Album Info
Artist: | Adele |
Album: | 21 |
Released: | Europe, 21 Jan 2011 |
Tracklist:
A1 | Rolling In The Deep | 3:46 |
Bass, Acoustic Guitar, Electric Guitar, Percussion, Backing Vocals - Paul Epworth | ||
Drums - Leo Taylor | ||
Engineer - Mark Rankin | ||
Mixed By - Tom Elmhirst | ||
Mixed By [Assisted By] - Dan Parry | ||
Piano - Neil Cowley | ||
Producer - Paul Epworth | ||
Tenor Saxophone - Ray Carless | ||
Trumpet - Noel Langley | ||
Written-By - Adele Adkins, Paul Epworth | ||
A2 | Rumour Has It | 3:39 |
Acoustic Guitar, Bass, Piano, Organ [B3], Drums, Strings [Arrangement] - Ryan Tedder | ||
Arranged By - Ryan Tedder | ||
Drums, Acoustic Guitar - Jerrod 'Skins' Bettis | ||
Engineer - Ryan Tedder | ||
Mixed By - Tom Elmhirst | ||
Mixed By [Assisted By] - Dan Parry | ||
Producer - Ryan Tedder | ||
Programmed By - Ryan Tedder | ||
Recorded By [Additional Vocals] - Dan Parry | ||
Written-By - Adele Adkins, Ryan Tedder | ||
A3 | Turning Tables | 4:06 |
Arranged By [Strings] - Chris Elliot | ||
Mixed By - Ian Dowling, Jim Abbiss | ||
Piano - Neil Cowley | ||
Producer - Jim Abbiss | ||
Strings [Performed By] - Boguslaw Kostecki, Bruce White, Caroline Dale, Cathy Thompson, Chris Laurence, Chris Worsey, David Daniels, Emlyn Singleton, Jackie Shave, Julian Leaper, Patrick Kiernan, Peter Lale, Rachel Stephanie Bolt, Rita Manning, Stephen Morris, Tom Pigott-Smith, Warren Zielinski | ||
Written-By - Adele Adkins, Ryan Tedder | ||
A4 | Don't You Remember | 4:00 |
Banjo, Accordion - David Hidalgo | ||
Bass - Pino Palladino | ||
Choir - Carmen Carter, Carmen Twillie, James Gilstrap, Josef Powell, Julia Waters Tillman, Lorna Maxine Water, Terry Young | ||
Choir [Directed By] - Oren Waters | ||
Coordinator [Production] - Lindsay Chase | ||
Drums - Chris Dave | ||
Guitar - Matt Sweeney, Smokey Hormel | ||
Harp - Stephanie Bennett | ||
Mixed By - Andrew Scheps | ||
Mixed By [Assisted By] - Phillip Broussard Jr. | ||
Percussion - Lenny Castro | ||
Piano - James Poyser | ||
Producer - Rick Rubin | ||
Recorded By - Greg Fidelman | ||
Recorded By [Assisted By] - Sara Lyn Killion | ||
Strings [Arranged By] - David Campbell | ||
Written-By - Adele Adkins, Dan Wilson | ||
A5 | Set Fire To The Rain | 3:58 |
Arranged By [String Arrangement Written-by] - Rosie Danvers | ||
Bass, Guitar, Piano - Fraser T. Smith | ||
Drums - Ash Soan | ||
Engineer [For My Audiotonic Productions - Assistant] - Isabel Seeliger-Morley | ||
Engineer [For My Audiotonic Productions] - Beatriz Artola | ||
Engineer [Strings Session] - Steve Price | ||
Mixed By - Fraser T. Smith | ||
Producer - Fraser T. Smith | ||
Strings [Performed By] - Eleanor Mathieson, Hayley Pomfrett, Jenny Sacha, Jo Allen, Kotono Sato, Natalia Bonner, Rustom Pomeroy, Stephanie Cavey | ||
Violin - Amy Stanford, Emma Owens, Jane Oliver, Lucy Shaw, Rosie Danvers | ||
Written-By - Adele Adkins, Fraser T. Smith | ||
A6 | He Won't Go | 4:30 |
Banjo, Accordion - David Hidalgo | ||
Bass - Pino Palladino | ||
Choir - Carmen Carter, Carmen Twillie, James Gilstrap, Josef Powell, Julia Waters Tillman, Lorna Maxine Water, Terry Young | ||
Choir [Directed By] - Oren Waters | ||
Coordinator [Production] - Lindsay Chase | ||
Drums - Chris Dave | ||
Guitar - Matt Sweeney, Smokey Hormel | ||
Harp - Stephanie Bennett | ||
