Hank Mobley Featuring Kenny Dorham & Sonny Clark - Curtain Call (LP)

Hank Mobley's album "Curtain Call", featuring Kenny Dorham and Sonny Clark, is a remarkable example of the hard bop style that defined much of the jazz scene in the 1950s and 1960s. Recorded on August 18, 1957, at the iconic Van Gelder Studio in Hackensack, New Jersey, this session showcases Mobley's lyrical tenor saxophone playing alongside the talents of trumpeter Kenny Dorham, pianist Sonny Clark, bassist Jimmy Rowser, and drummer Art Taylor. Despite being recorded during a prolific period for Mobley, the album was not released until 1984, which makes it a hidden gem in his discography.

The album opens with "Don't Get Too Hip", a Mobley original that sets the tone with its swinging rhythm and intricate interplay between the horns. Mobley's compositions often balance complexity with accessibility, and this track is no exception. The chemistry between Mobley and Dorham is evident, as their solos complement each other beautifully, with Dorham's warm, melodic trumpet lines contrasting Mobley's smooth, flowing tenor.

Another standout track is "Curtain Call", the title piece, which features a memorable melody and a relaxed groove. Sonny Clark's piano work shines here, providing both harmonic depth and rhythmic drive. Clark's contributions throughout the album are noteworthy, as his playing adds a layer of sophistication and energy that elevates the entire session.

The ballad "Deep in a Dream" offers a change of pace, showcasing Mobley's ability to convey emotion through his instrument. His tone is rich and expressive, and the band's sensitive accompaniment creates a lush backdrop for his lyrical improvisation. This track highlights the versatility of the ensemble, as they navigate the nuances of the ballad with finesse.

"My Reverie", another highlight, is a beautiful interpretation of a classic standard. The arrangement allows each musician to shine, with Mobley's tenor saxophone leading the way. The rhythm section, anchored by Rowser and Taylor, provides a steady foundation while also contributing subtle, dynamic interplay.

The production quality of "Curtain Call" is excellent, thanks to the expertise of Rudy Van Gelder, whose engineering skills were instrumental in defining the sound of Blue Note Records during this era. The clarity and balance of the recording allow each instrument to be heard distinctly, yet the ensemble sound remains cohesive.

While "Curtain Call" may not be as well-known as some of Mobley's other works, such as "Soul Station" or "Workout", it is a testament to his consistency and creativity as a bandleader and composer. The album captures a moment in time when Mobley was at the height of his powers, surrounded by equally talented musicians who shared his vision.

In conclusion, "Curtain Call" is a must-listen for fans of Hank Mobley and hard bop jazz. Its delayed release may have kept it under the radar for many years, but it stands as a shining example of the artistry and craftsmanship that defined this golden era of jazz. Whether you're a longtime admirer of Mobley's work or new to his music, this album offers a rewarding listening experience that is both timeless and deeply satisfying.