Album Info
Artist: | Little Simz |
Album: | Sometimes I Might Be Introvert |
Released: | Europe, 2022 |
Tracklist:
A1 | Introvert | 6:02 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Backing Vocals - Desrinea Ramus, Inflo, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Vocals [Guest] - Cleopatra Nikolic, Emma Corrin | ||
A2 | Woman | 4:29 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Backing Vocals - Inflo | ||
Featuring - Cleo Sol | ||
Lead Vocals - Little Simz | ||
Percussion - Graham Godfrey | ||
Producer - Inflo | ||
Rhythm Guitar, Bass - Miles James | ||
Synth [Additional], Organ, Piano, Keyboards - Kadeem Clarke | ||
Vocals [Additional] - Caroline Adeyemi | ||
A3 | Two Worlds Apart | 2:58 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Vocals - Smokey Robinson | ||
Vocals [Guest] - Cleopatra Nikolic | ||
Written-By - Cleopatra Nikolic | ||
A4 | I Love You, I Hate You | 4:15 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Backing Vocals - Desrinea Ramus, Inflo, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Lead Vocals - Little Simz | ||
Percussion - Graham Godfrey | ||
Producer - Inflo | ||
B5 | Little Q, Part 1 (Interlude) | 1:08 |
Backing Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Synth [Additional], Organ, Piano, Keyboards - Kadeem Clarke | ||
Vocals [Additional] - Qudus Adidas St. Patrick | ||
Written-By - Kadeem Clarke, Miles James | ||
B6 | Little Q, Part 2 | 3:46 |
Backing Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Drums - Nathan Allen | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Synth [Additional], Organ, Piano, Keyboards - Kadeem Clarke | ||
Written-By - Kadeem Clarke, Miles James | ||
B7 | Gems (Interlude) | 2:57 |
Backing Vocals - Desrinea Ramus, Inflo, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Written-By - Kadeem Clarke | ||
B8 | Speed | 2:40 |
Backing Vocals - Keano Cork, Ray Butt | ||
Engineer [Assistant] - Tom Campbell | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Written-By - Kadeem Clarke | ||
B9 | Standing Ovation | 4:08 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Drums - Nathan Allen | ||
Lead Vocals - Little Simz | ||
Percussion - Graham Godfrey | ||
Producer - Inflo | ||
Synth [Additional], Organ, Piano, Keyboards - Kadeem Clarke | ||
Written-By - Kadeem Clarke | ||
C10 | I See You | 3:58 |
Drums - Nathan Allen | ||
Drums, Bass, Guitar, Synth, Co-producer, Rhythm Guitar - Miles James | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Written-By - Miles James , Nathan Allen | ||
C11 | The Rapper That Came To Tea (Interlude) | 2:45 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Backing Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Written-By - Miles James | ||
C12 | Rollin Stone | 3:39 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Drums, Bass, Guitar, Synth, Co-producer - Jakwob | ||
Engineer [Assistant] - Tom Campbell | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Written-By - James Edward Jacob | ||
C13 | Protect My Energy | 3:08 |
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Synth [Additional], Organ, Piano, Keyboards - Kadeem Clarke | ||
Vocals [Guest] - Cleopatra Nikolic | ||
C14 | Never Make Promises (Interlude) | 1:02 |
Backing Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Lead Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Producer - Inflo | ||
D15 | Point And Kill | 3:05 |
Arranged By [Orchestral Arrangements] - Rosie Danvers | ||
Backing Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Featuring - Obongjayar | ||
Horns - Ayodeji Ijishakin, Chelsea Carmichael, Sheila Maurice-Grey, Viva Msimang | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Written-By - Steven Steven Umoh | ||
D16 | Fear No Man | 4:03 |
Backing Vocals - Caroline Adeyemi, Grace Adeyemi | ||
Lead Vocals - Little Simz | ||
Percussion - Adama Kotey, Annor Asamoah, Benjamin Asafo Adjei Okyere, Emmanuel Nii Okai Tagoe, George Ankrah, Issac Tagoe, Joseph Odartey Lamptey, Reuben Moses | ||
Producer - Inflo | ||
D17 | The Garden (Interlude) | 2:38 |
Backing Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Vocals [Guest] - Emma Corrin | ||
Written-By - Miles James | ||
D18 | How Did You Get Here | 4:56 |
Backing Vocals - Desrinea Ramus, Ladonna Young, Olivia Williams , Patrick Linton, Paul Boldeau, Phebe Edwards | ||
Drums - Nathan Allen | ||
Lead Vocals - Little Simz | ||
Producer - Inflo | ||
Synth [Additional], Organ, Piano, Keyboards - Kadeem Clarke | ||
D19 | Miss Understood | 3:26 |
Engineer [Assistant] - Tom Campbell | ||
Lead Vocals - Little Simz | ||
Producer - Inflo |
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Description
2LP – Standard Edition Milky Clear Vinyl
(Housed in Gatefold Sleeve with Gold Foil Title.)
A bold, quantum leap forward from the critically beloved “Grey Area”, this is hardly music aiming simply for the pop charts; rather, it is turbo charged with the kind of fury and potency, confusion and anxiety that make up the modern experience of being Black, British and female at this particular point in time. This is no mere philosophical exercise, however – the result is her most ambitious and soaring body of work to date, one which operates at the very heights of what rap can be.
Without wasting any time at all, the album opens with the heart stopping clarion call of “Introvert”, a visceral essay about lives lived in the cross-hairs of society, fuelled by fear, exhaustion, frustration, but also a kind of white hot political awakening. It’s a full-bore, high-stakes, facing up to death riposte, as urgent as it is compelling, complete with a stunning video by Salomon Lightelm which is by turns majestic and terrifying, with a chopped up, collaged structure perfectly mirroring the landscape it maps; a place of beauty and danger, of violence and dogged resistance. The centre, Simz is keen to remind us, will not hold (“man it’s like they can’t sleep until our spirit is crushed”) – and here she is driven to document every unsparing detail.
The ensuing tracks, produced by Inflo in LA and London, run into each other seamlessly and enlist the rapidly emergent likes of Cleo Sol, Obongjayar and even “The Crown” actress Emma Corrin, to create a kind of rangy, nimble storytelling which conjures up the febrile, strident world we live in with an unflinching energy and vividness. These songs are flash-lit Polaroids, ready framed and developing before our very eyes, and their creator is nowhere and everywhere,documenting a new natural history in which moments of tenderness (“Miss Understood”) coexist with shocking violence (“Little Q Pt 2”), and unabashed celebrations of femininity (“Woman”) sit alongside deeply personal glimpses of introspection (“I See You”).
Of the many voices in music today, Simz’ is among the most commanding, writing at a pitch of intensity and urgency that few can match. However, “Sometimes I Might Be Introvert” is no diatribe. Instead, it is an intensely alive hybrid, a work of radical honesty that uses personal history as a means of magnifying and challenging the paradoxes we find ourselves in, both social and personal, macro and micro. Like some of the legendary musicians that came before her, Simz is looking at the chaos and disorder in the world right now with resourceful, refined eyes, and she sees the glorious opportunity and enormous responsibility that affords. This is the end result; listen on in wonder.