Album Info
Artist: | Miles Davis |
Album: | That's What Happened 1982-1985 (The Bootleg Series, Vol. 7) |
Released: | Worldwide, 16 Sept 2022 |
Tracklist:
A1 | Santana | 13:06 |
Drums - Al Foster | ||
Electric Bass - Marcus Miller | ||
Guitar - Mike Stern | ||
Percussion - Mino Cinelu | ||
Producer [Original Session] - Teo Macero | ||
Soprano Saxophone - Bill Evans | ||
Trumpet, Keyboards - Miles Davis | ||
Written-By - Miles Davis | ||
A2 | Minor Ninths, Part 2 | 4:13 |
Keyboards - Miles Davis | ||
Producer [Original Session] - Teo Macero | ||
Recorded By - Don Puluse, Ken Robertson | ||
Trombone - J.J. Johnson | ||
Written-By - Miles Davis | ||
A3 | Celestial Blues, Part 2 | 4:04 |
Drums - Al Foster | ||
Electric Bass - Marcus Miller | ||
Guitar - Mike Stern | ||
Percussion - Mino Cinelu | ||
Producer [Original Session] - Teo Macero | ||
Recorded By - Don Puluse, Ken Robertson | ||
Tenor Saxophone - Bill Evans | ||
Trombone - J.J. Johnson | ||
Trumpet, Keyboards - Miles Davis | ||
Written-By - Miles Davis | ||
B1 | Remake Of OBX Ballad | 4:59 |
Drums - Al Foster | ||
Electric Bass - Marcus Miller | ||
Guitar - Mike Stern | ||
Percussion - Mino Cinelu | ||
Producer [Original Session] - Teo Macero | ||
Recorded By - Jay Messina | ||
Soprano Saxophone - Bill Evans | ||
Synthesizer [Oberheim] - Miles Davis | ||
Written-By - Miles Davis | ||
B2 | Time After Time (Alternate) | 5:53 |
Arranged By - Miles Davis, Robert Irving III | ||
Co-producer - Vince Wilburn Jr. | ||
Drums - Al Foster | ||
Electric Bass - Darryl Jones | ||
Guitar - John Scofield | ||
Keyboards - Robert Irving III | ||
Percussion - Steve Thornton | ||
Producer - Miles Davis, Robert Irving III | ||
Recorded By - Ron Lorman, Tom Swift | ||
Trumpet - Miles Davis | ||
Written-By - Cyndi Lauper, Rob Hyman | ||
B3 | What's Love Got To Do With It | 4:25 |
Arranged By - Robert Irving III | ||
Co-producer - Vince Wilburn Jr. | ||
Drums - Al Foster | ||
Electric Bass - Darryl Jones | ||
Guitar - John Scofield | ||
Keyboards - Robert Irving III | ||
Percussion - Steve Thornton | ||
Producer - Miles Davis, Robert Irving III | ||
Recorded By - Ron Lorman, Tom Swift | ||
Soprano Saxophone - Bob Berg | ||
Trumpet - Miles Davis | ||
Written-By - Graham Lyle, Terry Britten | ||
B4 | Human Nature (Alternate) | 5:59 |
Co-producer - Vince Wilburn Jr. | ||
Drums - Vince Wilburn Jr. | ||
Electric Bass - Darryl Jones | ||
Guitar - John Scofield | ||
Keyboards - Robert Irving III | ||
Percussion - Steve Thornton | ||
Producer - Miles Davis, Robert Irving III | ||
Recorded By - Ron Lorman, Tom Swift | ||
Soprano Saxophone - Bob Berg | ||
Trumpet - Miles Davis | ||
Written-By, Arranged By - John Bettis, Steve Porcaro | ||
C1 | Freaky Deaky (Vinyl Edit) | 7:48 |
Co-producer - Robert Irving III | ||
Drum Programming [Linn] - Robert Irving III | ||
Electric Bass - Darryl Jones | ||
Guitar - John Scofield | ||
Percussion - Mino Cinelu | ||
Producer - Miles Davis | ||
Producer [Associate] - Vince Wilburn Jr. | ||
Trumpet, Keyboards - Miles Davis | ||
Written-By - Miles Davis | ||
C2 | Never Loved Like This (Studio Session Demo) | 5:16 |
Co-producer - Vince Wilburn Jr. | ||
Drums, Drum Programming, Percussion - Vince Wilburn Jr. | ||
Electric Bass - Darryl Jones | ||
Keyboards - Robert Irving III | ||
Producer - Miles Davis, Robert Irving III | ||
Recorded By - Ron Lorman, Tom Swift | ||
Trumpet - Miles Davis | ||
Written-By - Miles Davis, Robert Irving III | ||
C3 | Hopscotch (Fast) | 6:59 |
Arranged By - Miles Davis, Robert Irving III | ||
Co-producer - Vince Wilburn Jr. | ||
Drums - Vince Wilburn Jr. | ||
Electric Bass - Darryl Jones | ||
Guitar - John Scofield | ||
Keyboards - Robert Irving III | ||
Percussion - Steve Thornton | ||
Producer - Miles Davis, Robert Irving III | ||
Recorded By - Ron Lorman, Tom Swift | ||
Soprano Saxophone - Bob Berg | ||
Trumpet - Miles Davis | ||
Written-By - Miles Davis | ||
D1 | Theme From Jack Johnson (Right Off) / Intro | 8:30 |
Co-producer - Vince Wilburn Jr. | ||
Drums - Al Foster | ||
Electric Bass - Darryl Jones | ||
Guitar - John Scofield | ||
Keyboards - Robert Irving III | ||
Percussion - Steve Thornton | ||
Producer - Miles Davis, Robert Irving III | ||
Recorded By - Ron Lorman, Tom Swift | ||
Soprano Saxophone - Bob Berg | ||
Trumpet - Miles Davis | ||
Written-By - Miles Davis | ||
