Album Info
| Artist: | Andrew Hill |
| Album: | Smoke Stack |
| Released: | Worldwide, 19 Jun 2020 |
Tracklist:
| A1 | Smoke Stack | |
| A2 | The Day After | |
| A3 | Wailing Wall | |
| A4 | Ode To Von | |
| B1 | Not So | |
| B2 | Verne | |
| B3 | 30 Pier Avenue |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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- Happy Listening!
Description
Andrew Hill's "Smoke Stack," released in 1963 on the Blue Note label, is a fascinating exploration of avant-garde jazz that showcases Hill's innovative approach to composition and improvisation. This album stands out not only for its unique instrumentation but also for its complex, layered musical ideas that challenge traditional jazz norms.
"Smoke Stack" features Andrew Hill on piano, with Richard Davis and Eddie Khan on bass, and Roy Haynes on drums. The inclusion of two bassists is particularly noteworthy, as it allows Hill to explore a broader range of textures and harmonic possibilities. This dual-bass setup creates a rich, resonant foundation that supports Hill's intricate piano lines and Haynes' dynamic drumming.
The album opens with the title track, "Smoke Stack," which immediately sets the tone for the rest of the record. Hill's piano work is both angular and fluid, weaving through the dual bass lines with a sense of purpose and direction. The interplay between Davis and Khan is remarkable, as they complement and contrast each other, creating a dense, yet coherent soundscape.
"Smoke Stack" is characterized by its unconventional structures and rhythms. Hill's compositions often eschew traditional song forms, opting instead for more open-ended, exploratory frameworks. This approach allows the musicians to engage in a more conversational style of playing, where each instrument has the freedom to contribute to the evolving musical narrative.
One of the standout tracks on the album is "The Day After," which features a haunting melody and a complex, shifting rhythm. Hill's piano work is particularly striking here, as he navigates the piece's intricate harmonic landscape with both precision and emotion. The dual basses provide a deep, resonant backdrop that enhances the track's moody atmosphere.
Another highlight is "Wailing Wall," a composition that showcases Hill's ability to blend dissonance and melody in a way that is both challenging and accessible. The track's driving rhythm and bold harmonic choices create a sense of tension and release that is both exhilarating and thought-provoking.
Throughout "Smoke Stack," Roy Haynes' drumming is a key element in the album's success. His ability to navigate the complex rhythms and textures of Hill's compositions is impressive, and his dynamic playing adds an additional layer of depth to the music. Haynes' contributions are particularly evident on tracks like "Ode to Von" and "Verne," where his inventive rhythms and subtle accents enhance the overall musical experience.
"Smoke Stack" is a testament to Andrew Hill's vision as a composer and bandleader. His willingness to push the boundaries of jazz and explore new musical territories is evident in every track. The album's innovative use of two bassists, combined with Hill's distinctive compositional style, results in a work that is both challenging and rewarding for the listener.
In conclusion, Andrew Hill's "Smoke Stack" is a landmark album in the world of avant-garde jazz. Its complex structures, innovative instrumentation, and masterful performances make it a must-listen for fans of the genre. Hill's ability to blend tradition with innovation is on full display, and the album remains a testament to his enduring influence on the world of jazz. Whether you're a longtime jazz aficionado or a newcomer to the genre, "Smoke Stack" offers a rich, immersive listening experience that is sure to leave a lasting impression.
