Album Info
| Artist: | Pat Metheny, Charlie Haden, Jack DeJohnette, Dewey Redman, Mike Brecker |
| Album: | 80/81 |
| Released: | Germany, 2012 |
Tracklist:
| A1 | Two Folk Songs - 1st | 13:17 |
| A2 | Two Folk Songs - 2nd | 7:31 |
| B1 | 80/81 | 7:28 |
| B2 | The Bat | 5:58 |
| B3 | Turnaround | 7:05 |
| C1 | Open | 14:25 |
| C2 | Pretty Scattered | 6:56 |
| D1 | Every Day (I Thank You) | 13:16 |
| D2 | Goin' Ahead | 3:56 |
Info About Buying Vinyl From Our Record Store
- We are a small independent record store located at 91 Plenty Rd, Preston in Melbourne, Australia (North of Northcote, between Thornbury & Reservoir)
- We buy and sell new and used vinyl records - if you have a collection you'd like to sell please click here.
- We ship Australia wide for a flat rate of $10 for standard shipping or $15 for express post.
- Free Shipping for orders $150 and over.
- You can also pick up your order in store, just select Local Pickup at the checkout.
- We also ship internationally - prices vary depending on weight and location.
- We ship vinyls in thick, rigid carboard mailers with a crushable zone on either side, and for extra safety we bubble wrap the records.
- In stock vinyl is usally shipped next business day, please check the availability field at the top of the product page to see whether the record is currently in stock or if it is available from the supplier as well as estimated shipping times.
- If you order an in stock item together with a pre order or back order (listed as available from supplier rather than in stock) then the order will be shipped together when all items arrive. If you would like the in stock items shipped first please place two separate orders or contact us to arrange shipping items separately.
- We are strongly committed to customer satisfaction. If you experience any problems with your order contact us so we can rectify the situation. If the record arrives damaged or doesn't arrive we will cover the cost of replacing or returning the record.
- If you change your mind you have 30 days to return your record but you must cover the cost of returning it to the store.
- You can contact our Melbourne record shop at (03) 9939 3807 or at info@funkyduckvinyl.com
- Happy Listening!
Description
Pat Metheny, Charlie Haden, Jack DeJohnette, Dewey Redman, and Mike Brecker came together in the early 1980s to create a remarkable album that captures the essence of jazz in a way that feels both timeless and innovative. Released in 1980, the album titled "80/81" is a stunning collaboration that showcases the incredible talents of these five musicians, each a giant in their own right. The album is a testament to the power of improvisation and the deep musical conversations that can occur when such skilled artists come together.
From the very first track, the listener is drawn into a world of rich textures and intricate melodies. The opening piece, "The Bat," sets the tone with its hauntingly beautiful saxophone lines from Dewey Redman, which are complemented by Metheny's signature guitar work. The interplay between the musicians is palpable, as they weave in and out of each other's phrases, creating a tapestry of sound that is both complex and accessible. The chemistry among the group is evident, and it’s clear that they are not just playing notes; they are communicating on a profound level.
One of the standout tracks on the album is "Song for Bilbao," which has become a fan favorite over the years. This piece exemplifies Metheny's ability to blend jazz with elements of folk and world music, creating a sound that is uniquely his own. The rhythmic drive provided by Jack DeJohnette on drums is infectious, propelling the piece forward while allowing space for Haden's deep, resonant bass lines to anchor the harmony. Brecker's trumpet adds a layer of brightness, soaring above the ensemble with a lyrical quality that is simply breathtaking.
The production of "80/81" is noteworthy as well. Recorded at the legendary RCA Studios in New York City, the album captures the raw energy of a live performance while maintaining a polished sound that highlights each musician's contributions. The engineering by the renowned David Baker ensures that every note is crisp and clear, allowing the listener to appreciate the subtleties of the arrangements. The album feels like a snapshot of a moment in time, where spontaneity and precision coexist beautifully.
Critics have lauded "80/81" for its adventurous spirit and the way it pushes the boundaries of jazz. Publications like DownBeat and JazzTimes have praised the album for its innovative compositions and the seamless integration of different musical styles. The album is often cited as a significant work in the jazz canon, reflecting the evolution of the genre during a time when artists were beginning to explore new territories. Metheny himself has spoken about the importance of this collaboration, noting how each musician brought their own influences and experiences to the table, enriching the overall sound.
The album also holds cultural significance as it captures a pivotal moment in jazz history. The late 1970s and early 1980s were a time of experimentation, and "80/81" embodies that spirit of exploration. The blend of traditional jazz elements with more contemporary sounds paved the way for future generations of musicians, influencing countless artists who followed. It’s a record that not only showcases the individual talents of its players but also serves as a reminder of the collaborative nature of jazz.
As the album progresses, tracks like "The Good Life" and "The Red One" continue to highlight the group’s ability to create music that is both intellectually stimulating and emotionally resonant. Each piece flows into the next, creating a cohesive listening experience that invites repeated spins. The improvisational sections are particularly thrilling, as the musicians take risks and push each other to new heights, resulting in moments of sheer musical magic.
In conclusion, "80/81" is more than just an album; it’s a celebration of jazz and the incredible musicians who dedicate their lives to this art form. It stands as a testament to the power of collaboration and the beauty of improvisation, making it a must-listen for any jazz enthusiast. Whether you’re a longtime fan of these artists or new to their work, this album is sure to leave a lasting impression.