D2 | Katia (Full Session) | 10:24 |
Co-producer - Vince Wilburn Jr. | ||
Drums - Vince Wilburn Jr. | ||
Electric Bass - Darryl Jones | ||
Guitar - John McLaughlin | ||
Keyboards - Robert Irving III | ||
Percussion - Steve Thornton | ||
Producer - Miles Davis, Robert Irving III | ||
Recorded By - Ron Lorman, Tom Swift | ||
Trumpet - Miles Davis | ||
Written-By, Arranged By - Miles Davis, Robert Irving III |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Miles Davis, the legendary jazz trumpeter, has a discography that is both vast and varied, spanning multiple decades and styles. His influence on jazz and music as a whole is undeniable, and his work continues to be celebrated and explored through various releases. One such release is "That's What Happened 1982-1985 (The Bootleg Series, Vol. 7)," which offers a fascinating glimpse into a specific period of Davis's career.
Released on September 16, 2022, this collection is part of the ongoing "Bootleg Series," which aims to provide fans and newcomers alike with rare and previously unreleased material from Davis's extensive archives. This particular volume focuses on the early to mid-1980s, a time when Davis was making a significant comeback after a period of relative inactivity in the late 1970s.
The early 1980s were a transformative time for Davis. After a hiatus, he returned to the music scene with a renewed vigor and a desire to explore new sounds and styles. This period saw him embracing more contemporary influences, including elements of funk, rock, and electronic music, which he seamlessly integrated into his jazz foundation. "That's What Happened 1982-1985" captures this experimental spirit, showcasing Davis's willingness to push boundaries and defy expectations.
The album includes a mix of live performances and studio recordings, providing a comprehensive look at Davis's work during these years. One of the standout aspects of this collection is the inclusion of previously unreleased tracks, which offer fresh insights into Davis's creative process. For fans of Davis, these tracks are a treasure trove, revealing the evolution of his sound and the dynamic interplay between him and his band.
Among the highlights of the album are live renditions of "Jean Pierre" and "Star People," which capture the energy and spontaneity of Davis's performances. These tracks showcase his ability to lead a band with precision while allowing each musician the freedom to express themselves. The chemistry between Davis and his band is palpable, and the recordings convey the excitement and innovation that characterized his live shows during this period.
Critically, "That's What Happened 1982-1985" has been well-received, with reviewers praising its insight into a lesser-explored era of Davis's career. Publications like AllMusic and JazzTimes have highlighted the album's significance in understanding Davis's artistic journey and its contribution to the broader narrative of his work. The collection not only appeals to longtime fans but also serves as an accessible entry point for those new to Davis's music.
The production of the album is noteworthy as well. The sound quality of the recordings is excellent, allowing listeners to fully appreciate the nuances of Davis's trumpet playing and the intricate arrangements of his band. The care taken in curating and presenting these tracks is evident, making "That's What Happened 1982-1985" a valuable addition to any jazz enthusiast's collection.
In terms of cultural significance, this album highlights a period when Davis was actively engaging with the changing musical landscape. His willingness to incorporate contemporary elements into his music reflects his forward-thinking approach and his desire to remain relevant in an evolving industry. This adaptability is part of what has cemented Davis's legacy as one of the most influential figures in jazz history.
Overall, "That's What Happened 1982-1985 (The Bootleg Series, Vol. 7)" is a compelling exploration of a pivotal time in Miles Davis's career. It captures the essence of his innovative spirit and his relentless pursuit of new musical horizons. Whether you're a die-hard fan or a newcomer to his work, this album offers a rich and rewarding listening experience that underscores Davis's enduring impact on the world of music.