Album Info
Artist: | Kacey Musgraves |
Album: | Golden Hour |
Released: | US, 30 Mar 2018 |
Tracklist:
A1 | Slow Burn | |
Acoustic Guitar, Electric Guitar, Banjo - Todd Lombardo | ||
Cello - Carole Rabinowitz | ||
Drums, Keyboards - Ian Fitchuk | ||
Keyboards, Bass, Backing Vocals - Daniel Tashian | ||
Mixed By - Shawn Everett | ||
Violin, Viola - David Davidson | ||
Written-By - Daniel Tashian, Ian Fitchuk, Kacey Musgraves | ||
A2 | Lonely Weekend | |
Acoustic Guitar, Acoustic Guitar [Hi-Strung Acoustic Guitar] - Todd Lombardo | ||
Drums, Percussion, Bass, Keyboards - Ian Fitchuk | ||
Electric Guitar [Stratocaster Guitar], Electric Guitar, Keyboards, Backing Vocals - Daniel Tashian | ||
Mixed By - Shawn Everett | ||
Written-By - Daniel Tashian, Ian Fitchuk, Kacey Musgraves | ||
A3 | Butterflies | |
Acoustic Guitar - Kacey Musgraves | ||
Acoustic Guitar, Electric Guitar, Banjo - Todd Lombardo | ||
Bass, Baritone Guitar [Baritone Solo], Soloist [Baritone Solo] - Daniel Tashian | ||
Drums, Synthesizer [Juno 60], Piano - Ian Fitchuk | ||
Mixed By - Serban Ghenea | ||
Pedal Steel Guitar - Russ Pahl | ||
Written-By - Kacey Musgraves, Luke Laird, Natalie Hemby | ||
A4 | Oh, What A World | |
Acoustic Guitar, Electric Guitar, Keyboards, Backing Vocals - Daniel Tashian | ||
Drums, Percussion, Programmed By, Vocoder, Bass, Banjo, Keyboards - Ian Fitchuk | ||
Mixed By - Shawn Everett | ||
Pedal Steel Guitar - Justin Schipper | ||
Written-By - Daniel Tashian, Ian Fitchuk, Kacey Musgraves | ||
A5 | Mother | |
Mixed By - Craig Alvin | ||
Piano - Ian Fitchuk | ||
Written-By [Written In 15 Minutes By] - Daniel Tashian, Ian Fitchuk, Kacey Musgraves | ||
A6 | Love Is A Wild Thing | |
Acoustic Guitar, Electric Guitar - Todd Lombardo | ||
Acoustic Guitar, Electric Guitar, Celesta, Banjo, Backing Vocals - Daniel Tashian | ||
Drums, Percussion, Keyboards, Bass - Ian Fitchuk | ||
Mixed By - Shawn Everett | ||
Pedal Steel Guitar - Dan Dugmore | ||
Written-By - Daniel Tashian, Ian Fitchuk, Kacey Musgraves | ||
B1 | Space Cowboy | |
Acoustic Guitar - Todd Lombardo | ||
Bass, Acoustic Guitar, Keyboards, Backing Vocals - Daniel Tashian | ||
Drums, Percussion, Piano, Keyboards - Ian Fitchuk | ||
Mixed By - Shawn Everett | ||
Pedal Steel Guitar - Dan Dugmore | ||
Written-By - Kacey Musgraves, Luke Laird, Shane McAnally | ||
B2 | Happy & Sad | |
Acoustic Guitar, Electric Guitar, Baritone Guitar, Slide Guitar - Todd Lombardo | ||
Cello - Carole Rabinowitz | ||
Drums, Percussion, Keyboards, Piano, Bass, Electric Piano [Wurlitzer], Programmed By - Ian Fitchuk | ||
Keyboards, Electric Guitar [Stratocaster Guitar], Electric Guitar, Mandolin [Electric Mandolin], Programmed By, Backing Vocals - Daniel Tashian | ||
Mixed By - Shawn Everett | ||
Pedal Steel Guitar - Russ Pahl | ||
Performer [Dolphin Magic] - Shawn Everett | ||
Written-By - Daniel Tashian, Ian Fitchuk, Kacey Musgraves | ||
B3 | Velvet Elvis | |
Acoustic Guitar - Kacey Musgraves | ||
Backing Vocals, Vibraphone, MIDI Controller [MIDI Strings], Electric Guitar [Stratocaster Guitar], Classical Guitar - Daniel Tashian | ||
Classical Guitar, Acoustic Guitar - Todd Lombardo | ||
Drums, Percussion, Electric Guitar, Bass - Ian Fitchuk | ||
Electric Guitar - Kyle Ryan | ||
Mixed By - Shawn Everett | ||
Written-By - Kacey Musgraves, Luke Dick, Natalie Hemby | ||
B4 | Wonder Woman | |
Acoustic Guitar - Todd Lombardo | ||
Bass, Electric Guitar, Sampler [Elektron Sampler], Electric Piano [Rhodes] - Daniel Tashian | ||
Drums, Percussion, Synth [Synth Bass], Keyboards, Piano - Ian Fitchuk | ||
Mixed By - Shawn Everett | ||
Written-By - Amy Wadge, Hillary Lindsey, Jesse Frasure, Kacey Musgraves | ||
B5 | High Horse | |
Cello - Carole Rabinowitz | ||
Drums, Percussion, Bass, Synth [Synth Bass], Keyboards, Electric Guitar, Piano - Ian Fitchuk | ||
Electric Guitar, Acoustic Guitar, Guitar [Nylon String Guitar], Banjo - Todd Lombardo | ||
Keyboards, Electric Guitar, Acoustic Guitar - Daniel Tashian | ||
Mixed By - Serban Ghenea | ||
Violin, Viola - David Davidson | ||
Written-By - Kacey Musgraves, Tommy English, Trent Dabbs | ||
B6 | Golden Hour | |
Acoustic Guitar - Kacey Musgraves | ||
Acoustic Guitar, Electric Guitar, Baritone Guitar - Todd Lombardo | ||
