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Nina Simone - Black Gold (LP)

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$55.00
Nina Simone - Black Gold Vinyl Record Album Art
Picture of Black Gold Vinyl Record
Condition:
New
Availability:
Available At Supplier. Ships in 2 - 4 weeks
Current Stock:
Original Release Year:
1970
Genre(s):
Jazz, Soul-Jazz
Format:
Vinyl Record LP
$55.00

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Nina Simone - Black Gold Vinyl Record Album Art
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Ex. GST

Album Info

Artist: Nina Simone
Album: Black Gold
Released: Europe, 16 May 2011

Tracklist:

A1Introduction2:30
A2Black Is The Colour Of My True Love's Hair7:30
Written-By - Latimer, Simone
A3Ain't Got No - I Got Life5:30
Written-By - MacDermot, Ragni, Rado
A4Westwind9:40
Written-By - Semenya, Salter
B1Who Knows Where The Time Goes8:08
Written-By - Denny
B2The Assignment Sequence6:28
Written-By - Hendin
B3To Be Young, Gifted And Black10:10
Written-By - Simone, Irvine


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  • Happy Listening!

Description

Nina Simone's "Black Gold," released in 1970, is a captivating live album that showcases her powerful presence as a performer and her unique blend of jazz, blues, folk, and classical music. The album, recorded live at Philharmonic Hall in New York City, captures Simone's dynamic range and emotional intensity, offering a glimpse into her profound impact as an artist and activist. "Black Gold" stands out for its raw emotional depth and the way it conveys Simone's passionate engagement with the social and political issues of her time.

The album features a mix of original compositions and covers, each infused with Simone's distinctive style and interpretive depth. One of the most iconic tracks, "To Be Young, Gifted and Black," serves as a poignant anthem of empowerment and pride. Written in memory of her friend Lorraine Hansberry, the song resonates with a message of hope and resilience, reflecting the civil rights movement's spirit and Simone's role as a voice for social change.

Simone's ability to imbue traditional songs with new meaning is evident in her rendition of "Black Is the Color of My True Love's Hair." Her performance transforms the folk standard into a deeply personal statement, highlighting her skill in reinterpreting material to reflect her artistic identity and cultural heritage.

The album also delves into Simone's classical training with a medley that includes "Ain't Got No, I Got Life" from the musical "Hair," seamlessly transitioning into "Westwind," a song that captures her interest in African rhythms and themes. This medley showcases Simone's versatility as an artist, blending elements of show tunes, classical music, and African-inspired sounds into a cohesive and compelling narrative.

"Who Knows Where the Time Goes," another standout track, is a reflective and melancholy ballad that showcases Simone's ability to convey deep emotional nuance in her performances. Her interpretation of the Sandy Denny song is imbued with a sense of longing and introspection, highlighting her expressive vocal delivery and the emotional depth of her music.

The live setting of "Black Gold" adds to the album's intensity, with Simone's interactions with the audience and her spontaneous expressions adding an element of immediacy and authenticity to the recording. The rapport between Simone and her audience is palpable, reflecting her ability to connect with listeners on a profound level.

The musicianship on the album is top-notch, with Simone's piano playing taking center stage. Her classical training and jazz influences are evident in her intricate and expressive playing, which complements her vocal performances and adds another layer of depth to the music.

"Black Gold" is not only a showcase of Nina Simone's musical talents but also a reflection of her social and political engagement. The album captures a moment in time when Simone was at the height of her powers as an artist and an activist, using her music to address the issues she was passionate about.

In conclusion, "Black Gold" stands as a powerful testament to Nina Simone's artistry and her impact as a musician and a cultural figure. The album's blend of emotional depth, musical versatility, and social commentary makes it a significant work in Simone's discography and a compelling listen for anyone interested in the intersection of music and social change.

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