Album Info
Artist: | Ludacris |
Album: | The Red Light District |
Released: | US, 6 Dec 2024 |
Tracklist:
A1 | Intro | |
Mixed By [Assisted By] - Chris Brown | ||
Producer - Timbaland | ||
Recorded By, Mixed By - Jimmy Douglass | ||
Written-By - C. Bridges, T. Mosley | ||
A2 | Number One Spot | |
Mixed By - Leslie Brathwaite | ||
Mixed By [Assisted By] - Kori Anders | ||
Producer - DJ Green Lantern | ||
Written-By - C. Bridges, J. D'Agostino, Q. Jones | ||
A3 | Get Back | |
Mixed By - John Frye | ||
Producer - Tic Toc | ||
Producer, Recorded By - The Medicine Men | ||
Vocals [Additional] - Brolic D, Dolla Boy | ||
Written-By - C. Bridges, C. Bazile, C. Lawson, D. Bazile, O. Vickers | ||
A4 | Put Your Money | |
Featuring - DMX | ||
Mixed By - John Frye | ||
Producer - Icedrake | ||
Written-By - C. Bridges, M. Guy | ||
B1 | Blueberry Yum Yum | |
Backing Vocals - Marqueze Ethridge | ||
Featuring, Keyboards - Sleepy Brown | ||
Keyboards [Additional] - Dave Robbins | ||
Mixed By - Leslie Brathwaite | ||
Mixed By [Assisted By] - Kori Anders | ||
Producer, Programmed By [Music] - Organized Noize | ||
Recorded By - Cha Cha Jones, Sean Davis | ||
Written-By - C. Bridges, N. Wilburn, P. Brown, R. Murray, R. Wade | ||
B2 | Child Of The Night | |
Featuring - Nate Dogg | ||
Mixed By - John Frye | ||
Producer - DK All Day | ||
Recorded By - David Lopez | ||
Written-By - C. Bridges, D. McDaniels, T. Brocton, N. Hale | ||
B3 | The Potion | |
Mixed By - Jimmy Douglass | ||
Mixed By [Assisted By] - Chris Brown | ||
Producer - Timbaland | ||
Recorded By - Demacio "Demo" Castellon, Scott Kieklak | ||
Written-By - C. Bridges, M. Guy | ||
B4 | Pass Out | |
Mixed By - John Frye | ||
Producer, Recorded By - Needlz | ||
Written-By - C. Bridges, K. Cain | ||
C1 | Spur Of The Moment | |
Featuring - Kimmi J. | ||
Featuring, Recorded By - DJ Quik | ||
Mixed By - John Frye | ||
Producer - L.T. Moe | ||
Recorded By - Mark Valentine | ||
Written-By - C. Bridges, D. Blake, T. Moore | ||
C2 | Who Not Me | |
Featuring - Dolla Boy, Small World | ||
Mixed By - John Frye | ||
Producer, Recorded By - Craig King | ||
Written-By - C. Bridges, C. King, D. Wilmbley, D. Robinson, E. Conyers, M. Morales, S. Bullock | ||
C3 | Large Amounts | |
Mixed By - John Frye | ||
Producer - Vudu | ||
Written-By - C. Bridges, L. Bart, M. McAllister | ||
D1 | Pimpin' All Over The World | |
Backing Vocals - Keri Hilson, Mel Johnson | ||
Featuring - Bobby V. | ||
Mixed By - Phil Tan | ||
Mixed By [Assisted By] - Josh Monroy | ||
Producer - Donnie Scantz, Polow Da Don | ||
Vocals [Additional] - Katt Williams | ||
Written-By - C. Bridges, D. Scantlebury, J. Jones | ||
D2 | Two Miles An Hour | |
Mixed By - John Frye | ||
Producer - DJ Toomp | ||
Recorded By - Wonder Arillo | ||
Scratches - DJ Jaycee | ||
Vocals [Additional] - Dolla Boy, Tity Boi | ||
Written-By - A. Davis, C. Bridges, C. Mayfield | ||
D3 | Hopeless | |
Featuring - Trick Daddy | ||
Mixed By - Leslie Brathwaite | ||
Mixed By [Assisted By] - Kori Anders | ||
Producer - Heazy | ||
Recorded By - James Weis, Scott Kieklak | ||
Written-By - C. Bridges, F. St. Amand, M. Young | ||
D4 | Virgo | |
Featuring - Doug E. Fresh, Nas | ||
Producer - Salaam Remi | ||
Recorded By - Brian Frye | ||
Recorded By, Mixed By - Kevin Crouse | ||
Written-By - C. Bridges, D. Davis, N. Jones, S. Gibbs |
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Description
Ludacris's fourth studio album, The Red Light District, released on December 7, 2004, is a vibrant and confident showcase of the rapper's talent and charisma. Following the success of his previous albums, Ludacris continued to solidify his place in the hip-hop world with this project, which blends his signature humour, sharp lyricism, and undeniable energy.
The album's title, The Red Light District, is a nod to areas known for their nightlife and entertainment, and this theme is reflected in the music. The production is bold and varied, featuring contributions from notable producers like Timbaland, DJ Toomp, and The Medicine Men (formerly Beats by the Pound). The beats are dynamic, ranging from club-ready anthems to more introspective tracks, providing a versatile backdrop for Ludacris's distinctive flow.
One of the standout tracks is "Get Back", a high-energy anthem with an infectious hook and a beat that demands attention. The song's aggressive tone and Ludacris's commanding delivery make it a memorable highlight. The accompanying music video, with its humorous and exaggerated visuals, further cemented the track's popularity.
Another notable song is "Number One Spot", which samples Quincy Jones's "Soul Bossa Nova", famously known as the theme from Austin Powers. Ludacris's clever wordplay and the track's playful production make it a standout moment on the album. The song's music video, filled with references to the Austin Powers films, showcases Ludacris's knack for blending humour with his music.
The album also features collaborations with a range of artists, including Nas on "Virgo", a track that highlights the lyrical prowess of both rappers. Other guest appearances include DMX, Trick Daddy, and Lil' Fate, each adding their unique flavour to the project.
Lyrically, Ludacris balances braggadocio with introspection, touching on themes of success, ambition, and the challenges of life in the spotlight. His delivery is as animated and engaging as ever, making each track a compelling listen. The album's production complements his style, with beats that are as dynamic and lively as his performance.
The Red Light District received generally positive reviews from critics, who praised Ludacris's charisma and the album's production. It debuted at number one on the US Billboard 200 chart, further cementing Ludacris's status as one of the leading figures in hip-hop at the time. The album's commercial success and critical acclaim demonstrated his ability to consistently deliver quality music while maintaining his unique identity.
Overall, The Red Light District is a testament to Ludacris's talent and versatility as an artist. It's an album that captures the essence of his style—fun, energetic, and unapologetically bold. Whether you're a longtime fan or new to his music, this album is a compelling entry in his discography and a snapshot of his artistry at its peak.