Mixed By - Andrew Scheps | ||
Mixed By [Assisted By] - Phillip Broussard Jr. | ||
Percussion - Lenny Castro | ||
Piano - James Poyser | ||
Producer - Rick Rubin | ||
Recorded By - Greg Fidelman | ||
Recorded By [Assisted By] - Sara Lyn Killion | ||
Strings [Arranged By] - David Campbell | ||
Written-By - Adele Adkins, Paul Epworth | ||
B1 | Take It All | 3:44 |
Mixed By - Ian Dowling, Jim Abbiss | ||
Piano - Neil Cowley | ||
Producer - Jim Abbiss | ||
Written-By - Adele Adkins, Francis White | ||
B2 | I'll Be Waiting | 3:56 |
Acoustic Guitar, Electric Guitar - Ben Thomas | ||
Arranged By [Trombone And Horn] - Harry Brown | ||
Bass, Acoustic Guitar, Electric Guitar, Percussion, Backing Vocals - Paul Epworth | ||
Drums - Leo Taylor | ||
Engineer - Mark Rankin | ||
Mixed By - Tom Elmhirst | ||
Mixed By [Assisted By] - Dan Parry | ||
Piano - Neil Cowley | ||
Producer - Paul Epworth | ||
Tenor Saxophone [Tenor Sax] - Ray Carless | ||
Trumpet - Noel Langley | ||
Written-By - Adele Adkins, Paul Epworth | ||
B3 | One And Only | 5:45 |
Arranged By [Strings] - David Campbell | ||
Banjo, Accordion - David Hidalgo | ||
Bass - Pino Palladino | ||
Choir - Carmen Carter, Carmen Twillie, James Gilstrap, Josef Powell, Julia Waters Tillman, Lorna Maxine Water, Terry Young | ||
Coordinator [Production] - Lindsay Chase | ||
Directed By [Choir] - Oren Waters | ||
Drums - Chris Dave | ||
Guitar - Matt Sweeney, Smokey Hormel | ||
Harp - Stephanie Bennett | ||
Mixed By - Andrew Scheps | ||
Percussion - Lenny Castro | ||
Piano - James Poyser | ||
Producer - Rick Rubin | ||
Recorded By - Greg Fidelman | ||
Recorded By [Assisted By] - Phillip Broussard Jr., Sara Lyn Killion | ||
Written-By - Adele Adkins, Dan Wilson, Greg Wells | ||
B4 | Lovesong | 5:12 |
Arranged By [Strings] - David Campbell | ||
Banjo, Accordion - David Hidalgo | ||
Bass - Pino Palladino | ||
Choir - Carmen Carter, Carmen Twillie, James Gilstrap, Josef Powell, Julia Waters Tillman, Lorna Maxine Water, Terry Young | ||
Coordinator [Production] - Lindsay Chase | ||
Directed By [Choir] - Oren Waters | ||
Drums - Chris Dave | ||
Guitar - Matt Sweeney, Smokey Hormel | ||
Harp - Stephanie Bennett | ||
Mixed By - Andrew Scheps | ||
Percussion - Lenny Castro | ||
Piano - James Poyser | ||
Producer - Rick Rubin | ||
Recorded By - Greg Fidelman | ||
Recorded By [Assisted By] - Phillip Broussard Jr., Sara Lyn Killion | ||
Written-By - Boris Williams, Laurence Tolhurst, Paul Thompson, Robert Smith, Roger O'Donnell, Simon Gallup | ||
B5 | Someone Like You | 4:40 |
Engineer - Philip Allen | ||
Mixed By - Tom Elmhirst | ||
Mixed By [Assisted By] - Dan Parry | ||
Piano - Dan Wilson | ||
Producer - Adele , Dan Wilson | ||
Written-By - Adele , Dan Wilson |
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Description
Adele's sophomore album, "21," released on January 24, 2011, is a masterclass in emotional storytelling and vocal prowess. The British singer-songwriter's follow-up to her debut album, "19," "21" showcases her growth as an artist and solidifies her place in the pantheon of contemporary music greats. The album's title, like its predecessor, reflects the age at which Adele wrote most of the songs, capturing a period of intense personal transformation and heartbreak.
