Album Info
| Artist: | Bill Evans trio |
| Album: | trio '65 |
| Gatefold: | Yes |
| Released: | Worldwide, 17 Jun 2022 |
Tracklist:
| A1 | Israel | 4:45 |
| Written-By - Carisi | ||
| A2 | Elsa | 4:17 |
| Written-By - Zindars | ||
| A3 | 'Round Midnight | 6:38 |
| Written-By - Hanighen, Williams, Monk | ||
| A4 | Our Love Is Here To Stay | 3:59 |
| Written-By - George & Ira Gershwin | ||
| B1 | How My Heart Sings | 2:47 |
| Written-By - Zindars | ||
| B2 | Who Can I Turn To? | 4:50 |
| Written-By - Newley, Bricusse | ||
| B3 | Come Rain Or Come Shine | 5:23 |
| Written-By - Arlen-Mercer | ||
| B4 | If You Could See Me Now | 4:46 |
| Written-By - Sigman, Dameron |
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Description
"Trio '65" by the Bill Evans Trio is a remarkable album that showcases the trio's mastery of jazz and their ability to create a deeply emotive and cohesive musical experience. Released in 1965 on the Verve label, this album features Bill Evans on piano, Chuck Israels on bass, and Larry Bunker on drums. It is a testament to Evans' artistry and his ability to lead a trio that is both tightly knit and highly expressive.
The album opens with "Israel", a piece that sets the tone for the record with its intricate interplay and dynamic shifts. Evans' piano playing is as lyrical and nuanced as ever, and the rhythm section provides a solid yet flexible foundation. Chuck Israels' bass work is particularly noteworthy, as he complements Evans' phrasing with a melodic sensibility of his own. Larry Bunker's drumming is subtle and tasteful, adding texture and drive without overpowering the other instruments.
One of the standout tracks on the album is "Who Can I Turn To (When Nobody Needs Me)", a ballad that highlights Evans' ability to convey deep emotion through his playing. His touch on the piano is delicate and expressive, and the trio's interpretation of the piece is both heartfelt and sophisticated. Another highlight is "If You Could See Me Now", a tune that showcases the trio's ability to navigate complex harmonies and rhythms with ease and grace.
The production of "Trio '65" is clean and intimate, allowing the listener to fully appreciate the interplay between the musicians. The album was produced by Creed Taylor, who was known for his work with Verve Records and his ability to capture the essence of jazz performances. The recording quality is excellent, and the balance between the instruments is just right, making it easy to get lost in the music.
"Trio '65" is often regarded as one of the essential albums in Bill Evans' discography, and for good reason. It captures a moment in time when Evans was at the height of his creative powers, and it showcases the unique chemistry of this particular trio. While it may not be as groundbreaking as some of his earlier work, such as "Sunday at the Village Vanguard", it is nonetheless a deeply satisfying and beautifully crafted album that rewards repeated listening.
For fans of Bill Evans and jazz in general, "Trio '65" is a must-listen. It is a perfect example of the art of the piano trio, and it serves as a reminder of why Bill Evans is considered one of the greatest jazz pianists of all time. Whether you're a longtime admirer or new to his music, this album is sure to leave a lasting impression.