Bass, Baritone Guitar, Backing Vocals - Daniel Tashian | ||
Drums, Synthesizer [Juno 60], Piano - Ian Fitchuk | ||
Mixed By - Shawn Everett | ||
Pedal Steel Guitar - Russ Pahl | ||
Written-By - Daniel Tashian, Ian Fitchuk, Kacey Musgraves | ||
B7 | Rainbow | |
Mixed By - Craig Alvin | ||
Piano - Ian Fitchuk | ||
Written-By - Kacey Musgraves, Natalie Hemby, Shane McAnally |
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Description
Kacey Musgraves’ album "Golden Hour," released on March 30, 2018, is a stunning piece of work that has resonated deeply with fans and critics alike. This album marks a significant evolution in Musgraves' sound, moving from her earlier, more traditional country roots into a blend of pop, country, and even a touch of psychedelic influences. It’s a delightful journey that feels both personal and universal, capturing the essence of love, self-discovery, and the beauty of life.
From the moment you press play, you’re greeted with the ethereal sounds of "Slow Burn," the opening track that sets the tone for the entire album. The song is a gentle reminder to take life at your own pace, and Musgraves’ soothing vocals make it feel like a warm hug. It’s a perfect introduction to the themes of the album, which often reflect on the simplicity and complexity of love and relationships. The production, helmed by Musgraves herself alongside Daniel Tashian and Ian Fitchuk, is lush yet understated, allowing her voice and lyrics to shine through.
One of the standout tracks, "Butterflies," is a beautiful ode to the feeling of falling in love. The imagery in the lyrics is vivid and relatable, capturing that exhilarating sensation of new love. It’s no surprise that this song has become a fan favorite, and it showcases Musgraves’ ability to weave storytelling with emotion seamlessly. The instrumentation here is particularly noteworthy, with a dreamy, almost floating quality that enhances the song's romantic vibe.
"Golden Hour" has not only been a commercial success but has also garnered critical acclaim. It won the Grammy Award for Album of the Year in 2019, making Musgraves the first woman to win this award since Taylor Swift in 2016. The album also took home awards for Best Country Album and Best Country Solo Performance for "Butterflies." Major publications like Rolling Stone and Pitchfork praised the album for its innovative sound and lyrical depth, with Pitchfork calling it "a masterclass in the art of songwriting."
The cultural significance of "Golden Hour" cannot be overstated. Musgraves has often been a voice for progressive values in country music, and this album continues that trend. Songs like "Mother" and "Space Cowboy" touch on themes of independence and self-acceptance, resonating with a generation that values authenticity and vulnerability. Musgraves’ willingness to explore these topics in a genre that has traditionally been more conservative is refreshing and necessary.
Another interesting aspect of the album is its production. The use of lush harmonies, layered vocals, and a mix of acoustic and electronic elements creates a soundscape that feels both modern and timeless. Musgraves has mentioned in interviews that she drew inspiration from various genres, including pop and even some of the more experimental sounds of the 70s. This eclectic mix is evident throughout the album, making it a rich listening experience.
Personal anecdotes from Musgraves about the making of the album reveal her deep connection to the material. She has shared that much of the inspiration came from her own experiences, particularly her marriage to fellow musician Ruston Kelly. The joy and contentment she felt during this time are palpable in the music, making it feel intimate and relatable.
In conclusion, "Golden Hour" is more than just an album; it’s a celebration of life’s beautiful moments, wrapped in a sound that is both innovative and comforting. Kacey Musgraves has crafted a work that not only showcases her growth as an artist but also speaks to the hearts of many. Whether you’re a long-time fan or new to her music, this album is a must-listen, and it’s easy to see why it has earned its place in the pantheon of great contemporary country music.