Album Info
| Artist: | Lonnie Smith |
| Album: | Live At Club Mozambique |
| Released: | USA & Europe, 13 Dec 2019 |
Tracklist:
| A1 | I Can't Stand It | 7:14 |
| Written-By - L. Smith | ||
| A2 | Expressions | 11:24 |
| Written-By - L. Smith | ||
| B1 | Scream | 9:38 |
| Written-By - L. Smith | ||
| B2 | Play It Back | 9:25 |
| Written-By - L. Smith | ||
| C1 | Love Bowl | 9:34 |
| Written-By - L. Smith | ||
| C2 | Peace Of Mind | 6:54 |
| Written-By - L. Smith | ||
| D1 | I Want To Thank You | 10:50 |
| Written-By - S. Stone | ||
| D2 | Seven Steps To Heaven | 6:40 |
| Written-By - Davis, Feldman |
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Description
Lonnie Smith's album "Live at Club Mozambique" is a remarkable live recording that captures the essence of his dynamic performance style and the vibrant energy of the jazz-funk scene of the early 1970s. Recorded on May 21, 1970, at Club Mozambique in Detroit, Michigan, this album was shelved for decades before finally being released by Blue Note Records in 1995. This delay in release adds a layer of intrigue to the album, as it offers a snapshot of a moment in time that might have otherwise been lost to history.
The album features Lonnie Smith on the Hammond B3 organ, a signature instrument that he masterfully commands, creating grooves that are both soulful and electrifying. The lineup also includes a stellar group of musicians: George Benson on guitar, Ronnie Cuber on baritone saxophone, and Joe Dukes on drums, among others. This ensemble brings a tight, cohesive sound to the performance, with each musician contributing their unique voice to the collective groove.
"Live at Club Mozambique" is a testament to the power of live jazz-funk. The tracks are infused with a raw energy that can only come from a live setting, where the interaction between the musicians and the audience creates an electric atmosphere. The album opens with "I Can't Stand It", a funky, upbeat number that sets the tone for the rest of the performance. Other standout tracks include "Play It Back" and "Peace of Mind", which showcase Smith's ability to blend soulful melodies with intricate improvisations.
One of the highlights of the album is the interplay between Smith and Benson. George Benson's guitar work is both fluid and expressive, complementing Smith's organ lines perfectly. Ronnie Cuber's baritone saxophone adds a rich, deep texture to the arrangements, while Joe Dukes' drumming provides a solid rhythmic foundation that keeps the grooves tight and infectious.
The production quality of the album is impressive, considering it was recorded live in a club setting over 50 years ago. The sound is clear and well-balanced, allowing each instrument to shine. The decision to release this recording decades after it was made is a testament to its timeless quality and the enduring appeal of Lonnie Smith's music.
"Live at Club Mozambique" is not just an album; it's an experience. It transports the listener to a different time and place, immersing them in the vibrant jazz-funk scene of 1970s Detroit. It's a must-listen for fans of Lonnie Smith, jazz-funk enthusiasts, and anyone who appreciates the magic of live music. This album is a reminder of why Lonnie Smith is considered one of the greats of the Hammond B3 organ and a pioneer of the jazz-funk genre.
