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Lana Del Rey - Ultraviolence (2LP) - Deluxe Edition

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$58.00
Lana Del Rey - Ultraviolence Vinyl Record Album Art
Lana Del Rey - Ultraviolence Vinyl Record Album Art
Condition:
New
Availability:
In Stock. Usually Ships Next Business Day
Current Stock:
Genre(s):
Rock, Pop, Ballad, Dream Pop
Format:
Vinyl Record LP
Label:
Polydor
$58.00

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Lana Del Rey - Ultraviolence Vinyl Record Album Art
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Ex. GST

Album Info

Artist: Lana Del Rey
Album: Ultraviolence
Released: UK, 2023

Tracklist:

A1Cruel World6:40
Drums - Maximilian Weissenfeldt
Electric Bass - Nick Movshon
Electric Guitar - Dan Auerbach, Kenny Vaughan
Handclaps - Dan Auerbach, Leon Michaels, Maximilian Weissenfeldt, Nick Movshon, Seth Kaufman
Mellotron - Leon Michaels
Pedal Steel Guitar - Russ Pahl
Synthesizer - Leon Michaels, Seth Kaufman
A2Ultraviolence4:11
Backing Vocals - Alfreda McCrary Lee, Ann McCrary, Lana Del Rey, Regina McCrary
Drum Programming - Collin Dupuis
Drums - Maximilian Weissenfeldt
Electric Bass - Nick Movshon
Electric Guitar - Dan Auerbach, Kenny Vaughan , Seth Kaufman
Mellotron - Leon Michaels
Pedal Steel Guitar - Russ Pahl
Piano - Leon Michaels
Synthesizer - Leon Michaels
A3Shades Of Cool5:42
Drum Programming - Collin Dupuis
Drums - Maximilian Weissenfeldt
Electric Bass - Nick Movshon
Electric Guitar - Dan Auerbach, Kenny Vaughan , Russ Pahl
Mellotron - Leon Michaels
Omnichord - Seth Kaufman
B1Brooklyn Baby5:52
Acoustic Guitar - Kenny Vaughan , Russ Pahl
Backing Vocals - Seth Kaufman
Double Bass [Upright bass] - Nick Movshon
Drums - Maximilian Weissenfeldt, Nick Movshon
Electric Guitar - Dan Auerbach, Seth Kaufman
Mellotron - Leon Michaels
Pedal Steel Guitar - Russ Pahl
Percussion - Leon Michaels, Seth Kaufman
Tambourine - Leon Michaels
Tenor Saxophone - Leon Michaels
B2West Coast4:17
Backing Vocals - Lana Del Rey
Drum Programming - Collin Dupuis
Drums - Maximilian Weissenfeldt, Nick Movshon
Electric Bass - Nick Movshon
Electric Guitar - Dan Auerbach, Kenny Vaughan
Mellotron - Seth Kauffman
Pedal Steel Guitar - Russ Pahl
Shaker - Dan Auerbach
Synthesizer - Dan Auerbach
Twelve-String Guitar - Dan Auerbach
B3Sad Girl5:18
Acoustic Guitar - Russ Pahl
Drums - Nick Movshon
Electric Guitar - Dan Auerbach, Seth Kaufman
Mellotron - Kenny Vaughan , Leon Michaels
Synthesizer - Collin Dupuis, Dan Auerbach, Kenny Vaughan
C1Pretty When You Cry3:54
Drums - Brian Griffin
Guitar - Blake Stranathan
C2Money Power Glory4:31
Bass Guitar - Greg Kurstin
Drums - Greg Kurstin
Guitar - Greg Kurstin
Keyboards - Greg Kurstin
C3Fucked My Way Up To The Top3:32
Drum Programming - Collin Dupuis
Drums - Maximilian Weissenfeldt
Electric Bass - Nick Movshon
Electric Guitar - Dan Auerbach, Kenny Vaughan , Seth Kaufman
Mellotron - Leon Michaels
Pedal Steel Guitar - Russ Pahl
Piano - Leon Michaels
Synthesizer - Leon Michaels
C4Old Money4:31
Arranged By - Daniel Heath
Orchestrated By - Matthew McGaughey
D1The Other Woman3:02
Drums - Nick Movshon
Electric Guitar - Kenny Vaughan
Mellotron - Leon Michaels
Pedal Steel Guitar - Russ Pahl
Saxophone - Leon Michaels
Synthesizer - Dan Auerbach, Leon Michaels
Bonus tracks
D2Black Beauty5:15
Bass Guitar - Tom Herbert
Drums - Leo Taylor
Electric Organ [Philicorda] - Nikolaj Torp Larsen
Guitar - Pablo Tato
Mellotron - Nikolaj Torp Larsen
Piano - Ed Harcourt, Rick Nowels
D3Guns And Roses4:31
Drums - Brian Griffin
Guitar - Blake Stranathan
D4Florida Kilos4:16
Backing Vocals - Dan Auerbach, Seth Kaufman
Drum Programming - Collin Dupuis
Drums - Nick Movshon
Electric Guitar - Dan Auerbach, Russ Pahl
Mellotron - Leon Michaels
Synthesizer - Dan Auerbach, Leon Michaels


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Description

2LP - Black Vinyl.

Slow and low is the name of the game and no one’s sad shtick is more seductive than Madame Melancholia herself, Lana Del Rey. After her breakthrough Born To Die, Lana Del Rey honed her hazy noir sound and added depth and personality to her wayward character. Star-crossed lovers of porcelain fragile women and bullish men are still central to the story (a certain factor in choosing to reinterpret the eternal Romeo and Juliet’s Love Theme by Nino Rota for Old Money) but she finds the space to bite back on Fucked My Way To The Top, Brooklyn Baby and Cruel World. Where Born To Die felt hollow and a little bit, shall we say, formulaic, Ultraviolence is rich and patient. She also allows her voice break free from its timbre cell displaying a vocal range unheard before. She glides angelically on Shades of Cool and Sad Girl and sings with an aerated soft touch. Ultraviolence slow rush that overwhelms. The magmaic power of Ultraviolence seems innocuous but once it gets you it will destroy you.

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