Album Info
| Artist: | Etta James |
| Album: | The Montreux Years |
| Released: | Worldwide, 25 Jun 2021 |
Tracklist:
| A1 | Breakin' Up Somebody's Home | |
| Bass - Bobby Vega | ||
| Drums - Herman "Roscoe" Ernest III | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Harmonica - Claude Nobs | ||
| Keyboards - David Matthews | ||
| Percussion - Donto James | ||
| Saxophone - Richard Howell | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Written-By - Al Jackson Jr., Timothy Matthews | ||
| A2 | I Got The Will | |
| Bass - Bobby Vega | ||
| Drums - Herman "Roscoe" Ernest III | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Percussion - Donto Foster | ||
| Piano, Organ - Jimmy Pugh | ||
| Saxophone - Richard Howell | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Vocals - Sametto James | ||
| Written-By - Otis Redding | ||
| A3 | I'd Rather Go Blind | |
| Bass - David Lowrey | ||
| Drums - Steve Ferrone | ||
| Guitar - Brian Ray | ||
| Keyboards - Richard Tee, Rick Wakeman | ||
| Saxophone - David "Fathead" Newman, Klaus Doldinger | ||
| trumpet - Lew Soloff | ||
| Written-By - Billy Foster, Ellington Jordan | ||
| A4 | A Lover Is Forever | |
| Bass - Richard Cousins | ||
| Drums - Donto James | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Harmonica - Claude Nobs | ||
| Keyboards - David Matthews | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Written-By - James Frederick Knobloch, Steve Goodman | ||
| B1 | Damn Your Eyes | |
| Bass - Bobby Vega | ||
| Drums - Herman "Roscoe" Ernest III | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Percussion - Donto Foster | ||
| Piano, Organ - Jimmy Pugh | ||
| Saxophone - Richard Howell | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Vocals - Sametto James | ||
| Written-By - Barbara Wyrick, Steve Bogard | ||
| B2 | Tell Mama | |
| Bass - David Lowrey | ||
| Drums - Steve Ferrone | ||
| Guitar - Brian Ray | ||
| Keyboards - Richard Tee, Rick Wakeman | ||
| Saxophone - David "Fathead" Newman, Klaus Doldinger | ||
| trumpet - Lew Soloff | ||
| Written-By - Marcus Lewis Daniel, Wilbur Terrell | ||
| B3 | Running And Hiding Blues | |
| Bass - Bobby Vega | ||
| Drums - Herman "Roscoe" Ernest III | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Harmonica - Claude Nobs | ||
| Keyboards - David Matthews | ||
| Percussion - Donto James | ||
| Saxophone - Richard Howell | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Written-By - Jimmy Reed, W. Walker | ||
| B4 | Something's Got A Hold On Me | |
| Bass - Bobby Vega | ||
| Drums - Herman "Roscoe" Ernest III | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Percussion - Donto Foster | ||
| Piano, Organ - Jimmy Pugh | ||
| Saxophone - Richard Howell | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Vocals - Sametto James | ||
| Written-By - Etta James, Leroy Kirkland, Pearl Woods | ||
| C1 | Beware | |
| Bass - Richard Cousins | ||
| Drums - Donto James | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Harmonica - Claude Nobs | ||
| Keyboards - David. Matthews | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Written-By - Earl Randle | ||
| C2 | Come To Mama | |
| Bass - Bobby Vega | ||
| Drums - Herman "Roscoe" Ernest III | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Harmonica - Claude Nobs | ||
| Keyboards - David Matthews | ||
| Percussion - Donto James | ||
| Saxophone - Richard Howell | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Written-By - Earl Randle, Willie Mitchell | ||
| Medley: At Last / trust In Me / Sunday Kind Of Love | ||
| Bass - Bobby Vega | ||
| Drums - Herman "Roscoe" Ernest III | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Percussion - Donto Foster | ||
| Piano, Organ - Jimmy Pugh | ||
| Saxophone - Richard Howell | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Vocals - Sametto James | ||
| C3a | At Last | |
| Written-By - Harry Warren , Mack Gordon | ||
| C3b | trust In Me | |
| Written-By - Ned Wever, Jean Schwartz, Milton Ager | ||
| C3c | Sunday Kind Of Love | |
| Written-By - Louis Prima, Stanley Wayne Rhodes, Barbara Belle, Anita Leonard | ||
| D1 | I Sing The Blues For You | |
| Bass - Richard Cousins | ||
| Drums - Donto James | ||
| Guitar - Bobby Murray, Josh Sklair | ||
| Harmonica - Claude Nobs | ||
| Keyboards - David Matthews | ||
| trombone - Kraig Kilby | ||
| trumpet - Ronnie Buttacavoli | ||
| Written-By - Earl T Jr Bridgeman, Philip Wooten | ||
| D2 | Baby What You Want Me To Do (Encore) | |
| Bass - Fred Beckmeier | ||
| Drums - Tony Cook | ||
| Guitar - Brian Ray, Cash McCall | ||
| Harmonica - Claude Nobs | ||
| Keyboards - Bobby Martin | ||
| Saxophone - Gene Dinwitty | ||
| trumpet - Keith Johnson | ||
| Written-By - Jimmy Reed |
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Description
Etta James' album "The Montreux Years" is a remarkable collection that showcases the legendary singer's live performances at the Montreux Jazz Festival over the years. Released on June 25, 2021, this album is part of a series that celebrates iconic artists who have graced the Montreux stage, and it serves as a testament to Etta James' enduring talent and charisma.
The album features a selection of live recordings spanning several years, capturing the raw energy and emotion that Etta James brought to her performances. Known for her powerful voice and commanding stage presence, James delivers renditions of her classic hits that feel both timeless and immediate. Tracks like "At Last" and "I'd Rather Go Blind" are given new life in these live settings, with James' voice resonating with a depth of feeling that only she could convey.
What makes "The Montreux Years" particularly special is the way it highlights James' versatility as an artist. While she is often celebrated as a blues and soul singer, this collection also showcases her ability to navigate jazz, rock, and gospel with equal prowess. The arrangements are dynamic, and the interplay between James and her band is electric, reflecting the spontaneity and passion of live performance.
The production quality of the album is excellent, with the recordings carefully remastered to preserve the authenticity of the live experience while ensuring clarity and balance. The audience's reactions are audible but never overpowering, adding to the sense of being present at these iconic performances.
"The Montreux Years" is not just a celebration of Etta James' artistry but also a reminder of the power of live music. It captures the essence of what made her such a beloved performer: her ability to connect with her audience on a deeply emotional level. For fans of Etta James, this album is a treasure trove of live recordings that showcase her at her best. For those new to her music, it serves as an excellent introduction to one of the greatest voices in music history.
In conclusion, "The Montreux Years" is a fitting tribute to Etta James' legacy, offering a glimpse into the magic of her live performances. It's a must-listen for anyone who appreciates the artistry and soul of one of music's true legends.
