Album Info
| Artist: | George Benson |
| Album: | White Rabbit |
| Released: | Europe, 2024 |
Tracklist:
| A1 | White Rabbit | 6:55 |
| A2 | Theme From Summer Of '42 | 5:00 |
| A3 | Little Train | 5:40 |
| B1 | California Dreaming | 7:15 |
| B2 | El Mar | 11:00 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
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- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
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- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
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- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
George Benson's album "White Rabbit," released in 1972, is a fascinating exploration of jazz fusion, blending elements of rock, Latin, and traditional jazz. This album marks a significant point in Benson's career, showcasing his versatility and willingness to experiment with different musical styles. Produced by Creed Taylor and released on the CTI label, "White Rabbit" is often noted for its lush arrangements and the high caliber of musicians involved in the project.
The album opens with the title track, "White Rabbit," a cover of the Jefferson Airplane classic. Benson's rendition transforms the psychedelic rock anthem into a jazz masterpiece, featuring a rich orchestration arranged by Don Sebesky. The track is notable for its hypnotic rhythm and Benson's fluid guitar work, which seamlessly blends with the orchestral elements. This reinterpretation highlights Benson's ability to take a well-known song and infuse it with a new, sophisticated jazz sensibility.
Another standout track is "California Dreamin'," originally by The Mamas & the Papas. Benson's version is a testament to his skill in reimagining popular songs through a jazz lens. The arrangement, again by Sebesky, incorporates a Latin flavor, with a prominent use of percussion and a driving rhythm section. Benson's guitar solos are both technically impressive and emotionally resonant, capturing the essence of the original while adding a fresh perspective.
The album also features "Little Train," a piece by Brazilian composer Heitor Villa-Lobos. This track underscores Benson's interest in Brazilian music, a theme that would recur throughout his career. The arrangement is intricate, with a complex interplay between the guitar and the orchestral elements, creating a dynamic and engaging listening experience.
"White Rabbit" was well-received by critics upon its release, praised for its innovative approach and Benson's exceptional guitar work. The album is often cited as a key example of the CTI label's signature sound, characterized by its polished production and the blending of jazz with other genres. While "White Rabbit" did not win any major awards, it has been influential in the jazz fusion genre and remains a favorite among fans of Benson's work.
The musicianship on "White Rabbit" is of the highest order, featuring contributions from some of the finest jazz musicians of the time. Ron Carter on bass, Herbie Hancock on keyboards, and Billy Cobham on drums are just a few of the notable names who lend their talents to the album. Their performances add depth and complexity to the music, complementing Benson's guitar playing perfectly.
In terms of cultural significance, "White Rabbit" represents a period in the early 1970s when jazz musicians were increasingly experimenting with rock and other popular music forms. This cross-pollination of genres helped to broaden the appeal of jazz and attract new audiences. Benson's work on this album exemplifies this trend, as he successfully bridges the gap between jazz and mainstream music.
Overall, "White Rabbit" is a compelling album that showcases George Benson's extraordinary talent and his ability to innovate within the jazz genre. Its blend of familiar melodies with sophisticated jazz arrangements makes it a standout in Benson's discography and a noteworthy contribution to the jazz fusion movement of the 1970s. The album continues to be appreciated by jazz enthusiasts and serves as a testament to Benson's enduring influence in the world of music.
