Album Info
Artist: | Elvin Jones |
Album: | Mr. Jones |
Released: | USA & Europe, 13 Mar 2020 |
Tracklist:
A1 | One's Native Place | 6:14 |
Written-By - K. Jones | ||
A2 | Gee Gee | 5:45 |
Written-By - G. Perla | ||
A3 | Mr. Jones | 7:34 |
Bass - Wilbur Little | ||
Congas - Candido Camero | ||
Producer - Francis Wolff | ||
Tenor Saxophone - George Coleman | ||
Tenor Saxophone, Bass Flute, Flute, English Horn - Joe Farrell | ||
Written-By - K. Jones | ||
B1 | What's Up-That's It | 5:36 |
Written-By - G. Perla | ||
B2 | Soultrane | 6:10 |
Written-By - T. Dameron | ||
B3 | New Breed | 6:54 |
Written-By - D. Liebman |
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Description
Elvin Jones's album Mr. Jones, released in 1972, is a remarkable showcase of the legendary drummer's artistry and vision. Known for his groundbreaking work with the John Coltrane Quartet, Jones was a master of rhythm and texture, and this album is a testament to his ability to lead and innovate as a bandleader.
The album features a stellar lineup of musicians, including saxophonist Steve Grossman, guitarist Gene Perla, and bassist David Liebman. Together, they create a dynamic and cohesive sound that blends elements of post-bop, modal jazz, and avant-garde influences. The interplay between the musicians is a highlight of the record, with each member contributing to the overall energy and direction of the music.
One of the standout tracks on the album is "One's Native Place", a composition that showcases Jones's intricate drumming and the group's ability to navigate complex rhythms and harmonies. The track is both meditative and intense, with a sense of exploration that keeps the listener engaged throughout. Another highlight is "What's Up - That's It", a piece that features a driving groove and impressive solos from Grossman and Liebman, demonstrating their technical prowess and creative improvisation.
The production of Mr. Jones is warm and organic, capturing the essence of the live performance while maintaining a polished studio sound. The album was recorded during a period when jazz was undergoing significant changes, and Jones's work reflects a willingness to embrace new ideas while staying true to the roots of the genre.
Mr. Jones received critical acclaim upon its release and remains a significant entry in Elvin Jones's discography. It is a must-listen for fans of jazz and anyone interested in the evolution of the genre during the 1970s. The album not only highlights Jones's exceptional drumming but also his ability to bring together talented musicians to create something truly special. Listening to Mr. Jones is a reminder of the power of collaboration and the enduring legacy of one of jazz's greatest drummers.