Album Info
| Artist: | Tom Waits |
| Album: | Bone Machine |
| Released: | US, 6 Oct 2023 |
Tracklist:
| A1 | Earth Died Screaming | 3:36 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Electric Bass - Les Claypool | ||
| Percussion [Sticks] - Joe Marquez, Kathleen Brennan, Tom Waits | ||
| Vocals [Vocal], Chamberlin [Chamberlain], Percussion, Guitar - Tom Waits | ||
| Written-By - T. Waits | ||
| A2 | Dirt In The Ground | 4:07 |
| Alto Saxophone [Alto], Tenor Saxophone [Tenor Sax], Bass Clarinet - Ralph Carney | ||
| Double Bass [Upright Bass] - Larry Taylor | ||
| Piano, Vocals [Vocal] - Tom Waits | ||
| Written By - T. Waits/K. Brennan | ||
| Written-By - K. Brennan, T. Waits | ||
| A3 | Such A Scream | 2:08 |
| Alto Saxophone [Alto Sax], Tenor Saxophone [Tenor Sax] - Ralph Carney | ||
| Drums - Brain | ||
| Vocals [Vocal], Guitar, Percussion - Tom Waits | ||
| Written-By - T. Waits | ||
| A4 | All Stripped Down | 3:03 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Guitar - Joe Gore | ||
| Vocals [Vocal], Percussion - Tom Waits | ||
| Written-By - T. Waits | ||
| A5 | Who Are You | 3:54 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Vocals [Vocal], Guitar, Percussion - Tom Waits | ||
| Written By - T. Waits/K. Brennan | ||
| Written-By - K. Brennan, T. Waits | ||
| A6 | The Ocean Doesn't Want Me | 1:49 |
| Vocals [Vocal], Percussion, Chamberlin [Chamberlain] - Tom Waits | ||
| Written-By - T. Waits | ||
| A7 | Jesus Gonna Be Here | 3:18 |
| Double Bass [Upright Bass], Vocals [Vocal] - Tom Waits | ||
| Guitar - Larry Taylor | ||
| Written-By - T. Waits | ||
| A8 | A Little Rain | 2:58 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Pedal Steel Guitar - David Phillips | ||
| Vocals [Vocal] - Tom Waits | ||
| Written By - K. Brennan, T. Waits/K. Brennan | ||
| Written-By - T. Waits | ||
| B1 | In The Colosseum | 4:50 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Drums - Brain | ||
| Vocals [Vocal], Chamberlin [Chamberlain], Percussion [Conundrum] - Tom Waits | ||
| Written By - T. Waits/K. Brennan | ||
| Written-By - K. Brennan, T. Waits | ||
| B2 | Goin' Out West | 3:20 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Guitar - Joe Gore | ||
| Vocals [Vocal], Drums - Tom Waits | ||
| Written By - T. Waits/K. Brennan | ||
| Written-By - K. Brennan, T. Waits | ||
| B3 | Murder In The Red Barn | 4:28 |
| Banjo - Joe Marquez | ||
| Double Bass [Upright Bass] - Larry Taylor | ||
| Vocals [Vocal], Drums - Tom Waits | ||
| Written By - T. Waits/K. Brennan | ||
| Written-By - K. Brennan, T. Waits | ||
| B4 | Black Wings | 4:35 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Guitar - Joe Gore | ||
| Vocals [Vocal], Guitar, Drums - Tom Waits | ||
| Written By - T. Waits/K. Brennan | ||
| Written-By - K. Brennan, T. Waits | ||
| B5 | Whistle Down The Wind | 4:35 |
| Pedal Steel Guitar - David Phillips | ||
| Piano, Vocals [Vocal] - Tom Waits | ||
| Violin, Accordion - David Hidalgo | ||
| Written-By - T. Waits | ||
| B6 | I Dont Wanna Grow Up | 2:31 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Vocals [Vocal], Guitar - Tom Waits | ||
| Written By - T. Waits/K. Brennan | ||
| Written-By - K. Brennan, T. Waits | ||
| B7 | Let Me Get Up On It | 0:53 |
| Vocals [Vocal], Percussion - Tom Waits | ||
| Written-By - T. Waits | ||
| B8 | That Feel | 3:13 |
| Double Bass [Upright Bass] - Larry Taylor | ||
| Guitar - Waddy Wachtel | ||
| Guitar, Vocals [Vocal] - Keith Richards | ||
| Guitar, Vocals [Vocal], Drums - Tom Waits | ||
| Steel Guitar - David Phillips | ||
| Written-By - K. Richards, T. Waits |
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Description
LP - Black Vinyl (2023 Remaster).Â
Bone Machine is a critically acclaimed and award-winning album by Tom Waits, released in 1992 on Island Records. It won a Grammy Award for Best Alternative Music Album, and features guest appearances by Los Lobos' David Hidalgo, Primus' Les Claypool and Brain, and The Rolling Stones' Keith Richards.
Bone Machine marked a return to studio material for Waits, coming a full five years after his previous studio album, Franks Wild Years (1987). The album is often noted for its dark lyrical themes of death and murder, and for its rough, stripped-down, percussion-heavy blues rock style.
