Pharoah Sanders - Jewels Of Thought (LP)

Pharoah Sanders' "Jewels of Thought," released in 1969, is a seminal work in the genre of spiritual jazz, a subgenre that Sanders helped to define and popularize. This album is a profound exploration of sound and spirituality, showcasing Sanders' ability to blend intense, avant-garde jazz with deeply meditative and spiritual elements. The album consists of two extended tracks, "Hum-Allah-Hum-Allah-Hum-Allah" and "Sun in Aquarius," each offering a unique journey into the depths of Sanders' musical vision.

"Hum-Allah-Hum-Allah-Hum-Allah" opens the album with a powerful invocation. The track is a 15-minute exploration that begins with a chant-like repetition of the title phrase, setting a meditative tone. Sanders' tenor saxophone enters with a raw, emotive force, weaving through the layers of percussion and piano. The piece is characterized by its hypnotic rhythm and the interplay between Sanders and the other musicians, including Lonnie Liston Smith on piano and Cecil McBee on bass. The track builds in intensity, with Sanders' saxophone reaching ecstatic heights, before returning to the calming chant, creating a sense of spiritual transcendence.

"Sun in Aquarius" continues the album's exploration of spiritual themes. This track features a more free-form structure, with Sanders' saxophone leading the ensemble through a series of improvisational passages. The piece is marked by its use of non-traditional instruments, including bells and chimes, which add to the ethereal atmosphere. Sanders' playing is both fierce and contemplative, capturing the dual nature of the spiritual journey. The track's title reflects the influence of the Age of Aquarius, a concept popular in the 1960s that symbolized a new era of peace and enlightenment.

"Jewels of Thought" is notable for its incorporation of Eastern musical influences, which was a hallmark of Sanders' work during this period. The album's use of modal scales and its emphasis on rhythm and texture over traditional melody and harmony reflect Sanders' interest in Indian and African music. This fusion of styles creates a sound that is both innovative and deeply rooted in tradition, making "Jewels of Thought" a landmark in the development of world music within the jazz genre.

Critically, "Jewels of Thought" was well-received, though it was not as commercially successful as some of Sanders' other works. It is often overshadowed by his more famous album "Karma," which features the iconic track "The Creator Has a Master Plan." However, "Jewels of Thought" is highly regarded by jazz enthusiasts and is considered an essential part of Sanders' discography. The album's influence can be seen in the work of later artists who have drawn inspiration from Sanders' spiritual and experimental approach to jazz.

Pharoah Sanders' contribution to jazz and music as a whole cannot be overstated. His work on "Jewels of Thought" exemplifies his ability to push the boundaries of jazz while maintaining a deep connection to its roots. The album's exploration of spiritual themes and its innovative use of sound and rhythm have left a lasting impact on the genre. Sanders' ability to convey profound emotion and spirituality through his music has earned him a place among the most revered figures in jazz history.

In summary, "Jewels of Thought" is a powerful testament to Pharoah Sanders' artistry and vision. Its blend of spiritual exploration and musical innovation makes it a standout album in the realm of jazz. While it may not have achieved the same level of fame as some of Sanders' other works, it remains a vital piece of his legacy and a must-listen for anyone interested in the transformative power of music.