Album Info
Artist: | Stan Getz, Joao Gilberto Featuring Antonio Carlos Jobim |
Album: | Getz / Gilberto |
Released: | Europe, 2014 |
Tracklist:
A1 | The Girl From Ipanema | 5:15 |
Written-By - Antônio Carlos Jobim, Norman Gimbel, Vinicius de Moraes | ||
A2 | Doralice | 2:45 |
Written-By - Antônio Almeida, Dorival Caymmi | ||
A3 | P'ra Machuchar Meu Coracao | 5:07 |
Written-By - Ary Barroso | ||
A4 | Desafinado | 4:05 |
Written-By - Antônio Carlos Jobim, Newton Mendonça | ||
B1 | Corcovado | 4:15 |
Written-By - Antônio Carlos Jobim, Gene Lees | ||
B2 | So Danco Samba | 3:30 |
Written-By - Antônio Carlos Jobim, Vinicius De Moraes | ||
B3 | O Grande Amor | 5:25 |
Written-By - Antônio Carlos Jobim, Vinicius de Moraes | ||
B4 | Vivo Sonhando | 2:52 |
Written-By - Antônio Carlos Jobim, Vinicius de Moraes |
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Description
"Getz / Gilberto," released in 1964, is not merely an album; it's a cultural phenomenon, a bridge between two worlds, and a landmark in the bossa nova movement that swept the globe. This collaborative project brought together American saxophonist Stan Getz, Brazilian vocalist/guitarist João Gilberto, and the ingenious composer Antonio Carlos Jobim, creating a synergy that resulted in one of the most successful jazz albums of all time..
From the first notes of "Girl from Ipanema," the listener is instantly transported to the sun-soaked beaches of Rio de Janeiro. The song, featuring the ethereal vocals of Astrud Gilberto (João's wife at the time), became an international hit and is arguably the most recognizable bossa nova track ever produced. Getz's sultry saxophone lines complement João's gentle guitar strumming and Astrud's delicate vocals, creating a timeless and evocative atmosphere..
However, "Girl from Ipanema" is just the tip of the iceberg. Tracks like "Desafinado" and "Corcovado" are masterclasses in bossa nova's rhythm and harmony. Jobim's compositions, characterized by their sophisticated chord progressions and beautiful melodies, shine brightly, with Gilberto's voice and guitar acting as the perfect vessel for their delivery..
Stan Getz's saxophone is the thread that weaves through the fabric of the album. His solos, both expressive and restrained, act as a counterpoint to Gilberto's understated vocal style, adding depth and texture to the music..
One of the album's standouts is "So Danço Samba." The track captures the essence of bossa nova – the fusion of samba rhythms with jazz harmonies, all wrapped in a laid-back, beachy vibe. Gilberto's nimble guitar work and Getz's playful sax lines make it a joy to listen to..
The production, helmed by Creed Taylor, is pristine. The instrumentation is clear and vibrant, allowing each musician's contribution to shine through. The overall sound is intimate, making the listener feel as though they're in a small Rio club, watching these legends perform up close..
Perhaps the magic of "Getz / Gilberto" lies in its simplicity. There's no overproduction, no grandiose arrangements. Just pure, unadulterated bossa nova played by some of the genre's finest. It's a testament to the power of collaboration and the universality of music..
In conclusion, "Getz / Gilberto" is more than just an album; it's a moment in musical history. It introduced the world to the beauty of bossa nova and remains a testament to the genius of its creators. Whether you're a jazz aficionado or a casual listener, "Getz / Gilberto" is a must-have in any music collection..
What is the significance of the "Getz/Gilberto" album in the world of jazz and bossa nova?.
Answer:.
"Getz/Gilberto," released in 1964, is one of the most celebrated albums in the realm of jazz and bossa nova. It played an instrumental role in popularizing bossa nova music outside of Brazil, particularly in North America. The album seamlessly melded the cool tones of American jazz, represented by saxophonist Stan Getz, with the rhythmic nuances of Brazilian bossa nova, personified by guitarist and vocalist João Gilberto. Furthermore, the compositions of Antonio Carlos Jobim added an essential layer of sophistication. This collaboration was a pioneering force in creating a global appreciation for the bossa nova genre..
How did this album fare commercially and critically upon its release?.
Answer:.
"Getz/Gilberto" was both a commercial and critical triumph. It peaked at No. 2 on the Billboard 200 chart and later went on to win the Grammy Award for Album of the Year in 1965, a rare feat for a jazz album. The track "The Girl from Ipanema," with vocals by Astrud Gilberto, became an international hit and won the Grammy for Record of the Year. Critics lauded the album for its innovative fusion and the effortless synergy between the leading musicians..
Who are the primary contributors to this album, and what are their roles?.
Answer:.
Stan Getz: An acclaimed American jazz saxophonist, Getz brought the melodic sophistication of jazz to the project..
João Gilberto: Often considered the father of bossa nova, Gilberto's soft-spoken vocals and distinctive guitar rhythms are foundational to the album..
Antonio Carlos Jobim: As the composer of many tracks on the album, Jobim's songwriting is central to the project. His compositions, like "Desafinado" and "Corcovado," are now standards in the bossa nova repertoire..
Astrud Gilberto: Although not initially a professional singer, her ethereal voice on "The Girl from Ipanema" contributed significantly to the track's global appeal..
How has "Getz/Gilberto" influenced subsequent generations of musicians and its genre?.
Answer:.
The album set a precedent for international musical collaborations and genre fusion. Its success proved that non-English music could achieve mainstream appeal in the English-speaking world. Many jazz and pop artists have since covered or been influenced by the sounds and rhythms present in "Getz/Gilberto." It also elevated bossa nova from a regional Brazilian genre to a globally recognized and respected style, inspiring countless musicians to explore its rich textures..
What makes the track "The Girl from Ipanema" standout, and why is it so iconic?.
Answer:.
"The Girl from Ipanema" is the most celebrated track from the album and has since become one of the most covered songs in the world. Its combination of evocative lyrics, Jobim's melodic genius, Getz's cool saxophone tones, and the contrasting vocals of João and Astrud Gilberto make it a sonic masterpiece. The song captures the essence of Brazilian culture, painting an audio portrait of a young woman walking to the beach, evoking feelings of nostalgia, allure, and the beauty of everyday moments. Its universal appeal lies in its ability to transport listeners to the sun-soaked shores of Rio de Janeiro, regardless of where they might be.