Album Info
Artist: | Public Enemy |
Album: | Fear Of A Black Planet |
Released: | Europe, 2014 |
Tracklist:
A1 | Contract On The World Love Jam (Instrumental) | 1:44 |
A2 | Brothers Gonna Work It Out | 5:05 |
A3 | 911 Is A Joke | 3:17 |
A4 | Incident At 66.6 FM (Instrumental) | 1:37 |
A5 | Welcome To The Terrordome | 5:24 |
A6 | Meet The G That Killed Me | 0:44 |
A7 | Pollywanacraka | 3:52 |
A8 | Anti-Nigger Machine | 3:17 |
A9 | Burn Hollywood Burn | 2:46 |
A10 | Power To The People | 4:49 |
B1 | Who Stole The Soul? | 3:52 |
B2 | Fear Of A Black Planet | 3:40 |
B3 | Revolutionary Generation | 5:43 |
B4 | Can't Do Nuttin' For Ya Man | 2:45 |
B5 | Reggie Jax | 1:35 |
B6 | Leave This Off Your Fukin Charts (Instrumental) | 2:32 |
B7 | B Side Wins Again | 3:39 |
B8 | War At 33 1/3 | 2:13 |
B9 | Final Count Of The Collision Between Us And The Damned (Instrumental) | 0:48 |
B10 | Fight The Power | 4:42 |
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Description
Public Enemy’s 1990 album, *Fear of a Black Planet*, stands as a monumental work in hip-hop history, not just for its sonic innovation but also for its unapologetic political commentary. Following the success of their previous album, *It Takes a Nation of Millions to Hold Us Back*, this record further solidified their status as one of the most influential groups in the genre. The album was released on April 10, 1990, and it quickly became a cultural touchstone, addressing issues of race, identity, and social justice with a ferocity that was both compelling and necessary.
From the opening track, "Contract on the World Love Jam," the listener is thrust into a whirlwind of sound that combines dense layers of samples, aggressive beats, and Chuck D’s commanding voice. The production, spearheaded by the Bomb Squad, is nothing short of revolutionary. They employed a collage of samples from funk, rock, and soul, creating a soundscape that was chaotic yet meticulously crafted. This approach not only set the tone for the album but also influenced countless artists across genres in the years that followed.
One of the standout tracks, "911 Is a Joke," showcases the group’s ability to blend humor with serious social critique. Flava Flav’s playful delivery contrasts sharply with the weighty subject matter, addressing the systemic neglect of Black communities by emergency services. The song’s catchy hook and infectious beat make it a fan favorite, but it’s the underlying message that resonates deeply, highlighting the disparities in how different communities are treated.
The title track, "Fear of a Black Planet," is another powerful moment on the album. Here, Chuck D confronts the fears and misconceptions surrounding Black identity in America. The song’s driving beat and urgent lyrics create a sense of urgency, compelling listeners to confront their own biases and the societal structures that perpetuate racism. It’s a bold statement that remains relevant today, illustrating the album’s enduring significance.
Critics at the time hailed *Fear of a Black Planet* as a masterpiece. Rolling Stone praised its ambitious scope and the way it tackled complex themes with both intelligence and passion. The album was nominated for a Grammy Award for Best Rap Album, a testament to its impact and the respect it garnered within the industry. It also made waves on the charts, peaking at number 10 on the Billboard 200 and reaching number 1 on the Top R&B/Hip-Hop Albums chart.
One of the most notable aspects of the album is its exploration of the concept of Black identity and empowerment. Tracks like "Brothers Gonna Work It Out" and "Pollywanacraka" delve into themes of unity and resilience, encouraging listeners to embrace their heritage and fight against oppression. The album’s message is not just about resistance; it’s about pride and the celebration of Black culture, which is woven throughout the lyrics and production.
Public Enemy’s use of sampling was also groundbreaking. They incorporated a wide array of sounds, from the iconic guitar riff in "Welcome to the Terrordome" to the haunting vocal samples in "She Watch Channel Zero?!" This eclectic mix not only created a unique sound but also served as a historical commentary, drawing connections between past struggles and contemporary issues. The Bomb Squad’s production techniques, including the use of layered samples and heavy distortion, pushed the boundaries of what hip-hop could be, paving the way for future artists to experiment with their sound.
In interviews, Chuck D has often reflected on the album’s significance, noting that it was a response to the political climate of the time, particularly the rise of conservatism in the late 1980s and early 1990s. He emphasized the importance of using music as a platform for social change, a theme that resonates throughout the album. The urgency in his voice and the passion in his delivery make it clear that this is more than just music; it’s a call to action.
*Fear of a Black Planet* remains a landmark album that not only defined a generation but also continues to inspire new artists and activists today. Its blend of powerful lyrics, innovative production, and cultural commentary makes it a timeless piece of art that deserves to be celebrated and revisited. As we navigate the complexities of race and identity in contemporary society, the messages within this album are as relevant now as they were over three decades ago.