Album Info
| Artist: | Ella Fitzgerald |
| Album: | The Lost Berlin Tapes |
| Released: | Europe, 2 Oct 2020 |
Tracklist:
| A1 | Cheek To Cheek | 3:47 |
| A2 | My Kind Of Boy | 3:06 |
| A3 | Cry Me A River | 4:37 |
| A4 | I Won't Dance | 3:00 |
| A5 | Someone To Watch Over Me | 3:58 |
| B1 | Jersey Bounce | 3:45 |
| B2 | Angel Eyes | 3:51 |
| B3 | Clap Hands, Here Comes Charlie! | 3:43 |
| B4 | Taking A Chance On Love | 2:25 |
| B5 | C'est Magnifique | 3:50 |
| C1 | Good Morning Heartache | 4:58 |
| C2 | Hallelujah, I Love Him So | 2:57 |
| C3 | Hallelujah, I Love Him So (Reprise) | 3:06 |
| C4 | Summertime | 2:59 |
| D1 | Mr. Paganini | 4:30 |
| D2 | Mack The Knife | 4:50 |
| D3 | Wee Baby Blues | 5:38 |
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Description
Ella Fitzgerald's "The Lost Berlin Tapes" is a remarkable addition to the legacy of one of jazz's most iconic voices. Released on October 2, 2020, this album captures a live performance recorded on March 25, 1962, at the Sportpalast in Berlin, Germany. The discovery and subsequent release of these tapes is a treasure for jazz enthusiasts and a testament to Fitzgerald's enduring artistry.
The concert was recorded two years after her legendary 1960 Berlin performance, which gave us the Grammy-winning album "Ella in Berlin: Mack the Knife." While that earlier recording is celebrated for its spontaneity and charm, "The Lost Berlin Tapes" offers a different perspective on Fitzgerald's live prowess. Here, she is confident, playful, and in complete command of her craft, delivering a set that showcases her incredible vocal range, impeccable timing, and unmatched ability to connect with her audience.
The setlist is a mix of jazz standards and popular tunes of the era, all delivered with Fitzgerald's signature style. From the opening notes of "Cheek to Cheek", she immediately draws the listener in with her warmth and charisma. Her rendition of "Mack the Knife" is another highlight, demonstrating her ability to make a song her own, even one she had performed countless times before. The playful improvisation and lyrical ad-libs she incorporates are a joy to hear and a reminder of her unparalleled talent as a live performer.
One of the most striking aspects of this recording is the quality of the sound. The tapes were meticulously restored, and the result is a clear and vibrant listening experience that makes you feel as though you are in the audience that night in Berlin. The backing trio, featuring pianist Paul Smith, bassist Wilfred Middlebrooks, and drummer Stan Levey, provides a solid and dynamic foundation for Fitzgerald's vocals, and their interplay is a masterclass in jazz musicianship.
"The Lost Berlin Tapes" also serves as a historical document, capturing a moment in time when Fitzgerald was at the height of her powers. Her ability to interpret a song, infuse it with emotion, and make it resonate with her audience is on full display here. Whether she's delivering a tender ballad like "Cry Me a River" or swinging through an uptempo number like "Clap Hands, Here Comes Charlie!", she does so with a level of artistry that few can match.
The release of this album has been met with widespread acclaim, and it's easy to see why. It not only adds to Fitzgerald's already impressive discography but also provides a fresh perspective on her live performances. For longtime fans, it's a chance to hear her in a new light, and for newcomers, it's an excellent introduction to her genius.
In conclusion, "The Lost Berlin Tapes" is a must-listen for anyone who appreciates jazz and the timeless artistry of Ella Fitzgerald. It's a reminder of why she is considered one of the greatest vocalists of all time and a celebration of her enduring legacy. This album is not just a collection of songs; it's a window into a magical evening in Berlin, where Ella Fitzgerald once again proved why she is the First Lady of Song.
