Album Info
Artist: | OutKast |
Album: | Speakerboxxx / The Love Below |
Gatefold: | Yes |
Released: | US, 2022 |
Tracklist:
1 | Speakerboxxx | |
A1 | Intro | 1:29 |
Producer - Cutmaster Swiff | ||
A2 | Ghetto Musick | 3:56 |
Backing Vocals - Joi , Myrna "Skreechy Peach" Crenshaw, Sleepy Brown | ||
A3 | Unhappy | 3:19 |
Backing Vocals - Debra Killings, Sleepy Brown | ||
Congas - Rajinder Kala | ||
Guitar - Donny Mathis | ||
Producer - Mr. DJ | ||
A4 | Bowtie | 3:56 |
Backing Vocals - Tori Alamaze | ||
Guitar - David Whild | ||
Vocals [Additional] - Jazze Pha, Sleepy Brown | ||
A5 | The Way You Move | 3:54 |
Co-producer - Big Boi | ||
Guitar - ZaZa | ||
Producer - Carl Mo | ||
Vocals [Additional] - Sleepy Brown | ||
B1 | The Rooster | 3:57 |
Backing Vocals - Sleepy Brown, Tori Alamaze | ||
Co-producer - Big Boi | ||
Guitar - Donny Mathis | ||
Producer - Carl Mo | ||
B2 | Bust | 3:08 |
Backing Vocals - Jazze Pha, Myrna "Skreechy Peach" Crenshaw, Sleepy Brown | ||
Drums - Victor Alexander | ||
Featuring - Killer Mike | ||
Guitar - David Whild | ||
Vocals [Additional] - King Stephen | ||
B3 | War | 2:43 |
Backing Vocals - Myrna "Skreechy Peach" Crenshaw | ||
Congas - Rajinder Kala | ||
Guitar - Donny Mathis | ||
Producer - Mr. DJ | ||
Programmed By [Music] - Jeminesse "Slimm Jim" Smith | ||
B4 | Church | 3:27 |
Backing Vocals - Debra Killings, Myrna "Skreechy Peach" Crenshaw | ||
Bass - Aaron Mills | ||
Vocals - Sleepy Brown | ||
C1 | Bamboo (Interlude) | 2:09 |
C2 | Tomb Of The Boom | 4:46 |
Featuring - Big Gipp, Konkrete , Ludacris | ||
C3 | E-Mac (Interlude) | 0:24 |
C4 | Knowing | 3:32 |
Co-producer - Big Boi | ||
Producer - Mr. DJ | ||
C5 | Flip Flop Rock | 4:35 |
Backing Vocals - Backbone, Big Gipp, Debra Killings, Mildryln Andrews, Sleepy Brown | ||
Co-producer - Mr. DJ | ||
Featuring - Jay-Z, Killer Mike | ||
Guitar - David Whild | ||
D1 | Interlude | 1:15 |
D2 | Reset | 4:35 |
Backing Vocals - Debra Killings | ||
Featuring - Cee-Lo, Khujo Goodie | ||
D3 | D-Boi (Interlude) | 0:40 |
D4 | Last Call | 3:57 |
Featuring - Lil' Jon & The East Side Boyz, Mello , Slimm Calhoun | ||
D5 | Bowtie (Postlude) | 0:34 |
2 | The Love Below | |
E1 | The Love Below (Intro) | 1:27 |
E2 | Love Hater | 2:49 |
Drums - Jef Van Veen | ||
Guitar - Darryl Smith | ||
E3 | God (Interlude) | 2:20 |
E4 | Happy Valentine's Day | 5:23 |
Double Bass - Kevin Brandon | ||
Double Bass [Upright Bass] - Moffet Morris | ||
Guitar - André 3000, Kevin Kendricks | ||
Vocals [Additional] - Joi , Myrna "Skreechy Peach" Crenshaw | ||
E5 | Spread | 3:51 |
Bass [Electric] - Kevin Smith | ||
E6 | Where Are My Panties? | 1:54 |
F1 | Prototype | 5:26 |
Backing Vocals - Marianne Lee Stitt | ||
F2 | She Lives In My Lap | 4:27 |
Bass - Aaron Mills | ||
Guitar - Tomi Martin | ||
Lead Guitar, Tenor Saxophone - André 3000 | ||
Vocals [Additional] - Rosario Dawson | ||
F3 | Hey Ya! | 3:55 |
Vocals [Additional] - Rabeka Tunei | ||
F4 | Roses | 6:09 |
Backing Vocals - Killer Mike | ||
Producer - Dojo5 | ||
G1 | Good Day, Good Sir | 1:24 |
Vocals [Additional] - Farnsworth Bentley | ||
G2 | Behold A Lady | 4:37 |
G3 | Pink & Blue | 5:04 |
Bass - Kevin Brandon, Kevin O'Neal | ||
Conductor [Strings] - Benjamin Wright | ||
Strings - The Benjamin Wright String Orchestra | ||
G4 | Love In War | 3:25 |
Arranged By [String Arrangement] - Ricky Keller | ||
G5 | She's Alive | 4:06 |
Double Bass - Kevin Brandon | ||
Drums - Jef Van Veen | ||
H1 | Dracula's Wedding | 2:32 |
Featuring - Kelis | ||
H2 | Take Off Your Cool | 2:38 |
Featuring - Norah Jones | ||
H3 | Vibrate | 6:33 |
Backing Vocals - Sleepy Brown | ||
H4 | A Life In The Day Of Benjamin André (Incomplete) | 5:11 |
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Description
