Album Info
Artist: | Miles Davis |
Album: | You're Under Arrest |
Gatefold: | Yes |
Released: | Europe, 1 Nov 2024 |
Tracklist:
A1 | One Phone Call / Street Scenes | 4:35 |
A2 | Human Nature | 4:29 |
A3 | MD1 / Something's On Your Mind / MD2 | 7:16 |
A4 | Ms.Morrisine | 4:52 |
B1 | Katia Prelude | 0:42 |
B2 | Katia | 7:37 |
B3 | Time After Time | 3:37 |
B4 | You're Under Arrest | 6:12 |
B5 | Medley: Jean Pierre / You're Under Arrest / Then There Were None | 3:25 |
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Description
Miles Davis's album "You're Under Arrest" was released on September 17, 1985, and it stands as a fascinating entry in the legendary trumpeter's discography. This album is particularly notable for its blend of jazz with elements of funk, rock, and even pop, showcasing Davis's ever-evolving musical style. It was recorded during a period when Davis was experimenting with electronic instruments and synthesizers, which gives the album a unique sound that sets it apart from his earlier works.
"You're Under Arrest" features a mix of original compositions and covers, including a notable rendition of Michael Jackson's "Human Nature" and a reimagining of the classic "Time After Time" by Cyndi Lauper. These choices reflect Davis's ability to transcend genres and his keen ear for contemporary music, making the album feel both modern and timeless. The production, handled by Davis himself along with his longtime collaborator, keyboardist and producer, Marcus Miller, is polished and vibrant, capturing the essence of the mid-80s music scene.
One of the standout tracks on the album is undoubtedly "Human Nature." Davis's interpretation of this song is hauntingly beautiful, with his trumpet weaving in and out of the lush synths and rhythms. The track showcases his ability to convey deep emotion through his instrument, and it has been praised for its innovative approach to a pop song. Another highlight is the title track, "You're Under Arrest," which features a funky groove and sharp lyrics that critique societal issues, a theme that resonates throughout the album.
Critically, "You're Under Arrest" received a mixed reception upon its release. Some reviewers appreciated Davis's willingness to experiment and push boundaries, while others felt that the album did not live up to the high standards set by his earlier masterpieces. Publications like Rolling Stone and The New York Times offered varied perspectives, with some critics lauding the album's adventurous spirit and others questioning its coherence. However, over the years, the album has gained a more favorable reassessment, with many fans and critics recognizing its significance in Davis's oeuvre.
Interestingly, the album's title and some of its themes reflect the social and political climate of the 1980s, particularly issues surrounding law enforcement and civil rights. Davis was known for his outspoken views on social justice, and this album serves as a commentary on the state of society at the time. The track "Code M.D." is particularly poignant, addressing the complexities of race and identity in America, which adds a layer of depth to the album.
In terms of awards, "You're Under Arrest" did not receive major accolades upon its release, but it has since been acknowledged in various retrospectives of Davis's work. The album is often discussed in the context of his later career, where he continued to innovate and influence generations of musicians. It is a testament to Davis's legacy that even his less commercially successful albums are still studied and appreciated for their artistic merit.
A fun fact about the album is that it features contributions from several notable musicians, including saxophonist Bill Evans and drummer Al Foster, both of whom were integral to Davis's sound during this period. Their collaboration adds a rich texture to the album, blending jazz improvisation with the structured elements of pop and funk.
In conclusion, "You're Under Arrest" is an intriguing album that showcases Miles Davis's relentless pursuit of musical exploration. While it may not be as universally acclaimed as some of his earlier works, it holds a special place in his discography for its innovative sound and cultural commentary. For fans of jazz and those interested in the evolution of music in the 1980s, this album is definitely worth a listen. It captures a moment in time when Davis was not just a jazz icon but a forward-thinking artist willing to embrace the changing musical landscape.