tape landed on June 30, 2023, and it felt like a gauntlet toss. Third studio album, Generation Now/Atlantic, and an unapologetically maximalist statement that sprawls across rap, rock, club music, and a few corners that only exist in Uzi’s galaxy. It also shot straight to No. 1 on the Billboard 200, the first rap album to do that in 2023, which says a lot about both the wait around this project and the pull Uzi still has when they decide to flip the lights on.

If you lived with “Just Wanna Rock” all year, the album’s vibe makes instant sense. That single is a lightning bolt, a Jersey club juggernaut that rewired dance floors, TikTok, and even stadium sound systems. Hearing it in the context of Pink Tape, you can trace a throughline: Uzi’s taste for concise hooks and body-moving percussion, then the urge to push further. The record keeps that energy but opens new lanes, sometimes wild ones, sometimes wonderfully unhinged.

The rock flirtations are not a gimmick here, they’re baked into the DNA. “CS” flips the chaos of System of a Down’s “Chop Suey!” into a jittery rap surge, with Uzi surfing the stop‑start dynamics like a lifelong pit veteran. “Werewolf” with Bring Me The Horizon throws Uzi into modern metal’s drama, and it works because the vocals stay elastic and playful even when the guitars start to glow red. Then there’s the BABYMETAL link‑up on “The End,” a sugar‑rush collision that makes perfect sense if you’ve ever loved both anime intros and adrenaline rap. Uzi has been teasing that cross‑pollination for years, and Pink Tape finally lets it bloom.

Pop culture nods are everywhere, but the best ones feel personal. “Nakamura” winks at Shinsuke Nakamura’s WWE theme, a neat tie for an artist who literally performed “Just Wanna Rock” at WrestleMania 39. “Endless Fashion” recruits Nicki Minaj for a high‑gloss flex built around the melody of Eiffel 65’s “Blue (Da Ba Dee),” and it plays like an Instagram runway set to a bassline. “Aye” with Travis Scott is lean and menacing, built for subwoofers and late‑night car rides. Across the set, Uzi’s voice flips from murmured melody to raspy bark to helium‑light chant, sometimes inside a single verse. That constant shapeshift is the glue.

Is it long? Very. At more than two dozen tracks, Pink Tape can feel like a playlist one minute and a concept the next. Not everything hits with equal force, and a tighter runtime might have made the highlights shine even brighter. But the best sequences crackle. The stretch that pairs metal theatrics with club bounce, the sudden turns into glossy pop rap, the moments where the bass is doing donuts and the ad‑libs feel like neon confetti, that’s the thrill that made Uzi a generational stylist in the first place.

Critics called the album sprawling, and they’re right, but the sprawl is the point. Uzi sounds genuinely curious, treating genres like toy boxes rather than fences. That curiosity is contagious. You can hear it in the production choices, the way synths squeal and drums stutter, the way a familiar sample gets tilted until it looks brand new. You don’t have to love every risk to appreciate the appetite for them.

If you collect Lil Uzi Vert vinyl, Pink Tape is a conversation piece. The cover alone looks great faced out, and the sheer scope of the tracklist makes it the kind of record you can drop the needle on at different moments of a party and get a different reaction each time. If you’re hunting Pink Tape vinyl or looking to buy Lil Uzi Vert records online, keep an eye on official pressings, since the album’s length usually means a multi‑LP package. Digging through a Melbourne record store and spotting it in the new‑release bin is a rush, and it slots nicely next to other Lil Uzi Vert albums on vinyl if your shelf leans modern and maximal. For crate diggers in the “vinyl records Australia” world, it’s one of those releases that bridges scenes, a rap record that speaks to rock kids, a club record that makes sense next to pop and metal.

Pink Tape isn’t tidy, but it’s alive. It captures Uzi in motion, riding a cultural upswing, scoring a chart milestone, and treating the studio like an amusement park. If that’s what you want from a Lil Uzi Vert album, this one delivers in color.