OutKast's double album "Speakerboxxx/The Love Below," released on September 23, 2003, is a landmark in hip-hop history that showcases the duo's innovative spirit and genre-blending prowess. This album is not just a collection of songs; it’s a bold artistic statement that reflects the diverse influences and individual styles of André 3000 and Big Boi, the two members of OutKast. The album was met with critical acclaim and commercial success, winning the Grammy Award for Album of the Year in 2004, a rare feat for a hip-hop album, and it has since been recognized as one of the greatest albums of all time.
The album is split into two distinct parts: "Speakerboxxx," which is primarily Big Boi's contribution, and "The Love Below," which is largely André 3000's vision. This division allows each artist to explore their unique sound and artistic expression. Big Boi's tracks are characterized by their funk-infused beats and clever lyricism, while André 3000's side leans more towards experimental sounds, incorporating elements of jazz, rock, and even pop.
Standout tracks from the album include the infectious "Hey Ya!" from "The Love Below," which became a cultural phenomenon. Its catchy hook and upbeat tempo made it a staple at parties and on radio stations, and it even topped the Billboard Hot 100 chart for nine weeks. The song's music video, with its vibrant colors and energetic dance moves, further cemented its place in pop culture. Another highlight is "Roses," which features a blend of humor and heartfelt emotion, showcasing the duo's ability to tackle complex themes with wit and creativity.
Critics were quick to praise the album upon its release. Rolling Stone hailed it as a "masterpiece," noting its ambitious scope and the way it pushed the boundaries of hip-hop. The New York Times described it as a "bold and adventurous" work that defied categorization. The album's eclectic mix of genres and styles was a breath of fresh air in the early 2000s music scene, and it resonated with a wide audience, helping to expand the reach of hip-hop.
One of the most interesting aspects of "Speakerboxxx/The Love Below" is how it reflects the personal journeys of both artists. André 3000, in particular, used his side of the album to explore themes of love, relationships, and self-identity. His introspective lyrics and innovative production choices, such as the use of live instrumentation and unconventional song structures, set a new standard for what hip-hop could be. Big Boi, on the other hand, maintained a more traditional hip-hop approach, but with his own unique flair, showcasing his lyrical dexterity and storytelling ability.
The production of the album was a collaborative effort, with contributions from various producers, including the duo themselves. The album's sound is rich and layered, with influences ranging from funk and soul to rock and electronic music. This diversity in sound is part of what makes the album so compelling and timeless. It’s a testament to OutKast's willingness to experiment and push the envelope, which has inspired countless artists in the years since.
In terms of cultural significance, "Speakerboxxx/The Love Below" played a crucial role in bringing hip-hop into the mainstream while also challenging the genre's conventions. It opened doors for artists to explore different sounds and themes, paving the way for future generations of musicians. The album's success also highlighted the importance of artistic individuality within a group dynamic, as both André 3000 and Big Boi were able to shine in their own right.
In conclusion, "Speakerboxxx/The Love Below" is more than just an album; it’s a cultural touchstone that encapsulates the creativity and innovation of OutKast. Its blend of genres, memorable tracks, and profound themes make it a must-listen for anyone interested in the evolution of hip-hop and music as a whole. Whether you’re a long-time fan or a newcomer to OutKast's music, this album is sure to leave a lasting impression.