Album Info
Artist: | Charlie Parker |
Album: | Bird In Kansas City |
Released: | US, 25 Oct 2024 |
Tracklist:
A1 | Bird Song #1 | 1:38 |
Bass - Unknown Artist | ||
Composed By, Alto Saxophone - Charlie Parker | ||
Drums - Unknown Artist | ||
A2 | Bird Song #2 | 4:45 |
Bass - Unknown Artist | ||
Composed By, Alto Saxophone - Charlie Parker | ||
Drums - Unknown Artist | ||
A3 | Bird Song #3 | 3:42 |
Bass - Unknown Artist | ||
Composed By, Alto Saxophone - Charlie Parker | ||
Drums - Unknown Artist | ||
A4 | Cherokee (Phil Baxter Version) | 3:33 |
Alto Saxophone - Charlie Parker | ||
Bass - Unknown Artist | ||
Composed By - Ray Noble | ||
Drums - Unknown Artist | ||
A5 | Body And Soul (Phil Baxter Version) | 2:54 |
Alto Saxophone - Charlie Parker | ||
Bass - Unknown Artist | ||
Composed By - Edward Heyman, Frank Eyton, Johnny Green, Robert Sour | ||
Drums - Unknown Artist | ||
A6 | Honeysuckle Rose | 3:48 |
Alto Saxophone - Charlie Parker | ||
Bass - Unknown Artist | ||
Composed By - Andy Razaf, Fats Waller | ||
Drums - Unknown Artist | ||
A7 | Perdido | 3:45 |
Alto Saxophone - Charlie Parker | ||
Bass - Unknown Artist | ||
Composed By - Juan Tizol | ||
Drums - Unknown Artist | ||
B1 | Cherokee (Vic Damon Version) | 3:08 |
Alto Saxophone - Charlie Parker | ||
Composed By - Ray Noble | ||
Drums - Edward "Little Phil" Phillips | ||
Guitar - Efferge Ware | ||
B2 | My Hearts Tells Me (Should I Believe My Heart?) | 3:16 |
Alto Saxophone - Charlie Parker | ||
Composed By - Harry Warren , Mack Gordon | ||
Drums - Edward "Little Phil" Phillips | ||
Guitar - Efferge Ware | ||
B3 | I Found A New Baby | 3:29 |
Alto Saxophone - Charlie Parker | ||
Composed By - Jack Palmer , Spencer Williams | ||
Drums - Edward "Little Phil" Phillips | ||
Guitar - Efferge Ware | ||
B4 | Body And Soul (Vic Damon Version) | 3:40 |
Alto Saxophone - Charlie Parker | ||
Composed By - Edward Heyman, Frank Eyton, Johnny Green, Robert Sour | ||
Drums - Edward "Little Phil" Phillips | ||
Guitar - Efferge Ware | ||
B5 | Margie | 3:59 |
Alto Saxophone - Charlie Parker, John Jackson | ||
Bass - Gene Ramey | ||
Composed By - Benny Davis, Con Conrad, J. Russel Robinson | ||
Drums - Gus Johnson | ||
Piano - Jay McShann | ||
Tenor Saxophone - Bob Mabane, Harry Ferguson | ||
Trombone - Taswell Baird | ||
Trumpet - Bernard Anderson, Harold Bruce, Orville "Piggy" Minor | ||
Vocals - Joe Coleman | ||
B6 | I'm Getting Sentimental Over You | 4:23 |
Alto Saxophone - Charlie Parker, John Jackson | ||
Bass - Gene Ramey | ||
Composed By - George Bassman, Ned Washington | ||
Drums - Gus Johnson | ||
Piano - Jay McShann | ||
Tenor Saxophone - Bob Mabane, Harry Ferguson | ||
Trombone - Taswell Baird | ||
Trumpet - Bernard Anderson, Harold Bruce, Orville "Piggy" Minor | ||
Vocals - Joe Coleman |
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Description
"Bird in Kansas City" is a fascinating album that captures the essence of Charlie Parker's early years and his formative period in the Kansas City jazz scene. Charlie Parker, often referred to as "Bird", is one of the most influential figures in the history of jazz, and this album provides a glimpse into his development as a musician before he became a household name in the jazz world.
The recordings on this album are a collection of live performances and early studio sessions that showcase Parker's incredible talent and innovative approach to the saxophone. Kansas City in the 1930s and 1940s was a hotbed for jazz, and Parker was at the heart of it, absorbing the blues-infused swing style that defined the region. This album captures that raw energy and the vibrant musical environment that shaped Parker's sound.
Listening to "Bird in Kansas City", one can hear the seeds of Parker's later bebop innovations. His phrasing, improvisational skills, and technical prowess are already evident, even in these early recordings. Tracks like "Cherokee" and "Body and Soul" highlight his ability to take standard tunes and transform them into something uniquely his own. The interplay between Parker and the other musicians is also a joy to hear, as it reflects the collaborative spirit of the Kansas City jazz scene.
The production quality of the album varies, as is often the case with historical recordings, but this only adds to its charm. The slightly rough edges and the live atmosphere transport the listener back in time, providing an authentic experience of what it might have been like to hear Parker play in a Kansas City club. It's a reminder of the roots of jazz and the importance of live performance in its evolution.
"Bird in Kansas City" is not just an album for jazz enthusiasts; it's a historical document that offers insight into the early career of a musical genius. For those familiar with Parker's later work, it's fascinating to hear how his style developed and how the Kansas City scene influenced his music. For newcomers to jazz, it's a great introduction to the energy and creativity that define the genre.
Overall, this album is a must-listen for anyone interested in the history of jazz or the artistry of Charlie Parker. It captures a moment in time when jazz was evolving, and Parker was at the forefront of that change. "Bird in Kansas City" is a testament to his enduring legacy and the timeless appeal of his music.