Album Info
Artist: | Miles Davis |
Album: | Black Beauty (Miles Davis At Fillmore West) |
Gatefold: | Yes |
Released: | Europe, 14 Nov 2016 |
Tracklist:
A | Black Beauty Part I | 23:46 |
Written-By - M. Davis | ||
B | Black Beauty Part II | 18:22 |
Written-By - M. Davis | ||
C | Black Beauty Part III | 17:15 |
Written-By - M. Davis | ||
D | Black Beauty Part IV | 21:28 |
Written-By - M. Davis |
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Description
Miles Davis - Black Beauty: Miles Davis At Fillmore West: A Fusion Live Masterpiece
"Black Beauty: Miles Davis At Fillmore West," recorded in 1970 and released in 1973, captures a pivotal moment in Miles Davis's career, showcasing his full immersion into the jazz fusion movement. Recorded live at the Fillmore West in San Francisco, this album exemplifies Davis's fearless exploration of new sounds, blending jazz with rock and funk elements, and marks a significant departure from his earlier work. With a band comprising some of the most innovative musicians of the time, "Black Beauty" is a vibrant testament to Davis's genius in pushing musical boundaries and his ability to captivate a live audience with his improvisational prowess.
The album opens with an electrifying rendition of "Directions," a composition that sets the stage for the experimental and expansive nature of the performance. The track features driving rhythms, complex interplay between the band members, and Davis's trumpet soaring above the ensemble, offering a glimpse into the dynamic and exploratory nature of the concert.
"Bitches Brew," the title track from Davis's groundbreaking studio album released the same year, is given a live treatment that expands and transforms the piece into an even more immersive experience. The live version emphasizes the raw energy and spontaneity of Davis's fusion experiments, with the band navigating the piece's shifting moods and textures with remarkable cohesion and intensity.
"Willie Nelson," not a reference to the country musician but rather a composition named after Davis's road manager at the time, showcases the band's ability to groove in a more restrained, yet deeply compelling manner. The track highlights Davis's mastery of space and phrasing, with his trumpet lines weaving through the dense tapestry of sound created by the band.
"It's About That Time," another piece from the "In a Silent Way" sessions, is reimagined in the live setting, further showcasing the band's virtuosity and Davis's innovative vision. The performance is a thrilling journey through varying tempos, rhythmic patterns, and improvisational flights, encapsulating the essence of the jazz fusion movement.
The production of "Black Beauty: Miles Davis At Fillmore West" captures the raw and electric atmosphere of the live performance, preserving the spontaneity and energy of the moment. The recording quality allows for the individual voices of the band members to shine while maintaining the cohesive sound of the ensemble, offering listeners a front-row seat to this historic concert.
"Black Beauty: Miles Davis At Fillmore West" is not just a live album; it's a document of a transformative period in jazz history, with Davis at the helm of a new musical exploration. The album's fusion of genres, innovative arrangements, and the sheer intensity of the live performance make it an essential listen for fans of Miles Davis and jazz fusion alike.
In conclusion, "Black Beauty: Miles Davis At Fillmore West" stands as a monumental achievement in the genre of jazz fusion, capturing Miles Davis at a peak of creative exploration. The album serves as a vivid reminder of Davis's unparalleled ability to break new ground, his relentless pursuit of musical innovation, and his profound influence on the direction of jazz and popular music at large.