Album Info
| Artist: | Miles |
| Album: | Sketches Of Spain |
| Released: | Europe, 4 Feb 2013 |
Tracklist:
| A1 | Concerto De Aranjuez | 16:19 |
| Composed By - J. Rodrigo | ||
| A2 | Will O' The Wisp | 3:47 |
| Written By - M. De Falla | ||
| B1 | The Pan Piper | 3:52 |
| Written-By - G. Evans | ||
| B2 | Saeta | 5:06 |
| Written-By - G. Evans | ||
| B3 | Solea | 12:05 |
| Written-By - G. Evans |
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Description
"Sketches of Spain" by Miles Davis is a fascinating album that stands out in the jazz legend's discography for its unique blend of jazz and Spanish folk music. Released on July 18, 1960, this album is often celebrated for its innovative approach and the seamless fusion of different musical traditions.
The album was a collaboration between Miles Davis and arranger Gil Evans, with whom Davis had previously worked on other groundbreaking projects like "Miles Ahead" and "Porgy and Bess." "Sketches of Spain" is part of a series of albums that showcase Davis's willingness to explore and push the boundaries of jazz. The album is not strictly a jazz record; it incorporates elements of classical music and Spanish folk, creating a rich tapestry of sound that was quite novel at the time.
One of the standout tracks on the album is "Concierto de Aranjuez (Adagio)," which is an adaptation of the second movement of Joaquín Rodrigo's "Concierto de Aranjuez." Davis and Evans's interpretation of this classical piece is both respectful and transformative, maintaining the haunting beauty of the original while infusing it with a jazz sensibility. The lush orchestration and Davis's poignant trumpet work make this track a centerpiece of the album.
Another notable track is "Saeta," which draws inspiration from the traditional Spanish religious song of the same name. Davis's trumpet mimics the human voice, capturing the emotional intensity of the saeta, a song typically sung during Holy Week in Spain. This track, along with others on the album, highlights Davis's ability to convey deep emotion through his instrument.
"Sketches of Spain" received critical acclaim upon its release and has continued to be highly regarded over the years. It is often cited as one of Davis's most adventurous and successful projects. The album won a Grammy Award for Best Original Jazz Composition in 1961, further cementing its status as a significant work in the jazz canon.
Critics have praised the album for its innovative approach and the successful blending of different musical styles. In a review for DownBeat magazine, the album was described as "a work of genius," and it has been included in numerous "best of" lists over the years. The Penguin Guide to Jazz Recordings awarded it a four-star rating, highlighting its enduring appeal and influence.
The production of "Sketches of Spain" was meticulous, with Davis and Evans spending considerable time crafting the arrangements and ensuring that the orchestration complemented Davis's trumpet. The sessions took place at Columbia's 30th Street Studio in New York City, a venue known for its excellent acoustics and where many legendary recordings were made.
Miles Davis himself spoke fondly of the album, noting that it was one of his personal favorites. He appreciated the challenge of working with such complex material and the opportunity to explore new musical territories. This spirit of exploration is evident throughout the album, as Davis and Evans create a soundscape that is both exotic and familiar.
In conclusion, "Sketches of Spain" is a testament to Miles Davis's genius and his ability to transcend musical boundaries. It remains a beloved album for jazz aficionados and newcomers alike, offering a unique listening experience that is as captivating today as it was over sixty years ago. Whether you're a fan of jazz, classical, or world music, "Sketches of Spain" is an album that deserves a place in your collection.
