Album Info
| Artist: | Charles Mingus |
| Album: | Mingus Ah Um |
| Released: | Europe, 2019 |
Tracklist:
| A1 | Better Git It In Your Soul | |
| A2 | Goodbye Pork Pie Hat | |
| A3 | Boogie Stop Shuffle | |
| A4 | Self-Portrait In Three Colors | |
| A5 | Open Letter To Duke | |
| B1 | Bird Calls | |
| B2 | Fables Of Faubus | |
| B3 | Pussy Cat Dues | |
| B4 | Jelly Roll |
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Description
Charles Mingus's "Mingus Ah Um," released on September 14, 1959, is a landmark album in the world of jazz that continues to resonate with listeners and musicians alike. This album is not just a collection of songs; it’s a vibrant tapestry of emotions, styles, and cultural commentary that showcases Mingus's genius as a composer and bandleader. It’s often hailed as one of the greatest jazz albums of all time, and for good reason.
From the very first notes of the opening track, "Better Git It in Your Soul," you can feel the energy and passion that Mingus poured into this work. The album is a brilliant blend of hard bop, gospel, and blues, reflecting the rich tapestry of African American musical traditions. Mingus's ability to weave these influences together is nothing short of masterful. The track features a powerful, driving rhythm and a call-and-response structure that feels both spontaneous and meticulously crafted.
One of the standout tracks, "Goodbye Pork Pie Hat," is a poignant tribute to the late saxophonist Lester Young. The song is imbued with a sense of longing and nostalgia, showcasing Mingus's ability to convey deep emotions through his music. The arrangement is lush, with a beautiful saxophone melody that lingers in the air long after the song has ended. This track alone has become a jazz standard, covered by countless artists over the years, which speaks to its enduring impact.
The album also features the track "Fables of Faubus," which is a direct response to the racial tensions and injustices of the time, particularly the Little Rock Nine incident. Mingus's lyrics, which were added in later versions, are a scathing critique of segregation and racism, making this piece not only musically significant but also culturally relevant. The boldness of addressing such issues in a jazz album was groundbreaking and showcased Mingus's commitment to using his art as a platform for social commentary.
Critically, "Mingus Ah Um" has received widespread acclaim since its release. It was nominated for a Grammy Award in 1960 and has been included in numerous "greatest albums" lists, including Rolling Stone's list of the 500 Greatest Albums of All Time. Major publications like DownBeat and The Village Voice have praised the album for its innovative compositions and Mingus's unique voice as a bandleader. The album's production, handled by the legendary producer Teo Macero, is also noteworthy. Macero's approach to recording and arranging helped to capture the raw energy of Mingus's performances, making the album feel alive and dynamic.
One of the fascinating aspects of "Mingus Ah Um" is the ensemble of musicians that Mingus assembled for this project. The album features a stellar lineup, including the likes of Eric Dolphy on alto saxophone and bass clarinet, and Booker Ervin on tenor saxophone. Each musician brings their own flair to the compositions, creating a rich and diverse sound that is both cohesive and exploratory. Mingus was known for his strong personality and sometimes tumultuous relationships with band members, but this album showcases a moment of unity and collaboration that resulted in something truly special.
Listening to "Mingus Ah Um" is like taking a journey through the heart and soul of jazz. It’s an album that invites you to feel, to think, and to reflect on the world around you. The interplay between the musicians is electric, and Mingus's compositions are both complex and accessible, making them enjoyable for both seasoned jazz aficionados and newcomers alike.
In conclusion, "Mingus Ah Um" is not just an album; it’s a cultural artifact that captures a moment in time while remaining timeless in its appeal. It’s a testament to Charles Mingus's brilliance and his ability to transcend the boundaries of jazz, making a statement that is as relevant today as it was over sixty years ago. If you haven’t yet experienced this masterpiece, do yourself a favor and dive into the world of Mingus. You won’t regret it.
