Album Info
Artist: | Thelonious Monk |
Album: | Palo Alto |
Gatefold: | Yes |
Released: | Worldwide, 18 Sept 2020 |
Tracklist:
A1 | Ruby, My Dear | 7:00 |
A2 | Well, You Needn't | 13:16 |
B1 | Don't Blame Me | 6:36 |
B2 | Blue Monk | 14:02 |
B3 | Epistrophy | 4:26 |
B4 | I Love You Sweetheart Of All My Dreams | 2:02 |
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Description
Thelonious Monk’s posthumous release, *Palo Alto*, is a treasure trove for jazz aficionados and a testament to the genius of one of the genre's most innovative figures. Recorded in 1968 during a concert at Palo Alto High School, this album captures Monk in a rare live setting, showcasing not only his distinctive piano style but also his ability to connect with an audience in a way that feels both intimate and electrifying. The album was released in 2020, and its arrival was met with excitement, as it had been long sought after by fans and collectors alike.
What makes *Palo Alto* particularly special is the context of its recording. Monk was invited to perform at the high school by a group of students who were passionate about jazz, and the concert was a unique event that brought together a diverse audience. The recording itself was made by a student, and for decades, it remained in obscurity, only to be rediscovered and polished for this release. The sound quality is surprisingly good for a live recording from that era, allowing listeners to fully immerse themselves in Monk's intricate melodies and rhythmic complexities.
The album opens with the classic "Well, You Needn't," a staple in Monk's repertoire that showcases his signature style—playful yet profound, with a rhythm that seems to dance around the beat. Monk's piano work here is both percussive and lyrical, a duality that defines much of his music. The interplay between Monk and his band, which includes the talented Charlie Rouse on tenor saxophone, is a highlight throughout the album. Rouse's contributions are particularly noteworthy; his saxophone weaves in and out of Monk's piano lines, creating a rich tapestry of sound that feels both spontaneous and meticulously crafted.
One of the standout tracks is "Blue Monk," a blues that Monk transforms into a vibrant exploration of harmony and rhythm. The way he plays with the melody, bending notes and adding unexpected flourishes, is a reminder of why he is often regarded as one of the greatest jazz composers. The audience's reaction during the performance adds an extra layer of warmth to the recording, as you can hear their laughter and applause, creating a sense of community that is often missing in studio recordings.
The album also features Monk's interpretation of "Round Midnight," perhaps his most famous composition. Here, Monk's playing is deeply emotive, capturing the essence of the song's melancholy while infusing it with his unique rhythmic sensibility. The way he navigates the song's complex harmonies is a masterclass in jazz piano, and Rouse's saxophone complements Monk's playing beautifully, adding depth and texture to the performance.
Critics have praised *Palo Alto* for its authenticity and the way it encapsulates Monk's spirit. The album has been described as a "lost gem" and a vital addition to Monk's discography, shedding light on a period of his career that is less documented. Notably, it has received accolades from various music publications, with many highlighting the album's ability to transport listeners back to that moment in 1968, making them feel as if they were part of the audience.
In interviews, Monk's family has expressed their joy at the album's release, noting that it captures the essence of who he was as a performer and a person. The warmth of the audience and the spontaneity of the performance reflect Monk's love for music and his desire to share it with others. This album is not just a collection of songs; it’s a snapshot of a moment in time when jazz was evolving, and Monk was at the forefront of that evolution.
Overall, *Palo Alto* is a must-listen for anyone who appreciates jazz. It serves as a reminder of Thelonious Monk's unparalleled talent and his ability to create music that resonates on multiple levels. Whether you’re a longtime fan or new to his work, this album is a beautiful entry point into the world of one of jazz's most enigmatic figures.