Album Info
Artist: | Britney Spears |
Album: | Femme Fatale |
Released: | Europe, 26 May 2023 |
Tracklist:
A1 | Till The World Ends | |
Backing Vocals - Bonnie McKee, Lukasz Gottwald, Max Martin, Myah Marie, Patrizia Rogosch, Sam Holland, Stacey Barnett | ||
Coordinator [Production Coordination] - Clint Gibbs, Irene Richter | ||
Engineer - Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Aniela Gottwald | ||
Engineer [Mix] - John Hanes | ||
Instruments, Programmed By - Alexander Kronlund, Billboard, Dr. Luke, Max Martin | ||
Mixed By - Serban Ghenea | ||
Producer - Billboard, Dr. Luke, Max Martin | ||
Producer [Vocals] - Emily Wright | ||
Written-By - Alexander Kronlund, Kesha Sebert, Lukasz Gottwald, Max Martin | ||
A2 | Hold It Against Me | |
Backing Vocals - Bonnie McKee, Myah Marie | ||
Co-producer - Billboard | ||
Coordinator [Production Coordination] - Irene Richter, Megan Dennis | ||
Engineer - Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Vezna Gottwald | ||
Engineer [Mix] - John Hanes | ||
Instruments, Programmed By - Billboard, Dr. Luke, Max Martin | ||
Mixed By - Serban Ghenea | ||
Producer - Dr. Luke, Max Martin | ||
Written-By - Bonnie McKee, Lukasz Gottwald, Mathieu Jomphe, Max Martin | ||
A3 | Inside Out | |
Backing Vocals - Bonnie McKee, Myah Marie | ||
Coordinator [Production Coordination] - Clint Gibbs, Irene Richter | ||
Engineer - Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Tatiana Gottwald | ||
Engineer [Mix] - John Hanes | ||
Mixed By - Serban Ghenea | ||
Producer [Additional Vocal Production] - Emily Wright | ||
Producer, Instruments, Programmed By - Billboard, Dr. Luke, Max Martin | ||
Written-By - Bonnie McKee, Jacob Kasher Hindlin, Lukasz Gottwald, Mathieu Jomphe, Max Martin | ||
A4 | I Wanna Go | |
Backing Vocals - Chau Phan | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Mix] - John Hanes | ||
Guitar, Bass - Shellback | ||
Mixed By - Serban Ghenea | ||
Producer, Recorded By, Keyboards - Max Martin, Shellback | ||
Written-By - Max Martin, Savan Kotecha, Shellback | ||
A5 | How I Roll | |
Backing Vocals - Bonnie McKee, Nicole Morier | ||
Engineer - Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Eric Eylands | ||
Engineer [Mix] - John Hanes | ||
Mixed By - Serban Ghenea | ||
Producer [Vocals] - Bloodshy, Emily Wright, Henrik Jonback, Magnus | ||
Producer, Instruments - Bloodshy, Henrik Jonback, Magnus | ||
Written-By - Bonnie McKee, Christian Karlsson, Henrik Jonback, Magnus Lidehäll, Nicole Morier, Pontus Winnberg | ||
A6 | (Drop Dead) Beautiful | |
Backing Vocals - Ammo , Benny Blanco , Bonnie McKee, Crystal "Cri$tyle" Johnson, Esther Dean, JMIKE, Myah Marie | ||
Coordinator [Production Coordination] - Clint Gibbs, Irene Richter | ||
Engineer - Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Eric Eylands, Jeremy "J Boogs" Levin | ||
Engineer [Mix] - John Hanes | ||
Featuring - Sabi | ||
Mixed By - Serban Ghenea | ||
Producer [Vocals] - Emily Wright | ||
Producer, Instruments, Programmed By - Ammo , Benny Blanco , Billboard, JMIKE | ||
Written-By - Benjamin Levin, Esther Dean, Jeremy Coleman, Joshua Coleman, Mathieu Jomphe | ||
B1 | Seal It With A Kiss | |
Backing Vocals - Bonnie McKee, Sophia Black | ||
Coordinator [Production Coordination] - Clint Gibbs, Irene Richter | ||
Engineer - Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Tatiana Gottwald | ||
Engineer [Mix] - John Hanes | ||
Mixed By - Serban Ghenea | ||
Producer [Additional Vocal Production] - Emily Wright | ||
Producer, Instruments, Programmed By - Dr. Luke, Dream Machine , Max Martin | ||
Written-By - Bonnie McKee, Henry Walter, Lukasz Gottwald, Max Martin | ||
B2 | Big Fat Bass | |
Drum Programming [Additional] - DJ Ammo | ||
Featuring, Written-By, Producer, Drum Programming, Piano - Will.i.am | ||
Mixed By - Dylan "3D" Dresdow | ||
Recorded By, Engineer - Padraic "padlock" Kerin, Will.i.am | ||
Synthesizer - DJ Ammo, Will.i.am | ||
B3 | Trouble For Me | |
Backing Vocals - Ashton Foster, Heather Bright, Livvi Franc, Myah Marie | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Mix] - John Hanes | ||
Mixed By - Serban Ghenea | ||
Producer, Keyboards, Drum Programming - Fraser T Smith | ||
Recorded By - Beatriz Artola | ||
Recorded By [Vocal Recording Assistant] - Eric Eylands | ||
Written-By - Fraser T Smith, Heather Bright, Livvi Franc | ||
B4 | Trip To Your Heart | |
Backing Vocals - Nicole Morier | ||
Engineer - Chris 'TEK' O'Ryan, Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Eric Eylands | ||
Engineer [Mix] - John Hanes | ||
Mixed By - Serban Ghenea | ||
Producer [Vocals] - Bloodshy, Emily Wright, Henrik Jonback, Magnus | ||
