Album Info
| Artist: | Aurora |
| Album: | The Gods We Can Touch |
| Released: | US, 2022 |
Tracklist:
| A1 | The Forbidden Fruits Of Eden | 0:40 |
| Producer - Aurora , Magnus Skylstad | ||
| Synthesizer, Synth [Bass] - Magnus Skylstad | ||
| Written-By - Aurora | ||
| A2 | Everything Matters | 3:33 |
| Co-producer - Jamie Hartman | ||
| Guitar - Fredrik Svabø | ||
| Piano - Askjell Solstrand, Aurora | ||
| Producer - Aurora , Magnus Skylstad | ||
| Programmed By - Magnus Skylstad | ||
| Vocals - Pomme | ||
| Written-By - Aurora , Jamie Hartman, Pomme | ||
| A3 | Giving In To The Love | 3:01 |
| Guitar - Fredrik Svabø | ||
| Organ, Synth [Bass], Drums - Magnus Skylstad | ||
| Percussion - Aurora | ||
| Producer - Aurora , Magnus Skylstad | ||
| Written-By - Aurora , Magnus Skylstad | ||
| A4 | Cure For Me | 3:20 |
| Bass, Programmed By, Synthesizer, Drums - Magnus Skylstad | ||
| Drum Machine - Alexander von Mehren | ||
| Mixed By - Josh Gudwin | ||
| Organ, Synthesizer - Aurora | ||
| Producer - Aurora , Magnus Skylstad | ||
| Written-By - Aurora , Magnus Skylstad | ||
| B1 | You Keep Me Crawling | 3:20 |
| Acoustic Guitar - Fredrik Svabø | ||
| Organ, Synthesizer, Drums - Magnus Skylstad | ||
| Percussion - Aurora | ||
| Producer - Aurora , Magnus Skylstad | ||
| Written-By - Aurora , Magnus Skylstad | ||
| B2 | Exist For Love | 2:59 |
| Acoustic Guitar - Glen Roberts | ||
| Arranged By - Isobel Waller-Bridge | ||
| Cello - Maddie Cutter | ||
| Mastered By - Robin Schmidt | ||
| Producer - Aurora , Magnus Skylstad | ||
| Synthesizer, Bass Guitar, Drums, Programmed By - Magnus Skylstad | ||
| Viola, Violin - Galya Bisengalieva | ||
| Written-By - Aurora , Glen Roberts , Magnus Skylstad | ||
| B3 | Heathens | 3:45 |
| Guitar - Fredrik Svabø | ||
| Guitar, Percussion - Odd Martin | ||
| Strings, Synth [Bass], Bass Guitar, Drums, Percussion - Magnus Skylstad | ||
| Synthesizer, Percussion - Aurora | ||
| Written-By - Aurora , Magnus Skylstad, Odd Martin Skålnes | ||
| C1 | The Innocent | 3:27 |
| Guitar - Fredrik Svabø | ||
| Percussion - Aurora , Glen Roberts | ||
| Piano, Strings, Drums, Bass, Synthesizer - Magnus Skylstad | ||
| Producer - Aurora , Magnus Skylstad | ||
| Written-By - Aurora , Glen Roberts , Magnus Skylstad | ||
| C2 | Exhale Inhale | 3:32 |
| Acoustic Guitar - Fredrik Svabø | ||
| Producer - Aurora , Magnus Skylstad | ||
| Strings - Askjell Solstrand | ||
| Strings, Synthesizer, Bass - Magnus Skylstad | ||
| Written-By - Aurora , Glen Roberts , Magnus Skylstad | ||
| C3 | A Temporary High | 3:23 |
| Acoustic Guitar, Synthesizer, Synth [Bass] - Magnus Skylstad | ||
| Electric Guitar - Kristian Fanavoll Tvedt | ||
| Written-By - Aurora , Magnus Skylstad | ||
| C4 | A Dangerous Thing | 3:35 |
| Acoustic Guitar - Fredrik Svabø | ||
| Baritone Guitar, Guitar, Percussion, Piano - Magnus Skylstad | ||
| Co-producer - Martin Sjølie | ||
| Electric Guitar, Bass, Drums - Martin Sjølie | ||
| Piano - Aurora | ||
| Producer - Aurora , Magnus Skylstad | ||
| Written-By - Aurora , Martin Sjølie | ||
| D1 | Artemis | 2:38 |
| Acoustic Guitar - Fredrik Svabø | ||
| Concertina [Bandoneon] - Per Arne Glorvigen | ||
| Producer - Aurora , Magnus Skylstad | ||
| Synth [Bass] - Aurora | ||
| Theremin, Drum - Magnus Skylstad | ||
| Written-By - Aurora | ||
| D2 | Blood In The Wine | 3:29 |
| Co-producer - Askjell Solstrand, Magnus Skylstad | ||
| Guitar - Fredrik Svabø | ||
| Percussion - Aurora | ||
| Percussion, Programmed By - Magnus Skylstad | ||
| Piano, Drums - Askjell Solstrand | ||
| Producer - Aurora | ||
| Written-By - Aurora , Fredrik Svabø, Magnus Skylstad | ||
| D3 | This Could Be A Dream | 4:08 |
| Acoustic Guitar, Electric Guitar - Vegard Børdal | ||
| Drum Machine - Alexander von Mehren | ||
| Piano, Drum Programming, Bass, Synthesizer - Magnus Skylstad | ||
| Producer - Aurora , Magnus Skylstad | ||
| Written-By - Aurora , Magnus Skylstad | ||
| D4 | A Little Place Called The Moon | 4:10 |
| Guitar, Synthesizer - Matias Tellez | ||
| Producer - Aurora | ||
