Album Info
| Artist: | Lee Morgan |
| Album: | The Rumproller |
| Released: | Worldwide, 10 Apr 2020 |
Tracklist:
| A1 | The Rumproller | |
| Written-By - Andrew Hill | ||
| A2 | Desert Moonlight | |
| Written-By - Lee Morgan | ||
| Written-By [Uncredited] - Suguru Sasaki | ||
| B1 | Eclipso | |
| Written-By - Lee Morgan | ||
| B2 | Edda | |
| Written-By - Wayne Shorter | ||
| B3 | The Lady | |
| Written-By - Rudy Stevenson |
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Description
Lee Morgan's "The Rumproller" is a timeless jazz album that showcases the brilliance of the trumpeter and his ensemble. Released in 1965, this Blue Note Records release features a stellar lineup of musicians, including Joe Henderson on tenor saxophone, Ronnie Mathews on piano, Victor Sproles on bass, and Billy Higgins on drums. With its captivating compositions and exceptional performances, "The Rumproller" stands as a significant contribution to the hard bop genre.
The album opens with the title track, "The Rumproller," a lively and infectious tune that sets the tone for the rest of the record. Morgan's trumpet playing is electrifying, displaying his technical prowess and melodic sensibility. The rhythm section provides a solid foundation, with Mathews' piano adding colorful harmonies and Higgins' drumming driving the energy forward. Henderson's tenor saxophone solo is a highlight, showcasing his distinctive tone and improvisational skills.
Another standout track is "Desert Moonlight," a beautiful ballad that highlights Morgan's lyrical side. His trumpet sings with emotion, supported by Mathews' delicate piano chords and Sproles' melodic bass lines. The composition is evocative, painting a vivid picture of a serene desert landscape under the moonlight. Henderson's tenor saxophone solo is soulful and heartfelt, adding to the overall beauty of the piece.
One of the album's most memorable tracks is "Eclipso," a fast-paced and energetic tune that showcases the musicians' virtuosity. Morgan's trumpet playing is fiery and intense, with his rapid-fire lines leaving listeners in awe. Henderson's tenor saxophone solo is equally impressive, displaying his technical agility and improvisational creativity. The rhythm section keeps up with the fast tempo, providing a solid groove that propels the music forward.
The album also features two compositions by pianist Ronnie Mathews, "The Lady" and "The Midget." "The Lady" is a swinging tune with a catchy melody and infectious rhythm. Mathews' piano playing is dynamic and expressive, adding a touch of elegance to the track. Morgan's trumpet solo is full of energy and flair, while Henderson's tenor saxophone solo is soulful and bluesy. "The Midget" is a more introspective piece, with Mathews' piano taking center stage. His improvisations are thoughtful and melodic, creating a contemplative atmosphere.
Throughout the album, the musicians' chemistry is evident, as they seamlessly interact and support each other's improvisations. The compositions, mostly penned by Morgan, are well-crafted and provide a solid foundation for the musicians to explore and express themselves. The arrangements are tight and cohesive, allowing each instrument to shine while maintaining a cohesive group sound.
"The Rumproller" is a testament to Lee Morgan's talent as a bandleader and composer. His trumpet playing is exceptional, displaying a wide range of emotions and technical abilities. The ensemble's performances are tight and cohesive, showcasing their individual skills while working together as a unit. The album's production, typical of Blue Note Records, is top-notch, capturing the energy and nuances of the performances.
In conclusion, Lee Morgan's "The Rumproller" is a must-listen for any jazz enthusiast. With its captivating compositions, exceptional performances, and timeless sound, this album stands as a testament to the brilliance of Morgan and his ensemble. From the infectious title track to the beautiful balladry of "Desert Moonlight," each track on this record is a gem. "The Rumproller" is a true classic that deserves a place in every jazz lover's collection.
