Album Info
Artist: | Lana Del Rey |
Album: | Ultraviolence |
Released: | UK, 2023 |
Tracklist:
A1 | Cruel World | 6:40 |
Drums - Maximilian Weissenfeldt | ||
Electric Bass - Nick Movshon | ||
Electric Guitar - Dan Auerbach, Kenny Vaughan | ||
Handclaps - Dan Auerbach, Leon Michaels, Maximilian Weissenfeldt, Nick Movshon, Seth Kaufman | ||
Mellotron - Leon Michaels | ||
Pedal Steel Guitar - Russ Pahl | ||
Synthesizer - Leon Michaels, Seth Kaufman | ||
A2 | Ultraviolence | 4:11 |
Backing Vocals - Alfreda McCrary Lee, Ann McCrary, Lana Del Rey, Regina McCrary | ||
Drum Programming - Collin Dupuis | ||
Drums - Maximilian Weissenfeldt | ||
Electric Bass - Nick Movshon | ||
Electric Guitar - Dan Auerbach, Kenny Vaughan , Seth Kaufman | ||
Mellotron - Leon Michaels | ||
Pedal Steel Guitar - Russ Pahl | ||
Piano - Leon Michaels | ||
Synthesizer - Leon Michaels | ||
A3 | Shades Of Cool | 5:42 |
Drum Programming - Collin Dupuis | ||
Drums - Maximilian Weissenfeldt | ||
Electric Bass - Nick Movshon | ||
Electric Guitar - Dan Auerbach, Kenny Vaughan , Russ Pahl | ||
Mellotron - Leon Michaels | ||
Omnichord - Seth Kaufman | ||
B1 | Brooklyn Baby | 5:52 |
Acoustic Guitar - Kenny Vaughan , Russ Pahl | ||
Backing Vocals - Seth Kaufman | ||
Double Bass [Upright bass] - Nick Movshon | ||
Drums - Maximilian Weissenfeldt, Nick Movshon | ||
Electric Guitar - Dan Auerbach, Seth Kaufman | ||
Mellotron - Leon Michaels | ||
Pedal Steel Guitar - Russ Pahl | ||
Percussion - Leon Michaels, Seth Kaufman | ||
Tambourine - Leon Michaels | ||
Tenor Saxophone - Leon Michaels | ||
B2 | West Coast | 4:17 |
Backing Vocals - Lana Del Rey | ||
Drum Programming - Collin Dupuis | ||
Drums - Maximilian Weissenfeldt, Nick Movshon | ||
Electric Bass - Nick Movshon | ||
Electric Guitar - Dan Auerbach, Kenny Vaughan | ||
Mellotron - Seth Kauffman | ||
Pedal Steel Guitar - Russ Pahl | ||
Shaker - Dan Auerbach | ||
Synthesizer - Dan Auerbach | ||
Twelve-String Guitar - Dan Auerbach | ||
B3 | Sad Girl | 5:18 |
Acoustic Guitar - Russ Pahl | ||
Drums - Nick Movshon | ||
Electric Guitar - Dan Auerbach, Seth Kaufman | ||
Mellotron - Kenny Vaughan , Leon Michaels | ||
Synthesizer - Collin Dupuis, Dan Auerbach, Kenny Vaughan | ||
C1 | Pretty When You Cry | 3:54 |
Drums - Brian Griffin | ||
Guitar - Blake Stranathan | ||
C2 | Money Power Glory | 4:31 |
Bass Guitar - Greg Kurstin | ||
Drums - Greg Kurstin | ||
Guitar - Greg Kurstin | ||
Keyboards - Greg Kurstin | ||
C3 | Fucked My Way Up To The Top | 3:32 |
Drum Programming - Collin Dupuis | ||
Drums - Maximilian Weissenfeldt | ||
Electric Bass - Nick Movshon | ||
Electric Guitar - Dan Auerbach, Kenny Vaughan , Seth Kaufman | ||
Mellotron - Leon Michaels | ||
Pedal Steel Guitar - Russ Pahl | ||
Piano - Leon Michaels | ||
Synthesizer - Leon Michaels | ||
C4 | Old Money | 4:31 |
Arranged By - Daniel Heath | ||
Orchestrated By - Matthew McGaughey | ||
D1 | The Other Woman | 3:02 |
Drums - Nick Movshon | ||
Electric Guitar - Kenny Vaughan | ||
Mellotron - Leon Michaels | ||
Pedal Steel Guitar - Russ Pahl | ||
Saxophone - Leon Michaels | ||
Synthesizer - Dan Auerbach, Leon Michaels | ||
Bonus Tracks | ||
D2 | Black Beauty | 5:15 |
Bass Guitar - Tom Herbert | ||
Drums - Leo Taylor | ||
Electric Organ [Philicorda] - Nikolaj Torp Larsen | ||
Guitar - Pablo Tato | ||
Mellotron - Nikolaj Torp Larsen | ||
Piano - Ed Harcourt, Rick Nowels | ||
D3 | Guns And Roses | 4:31 |
Drums - Brian Griffin | ||
Guitar - Blake Stranathan | ||
D4 | Florida Kilos | 4:16 |
Backing Vocals - Dan Auerbach, Seth Kaufman | ||
Drum Programming - Collin Dupuis | ||
Drums - Nick Movshon | ||
Electric Guitar - Dan Auerbach, Russ Pahl | ||
Mellotron - Leon Michaels | ||
Synthesizer - Dan Auerbach, Leon Michaels |
