Album Info
| Artist: | Art Blakey |
| Album: | Big Band |
| Released: | Worldwide, 12 May 2023 |
Tracklist:
| A1 | Midriff | 3:19 |
| Soloist [Solo] - Hardman, John Coltrane, Bishop | ||
| Written-By - Valentine | ||
| A2 | Ain't Life Grand | 3:23 |
| Featuring [Features] - Coltrane, Ray Copeland, Bishop | ||
| Written-By - Cohn | ||
| A3 | Tippin' | 7:02 |
| Written-By - Byrd | ||
| A4 | Pristine | 5:40 |
| Written-By - Coltrane | ||
| B1 | El Toro Valiente | 2:46 |
| Soloist [Solo: Alto], Alto Saxophone [Solo: Alto] - Sahib | ||
| Soloist [Solo: trombonist], trombone [Solo: trombonist] - Jimmy Cleveland | ||
| Soloist [Solo] - Blakey | ||
| Written By - Salaam-Gambel | ||
| Written-By - Gambel, Salaam | ||
| B2 | The Kiss Of No Return | 5:38 |
| Soloist [Soliloquy] - Frank Rehak, Idrees, Jimmy Cleveland, Sahib | ||
| Written By - Salaam-Gambel | ||
| Written-By - Gambel, Salaam | ||
| B3 | Late Date | 3:36 |
| Written-By - Melba Liston | ||
| B4 | The Outer World | 4:09 |
| Soloist [Solo] - Sulieman, Coltrane | ||
| Written-By - Cohn |
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Description
Art Blakey's album "Big Band" is a fascinating entry in the legendary drummer's discography. Released in 1957, this record showcases Blakey's ability to adapt his hard bop sensibilities to a larger ensemble setting, a departure from the smaller groups he is most commonly associated with, such as his iconic Jazz Messengers. The album features arrangements by Melba Liston and contributions from a stellar lineup of musicians, making it a standout example of big band jazz from the era.
One of the most striking aspects of "Big Band" is how it balances the energy and drive of Blakey's drumming with the lush, intricate textures of a larger ensemble. The arrangements, crafted by Liston, are both sophisticated and dynamic, providing a perfect backdrop for the soloists to shine. Tracks like "Midriff" and "Ain't Life Grand" highlight the interplay between the sections of the band, with tight brass and reed arrangements complementing the rhythm section's groove.
Blakey's drumming is, as always, a highlight. His powerful, propulsive style drives the music forward, but he also knows when to pull back and let the ensemble take the spotlight. This balance is a testament to his musicality and his understanding of the big band format. While Blakey is often celebrated for his work in small group settings, "Big Band" demonstrates his versatility and his ability to lead a larger group without losing the intensity and immediacy that define his playing.
The musicians featured on the album are a who's who of jazz talent from the 1950s. Trumpeters like Donald Byrd and Ray Copeland, saxophonists such as John Coltrane and Al Cohn, and trombonists including Jimmy Cleveland all contribute memorable performances. Each soloist brings their unique voice to the music, adding depth and variety to the album. The combination of these individual talents with the cohesive sound of the ensemble is one of the album's greatest strengths.
"Big Band" may not be as well-known as some of Blakey's other recordings, but it is a gem that deserves more attention. It captures a moment in time when big band jazz was evolving, incorporating elements of bebop and hard bop into its sound. The album is a testament to Blakey's vision as a bandleader and his willingness to explore new musical territory.
For fans of Art Blakey, "Big Band" offers a chance to hear a different side of his artistry. It is a reminder of his versatility and his ability to bring out the best in the musicians he worked with. The album is also a showcase for Melba Liston's talents as an arranger, highlighting her ability to create music that is both complex and accessible.
In conclusion, "Big Band" is a rewarding listen for anyone interested in jazz, particularly those who appreciate the big band tradition. It is a testament to the creativity and innovation of Art Blakey and his collaborators, and it remains a vibrant and exciting recording more than six decades after its release.
