Album Info
| Artist: | Lana Del Rey |
| Album: | Ultraviolence |
| Released: | UK, 2023 |
Tracklist:
| A1 | Cruel World | 6:40 |
| Drums - Maximilian Weissenfeldt | ||
| Electric Bass - Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Kenny Vaughan | ||
| Handclaps - Dan Auerbach, Leon Michaels, Maximilian Weissenfeldt, Nick Movshon, Seth Kaufman | ||
| Mellotron - Leon Michaels | ||
| Pedal Steel Guitar - Russ Pahl | ||
| Synthesizer - Leon Michaels, Seth Kaufman | ||
| A2 | Ultraviolence | 4:11 |
| Backing Vocals - Alfreda McCrary Lee, Ann McCrary, Lana Del Rey, Regina McCrary | ||
| Drum Programming - Collin Dupuis | ||
| Drums - Maximilian Weissenfeldt | ||
| Electric Bass - Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Kenny Vaughan , Seth Kaufman | ||
| Mellotron - Leon Michaels | ||
| Pedal Steel Guitar - Russ Pahl | ||
| Piano - Leon Michaels | ||
| Synthesizer - Leon Michaels | ||
| A3 | Shades Of Cool | 5:42 |
| Drum Programming - Collin Dupuis | ||
| Drums - Maximilian Weissenfeldt | ||
| Electric Bass - Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Kenny Vaughan , Russ Pahl | ||
| Mellotron - Leon Michaels | ||
| Omnichord - Seth Kaufman | ||
| B1 | Brooklyn Baby | 5:52 |
| Acoustic Guitar - Kenny Vaughan , Russ Pahl | ||
| Backing Vocals - Seth Kaufman | ||
| Double Bass [Upright bass] - Nick Movshon | ||
| Drums - Maximilian Weissenfeldt, Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Seth Kaufman | ||
| Mellotron - Leon Michaels | ||
| Pedal Steel Guitar - Russ Pahl | ||
| Percussion - Leon Michaels, Seth Kaufman | ||
| Tambourine - Leon Michaels | ||
| Tenor Saxophone - Leon Michaels | ||
| B2 | West Coast | 4:17 |
| Backing Vocals - Lana Del Rey | ||
| Drum Programming - Collin Dupuis | ||
| Drums - Maximilian Weissenfeldt, Nick Movshon | ||
| Electric Bass - Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Kenny Vaughan | ||
| Mellotron - Seth Kauffman | ||
| Pedal Steel Guitar - Russ Pahl | ||
| Shaker - Dan Auerbach | ||
| Synthesizer - Dan Auerbach | ||
| Twelve-String Guitar - Dan Auerbach | ||
| B3 | Sad Girl | 5:18 |
| Acoustic Guitar - Russ Pahl | ||
| Drums - Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Seth Kaufman | ||
| Mellotron - Kenny Vaughan , Leon Michaels | ||
| Synthesizer - Collin Dupuis, Dan Auerbach, Kenny Vaughan | ||
| C1 | Pretty When You Cry | 3:54 |
| Drums - Brian Griffin | ||
| Guitar - Blake Stranathan | ||
| C2 | Money Power Glory | 4:31 |
| Bass Guitar - Greg Kurstin | ||
| Drums - Greg Kurstin | ||
| Guitar - Greg Kurstin | ||
| Keyboards - Greg Kurstin | ||
| C3 | Fucked My Way Up To The Top | 3:32 |
| Drum Programming - Collin Dupuis | ||
| Drums - Maximilian Weissenfeldt | ||
| Electric Bass - Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Kenny Vaughan , Seth Kaufman | ||
| Mellotron - Leon Michaels | ||
| Pedal Steel Guitar - Russ Pahl | ||
| Piano - Leon Michaels | ||
| Synthesizer - Leon Michaels | ||
| C4 | Old Money | 4:31 |
| Arranged By - Daniel Heath | ||
| Orchestrated By - Matthew McGaughey | ||
| D1 | The Other Woman | 3:02 |
| Drums - Nick Movshon | ||
| Electric Guitar - Kenny Vaughan | ||
| Mellotron - Leon Michaels | ||
| Pedal Steel Guitar - Russ Pahl | ||
| Saxophone - Leon Michaels | ||
| Synthesizer - Dan Auerbach, Leon Michaels | ||
| Bonus tracks | ||
| D2 | Black Beauty | 5:15 |
| Bass Guitar - Tom Herbert | ||
| Drums - Leo Taylor | ||
| Electric Organ [Philicorda] - Nikolaj Torp Larsen | ||
| Guitar - Pablo Tato | ||
| Mellotron - Nikolaj Torp Larsen | ||
| Piano - Ed Harcourt, Rick Nowels | ||
| D3 | Guns And Roses | 4:31 |
| Drums - Brian Griffin | ||
| Guitar - Blake Stranathan | ||
| D4 | Florida Kilos | 4:16 |
| Backing Vocals - Dan Auerbach, Seth Kaufman | ||
| Drum Programming - Collin Dupuis | ||
| Drums - Nick Movshon | ||
| Electric Guitar - Dan Auerbach, Russ Pahl | ||
| Mellotron - Leon Michaels | ||
| Synthesizer - Dan Auerbach, Leon Michaels |
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Description
2LP - Black Vinyl.
Slow and low is the name of the game and no one’s sad shtick is more seductive than Madame Melancholia herself, Lana Del Rey. After her breakthrough Born To Die, Lana Del Rey honed her hazy noir sound and added depth and personality to her wayward character. Star-crossed lovers of porcelain fragile women and bullish men are still central to the story (a certain factor in choosing to reinterpret the eternal Romeo and Juliet’s Love Theme by Nino Rota for Old Money) but she finds the space to bite back on Fucked My Way To The Top, Brooklyn Baby and Cruel World. Where Born To Die felt hollow and a little bit, shall we say, formulaic, Ultraviolence is rich and patient. She also allows her voice break free from its timbre cell displaying a vocal range unheard before. She glides angelically on Shades of Cool and Sad Girl and sings with an aerated soft touch. Ultraviolence slow rush that overwhelms. The magmaic power of Ultraviolence seems innocuous but once it gets you it will destroy you.