Producer, Instruments, Programmed By - Bloodshy, Henrik Jonback, Magnus | ||
Written-By - Christian Karlsson, Henrik Jonback, Magnus Lidehäll, Nicole Morier, Pontus Winnberg, Sophie Stern | ||
B5 | Gasoline | |
Backing Vocals - Bonnie McKee, Claude Kelly, Myah Marie, Sophia Black | ||
Coordinator [Production Coordination] - Clint Gibbs, Irene Richter | ||
Engineer - Emily Wright, Sam Holland | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Assistant] - Aniela Gottwald, Eric Eylands, Jeremy "J Boogs" Levin, Rob Murray | ||
Engineer [Mix] - John Hanes | ||
Mixed By - Serban Ghenea | ||
Producer [Vocals] - Emily Wright | ||
Producer, Instruments, Programmed By - Benny Blanco , Dr. Luke | ||
Written-By - Benjamin Levin, Bonnie McKee, Claude Kelly, Emily Wright, Lukasz Gottwald | ||
B6 | Criminal | |
Backing Vocals - Chau Phan | ||
Engineer [Assistant Mix] - Tim Roberts | ||
Engineer [Mix] - John Hanes | ||
Guitar - Shellback | ||
Mixed By - Serban Ghenea | ||
Producer, Recorded By, Keyboards - Max Martin, Shellback | ||
Written-By - Max Martin, Shellback , Tiffany Amber |
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Description
Britney Spears - Femme Fatale LP Vinyl Record (Grey Marble Vinyl)
"Femme Fatale," Britney Spears' seventh studio album, was released on March 25, 2011. This album marked a significant moment in Spears' career, showcasing her evolution as an artist and her ability to adapt to the ever-changing landscape of pop music. With "Femme Fatale," Britney embraced a more electronic and dance-oriented sound, collaborating with a host of top producers and songwriters to create a collection of tracks that are both infectious and innovative.
The album was met with generally positive reviews from critics, who praised its production quality and Spears' ability to deliver catchy pop hits. Rolling Stone described "Femme Fatale" as "a party record that's impeccably produced and packed with hooks," highlighting its ability to keep listeners engaged from start to finish. The album's sound is heavily influenced by electronic dance music (EDM), with producers like Dr. Luke, Max Martin, and will.i.am contributing to its polished and energetic vibe.
One of the standout tracks on the album is "Hold It Against Me," which served as the lead single. The song debuted at number one on the Billboard Hot 100, making it Spears' fourth number-one single in the United States. Its pulsating beat and catchy chorus made it an instant hit on the dance floor and radio alike. Another notable track is "Till the World Ends," co-written by Kesha, which became an anthem for party-goers with its infectious energy and apocalyptic theme.
"Femme Fatale" also includes "I Wanna Go," a track that further solidified Spears' presence in the dance-pop genre. The song's upbeat tempo and rebellious lyrics resonated with fans, earning it a spot in the top ten of the Billboard Hot 100. "Criminal," another single from the album, showcased a different side of Spears with its more melodic and narrative-driven approach, accompanied by a memorable music video that added to its appeal.
The album's commercial success was undeniable, debuting at number one on the Billboard 200 chart and selling over 276,000 copies in its first week in the United States. "Femme Fatale" was certified platinum by the RIAA, further cementing Britney Spears' status as a pop icon. The album's success was not limited to the U.S.; it also performed well internationally, reaching the top ten in several countries.
In terms of cultural significance, "Femme Fatale" demonstrated Britney Spears' resilience and ability to remain relevant in the music industry. At a time when EDM was becoming increasingly popular, Spears managed to incorporate these elements into her music while maintaining her signature pop sensibility. The album's success also paved the way for future pop artists to explore electronic sounds in their work.
While "Femme Fatale" did not win any major awards, it was nominated for several, including the Billboard Music Awards and the MTV Video Music Awards. The album's impact on pop music and its role in shaping the sound of the early 2010s cannot be understated.
Overall, "Femme Fatale" is a testament to Britney Spears' enduring appeal and her ability to adapt to new musical trends. The album's infectious energy, combined with its high-quality production and memorable tracks, make it a standout in Spears' discography. Whether you're a longtime fan or new to her music, "Femme Fatale" offers something for everyone, proving once again why Britney Spears remains a force to be reckoned with in the world of pop music.