"21" opens with the powerful "Rolling in the Deep," a song that quickly became one of Adele's signature tracks. Co-written with Paul Epworth, the song features a driving beat and a blend of blues, gospel, and pop elements. Adele's voice soars as she delivers a scathing message to a former lover, setting the tone for the album's exploration of love and loss.
The second track, "Rumour Has It," co-written with Ryan Tedder, shifts gears with its infectious rhythm and catchy chorus. The song's production, featuring handclaps and a stomping beat, provides a stark contrast to the more somber moments on the album, showcasing Adele's versatility.
"Turning Tables," another collaboration with Epworth, is a haunting ballad that highlights Adele's ability to convey deep emotion through her vocal performance. The song's orchestral arrangement and poignant lyrics about the end of a tumultuous relationship resonate with listeners, making it one of the standout tracks on the album.
"Don't You Remember," co-written with Dan Wilson, is a country-tinged ballad that delves into themes of regret and longing. Adele's vocal delivery is both tender and powerful, capturing the pain of reminiscing about a lost love. The song's stripped-down arrangement allows her voice to take center stage, further emphasizing the raw emotion of the lyrics.
"Set Fire to the Rain," another hit single from the album, features dramatic production and a soaring chorus. Co-written with Fraser T. Smith, the song's powerful imagery and Adele's impassioned delivery make it a memorable and impactful track. The song's success on the charts further cemented Adele's status as a global superstar.
"He Won't Go," co-written with Paul Epworth, introduces a more upbeat tempo and a soulful groove. The song's lyrics explore themes of loyalty and commitment, providing a moment of hope amidst the album's more melancholic tracks. Adele's vocal performance is both smooth and powerful, showcasing her ability to navigate different musical styles with ease.
"Take It All," co-written with Francis "Eg" White, is a piano-driven ballad that highlights Adele's vocal range and emotional depth. The song's lyrics, which deal with the aftermath of a breakup, are delivered with a sense of vulnerability and resignation, making it one of the more poignant moments on the album.
"I'll Be Waiting," co-written with Epworth, features a Motown-inspired arrangement and an upbeat tempo. The song's hopeful lyrics and infectious melody provide a moment of optimism, showcasing Adele's ability to convey a wide range of emotions through her music.
"One and Only," co-written with Dan Wilson and Greg Wells, is a soulful ballad that highlights Adele's vocal prowess. The song's gospel-inspired arrangement and heartfelt lyrics about unrequited love make it a standout track on the album.
"Lovesong," a cover of The Cure's classic hit, is given a stripped-down, acoustic treatment. Adele's rendition is both intimate and haunting, showcasing her ability to reinterpret and breathe new life into a well-known song.
The album closes with "Someone Like You," a heart-wrenching ballad co-written with Dan Wilson. The song's simple piano accompaniment and Adele's raw, emotional delivery make it one of the most powerful and memorable tracks on the album. "Someone Like You" became a global anthem for heartbreak, resonating with listeners around the world.
"21" received widespread critical acclaim and commercial success, earning numerous awards, including six Grammy Awards. The album's blend of soulful ballads, powerful vocals, and emotional depth solidified Adele's place as one of the most talented and influential artists of her generation.