Album Info
| Artist: | Chet Baker |
| Album: | Blood, Chet And Tears |
| Released: | Worldwide, 4 Oct 2024 |
Tracklist:
| A1 | Easy Come, Easy Go | 2:51 |
| Written-By - Hilderbrand, Keller | ||
| A2 | Sugar, Sugar | 2:52 |
| Written-By - Kim, Barry | ||
| A3 | Something | 3:20 |
| Written-By - Harrison | ||
| A4 | Spinning Wheel | 3:16 |
| Written-By - Thomas | ||
| A5 | Vehicle | 2:44 |
| Written-By - Peterik | ||
| B1 | The Letter | 3:34 |
| Written-By - Thompson | ||
| B2 | And When I Die | 2:57 |
| Written-By - Nyro | ||
| B3 | Come Saturday Morning | 2:48 |
| Written-By - Previn, Karlin | ||
| B4 | Evil Ways | 3:35 |
| Written-By - Henry | ||
| B5 | You've Made Me So Very Happy | 3:40 |
| Written-By - Gordy, Jr., B. Holloway, Wilson, P. Holloway |
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Description
Chet Baker's 1970 album "Blood, Chet and Tears" is a fascinating entry in the legendary jazz trumpeter's discography. Known primarily for his cool jazz stylings and his iconic work in the 1950s, this album sees Baker stepping into a very different musical landscape. Released during a time when jazz was increasingly influenced by rock, soul, and pop, "Blood, Chet and Tears" is Baker's take on the popular music of the era, featuring covers of contemporary hits and a more electric, groove-oriented sound.
The album's title is a playful nod to the band Blood, Sweat & Tears, whose music was emblematic of the jazz-rock fusion movement of the late 1960s. While Baker doesn't cover any of their songs directly, the title sets the tone for the album's exploration of similar territory. The tracklist includes covers of songs like "Something" by The Beatles and "Evil Ways" by Santana, showcasing Baker's ability to reinterpret pop and rock material through his unique jazz sensibility. His trumpet playing remains lyrical and emotive, even as the arrangements incorporate electric instruments and a more rhythmically driven approach.
One of the standout tracks is Baker's rendition of "Come Saturday Morning", a song originally performed by The Sandpipers. Baker's version is tender and introspective, with his trumpet weaving a delicate melody over a lush arrangement. Another highlight is "Sugar, Sugar", a surprising choice given its bubblegum pop origins with The Archies. Baker transforms the song into a laid-back, groovy number, demonstrating his knack for finding new dimensions in seemingly simple material.
The production on "Blood, Chet and Tears" reflects the era's trends, with a polished sound that incorporates electric piano, bass, and drums alongside Baker's trumpet. While some purists might find the album's crossover appeal a departure from Baker's earlier work, it also serves as a testament to his versatility and willingness to experiment. The album captures a moment in time when jazz was expanding its boundaries and engaging with the broader musical currents of the day.
Critically, "Blood, Chet and Tears" has received mixed reviews over the years. Some listeners appreciate its adventurous spirit and Baker's interpretations of contemporary songs, while others view it as a less essential part of his oeuvre. Regardless, the album offers a unique perspective on Baker's artistry and his response to the changing musical landscape of the late 1960s and early 1970s.
For fans of Chet Baker, "Blood, Chet and Tears" is worth exploring as a snapshot of a transitional period in his career. It may not have the timeless quality of his classic recordings, but it reveals a different side of the artist and his willingness to take risks. Whether you're drawn to its nostalgic charm or its experimental edge, the album is a reminder of Baker's enduring talent and his ability to adapt to new musical contexts.