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Description
Lana Del Rey's "Ultraviolence," released on June 13, 2014, is an album that dives deep into the complexities of love, heartbreak, and the darker sides of romance. Following the success of her previous album, "Born to Die," this record marked a significant evolution in her sound and lyrical themes, showcasing a more raw and intense side of her artistry.
From the very first track, "Cruel World," listeners are enveloped in a lush, atmospheric soundscape that sets the tone for the entire album. The production, primarily handled by Dan Auerbach of The Black Keys, brings a gritty, vintage feel that complements Lana's haunting vocals perfectly. Auerbach's influence is evident in the way the instrumentation blends rock and orchestral elements, creating a sound that feels both timeless and contemporary.
One of the standout tracks, "West Coast," became an instant favorite, with its laid-back vibe and infectious chorus. The song's unique structure, which shifts from a mellow, dreamy beginning to a more upbeat, driving rhythm, showcases Lana's ability to surprise and engage her audience. The track was well-received, earning a nomination for Best Pop Solo Performance at the 57th Annual Grammy Awards, which speaks to its impact and popularity.
Lyrically, "Ultraviolence" delves into themes of obsession and toxic relationships, with songs like "Shades of Cool" and "Pretty When You Cry" exploring the pain and beauty intertwined in love. Lana's signature cinematic style shines through, painting vivid pictures of longing and despair. Critics have praised her ability to convey deep emotions with such clarity, making her music resonate on a personal level with many listeners.
The album's title track, "Ultraviolence," is particularly striking, with its haunting melody and dark lyrics that reflect the tumultuous nature of love. The song's exploration of violence in relationships is both unsettling and captivating, showcasing Lana's willingness to tackle difficult subjects head-on. This track, along with others on the album, has sparked discussions about the portrayal of love and violence in popular music, further cementing the album's cultural significance.
Upon its release, "Ultraviolence" received generally positive reviews from major publications. Rolling Stone praised it for its "lush, atmospheric sound" and noted that it solidified Lana's status as a unique voice in contemporary music. Pitchfork, while acknowledging its darker themes, highlighted the album's production and Lana's vocal performance, calling it a "bold step forward" in her career. The album debuted at number one on the Billboard 200 chart, further proving its commercial success and the strong fanbase Lana had cultivated.
Interestingly, Lana Del Rey has often spoken about her influences and the personal nature of her music. In interviews, she has mentioned how her own experiences and relationships inform her songwriting, making her work feel authentic and relatable. This personal touch is evident throughout "Ultraviolence," as she navigates the complexities of love with a raw honesty that many find refreshing.
As we look back on "Ultraviolence," it’s clear that this album not only marked a pivotal moment in Lana Del Rey's career but also contributed to the broader conversation about the portrayal of women and relationships in music. Its blend of haunting melodies, introspective lyrics, and lush production creates an immersive listening experience that continues to resonate with fans. Whether you're a longtime admirer of Lana's work or a newcomer to her music, "Ultraviolence" is an album that invites you to explore the depths of love and heartbreak, making it a significant entry in her discography.