| Written-By - Aurora , Matias Tellez |
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Description
Aurora's album "The Gods We Can Touch" was released on January 21, 2022, and it marks a significant moment in her artistic journey. Known for her ethereal voice and captivating soundscapes, Aurora has carved out a unique niche in the pop and electronic music scene, and this album is no exception. With its blend of haunting melodies, introspective lyrics, and lush production, it showcases her growth as an artist while remaining true to the enchanting style that fans have come to love.
From the very first track, "The Gods We Can Touch" immerses listeners in a world that feels both otherworldly and deeply personal. The album opens with the title track, which sets the tone with its atmospheric instrumentation and Aurora's signature vocal delivery. The song explores themes of spirituality and connection, inviting listeners to reflect on their own experiences with the divine. It's a powerful introduction that draws you in and makes you want to explore the rest of the album.
One of the standout tracks is "Cure for Me," which has a more upbeat tempo and showcases Aurora's ability to blend pop sensibilities with her unique artistic vision. The song is infectious, with a catchy chorus that sticks in your head long after the music stops. Lyrically, it tackles the idea of self-acceptance and the struggle against societal expectations, making it both relatable and empowering. Critics have praised this track for its vibrant energy and lyrical depth, highlighting Aurora's knack for creating music that resonates on multiple levels.
Another highlight is "Everything Matters," a song that beautifully encapsulates Aurora's ability to weave intricate narratives into her music. The production is lush, with layers of synths and harmonies that create a rich soundscape. The lyrics delve into the interconnectedness of life and the importance of every moment, making it a poignant reflection on existence. This track, like many others on the album, showcases Aurora's talent for blending the personal with the universal, a theme that runs throughout her work.
The critical reception of "The Gods We Can Touch" has been overwhelmingly positive. Major publications like Pitchfork and NME have lauded the album for its ambitious scope and emotional depth. Critics have noted that Aurora's songwriting has matured, with a greater focus on storytelling and thematic exploration. The album has also been recognized for its production quality, with many praising the collaboration with producer and songwriter Magnus Skylstad, who helped to craft the album's lush sound.
In terms of cultural significance, Aurora continues to be a voice for the younger generation, often addressing themes of mental health, environmentalism, and identity in her music. "The Gods We Can Touch" is no different, as it encourages listeners to embrace their individuality and seek connection in a world that can often feel isolating. This message resonates particularly well in today's climate, where many are searching for meaning and community.
Interestingly, Aurora has shared that the album was inspired by her own experiences with spirituality and the natural world. She often draws from her Norwegian roots, infusing her music with elements that reflect the beauty and mystique of her homeland. This connection to nature is evident in the album's artwork and visuals, which feature stunning landscapes and ethereal imagery that complement the music perfectly.
Overall, "The Gods We Can Touch" is a testament to Aurora's artistry and her ability to connect with listeners on a profound level. It's an album that invites you to explore your own emotions and thoughts while providing a soundtrack that is both uplifting and introspective. Whether you're a long-time fan or new to her music, this album is definitely worth a listen. With its rich themes, standout tracks, and critical acclaim, it solidifies Aurora's place as one of the most exciting artists in contemporary music.