Album Info
| Artist: | Marianne Faithfull |
| Album: | Easy Come Easy Go |
| Released: | Worldwide, 30 Jun 2023 |
Tracklist:
| A1 | Down From Dover | |
| Alto Saxophone - Marty Ehrlich | ||
| Arranged By, Conductor - Steve Weisberg | ||
| Backing Vocals - Jenni Muldaur | ||
| Baritone Saxophone - Doug Wieselman | ||
| Bass - Greg Cohen | ||
| Cello - Jane Scarpantoni | ||
| Drums - Jim White | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Organ - Rob Burger | ||
| Piano - Gil Goldstein | ||
| Tenor Saxophone - Lenny Pickett | ||
| Trombone - Art Baron | ||
| Trumpet - Steven Bernstein | ||
| Viola - Michael Nicholas | ||
| Violin - Maxim Moston, Rob Moose | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Dolly Parton | ||
| A2 | Hold On Hold On | |
| Bass - Greg Cohen | ||
| Drums - Jim White | ||
| Electric Violin - Warren Ellis | ||
| Guitar - Barry Reynolds, Sean Lennon | ||
| Organ - Rob Burger | ||
| Piano - Steve Weisberg | ||
| Vocals - Chan Marshall | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Good, Belitsky, Case, Dean, Good | ||
| A3 | Solitude | |
| Alto Clarinet - JD Parron | ||
| Arranged By, Conductor - Steven Bernstein | ||
| Bass - Greg Cohen | ||
| Bass Clarinet - Lenny Pickett, Marty Ehrlich | ||
| Celesta [Celeste] - Steve Weisberg | ||
| Clarinet - Ken Peploski | ||
| Clarinet [E B] - Doug Wieselman | ||
| Drums - Jim White | ||
| Guitar - Marc Ribot | ||
| Organ - Brian Mitchell | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Ellington, De Lange, Mills | ||
| A4 | The Crane Wife 3 | |
| Acoustic Guitar - Marc Ribot | ||
| Arranged By, Conductor - Steve Weisberg | ||
| Bass - Greg Cohen | ||
| Cello - Jane Scarpantoni | ||
| Drums - Jim White | ||
| Electric Guitar - Barry Reynolds | ||
| Piano, Celesta [Celeste] - Rob Burger | ||
| Viola - Michael Nicholas | ||
| Violin - Maxim Moston, Rob Moose | ||
| Vocals [Vocal] - Marianne Faithfull, Nick Cave | ||
| Written-By - Colin Meloy | ||
| A5 | Easy Come, Easy Go | |
| Alto Horn - Steven Bernstein | ||
| Arranged By, Conductor - Steven Bernstein | ||
| Bass - Greg Cohen | ||
| Clarinet [E B] - Doug Wieselman | ||
| Contrabass, Sarrusophone - Lenny Pickett | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Piano - Brian Mitchell | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - E. Brown, W. Jackson | ||
| B1 | Ooh Baby Baby | |
| Arranged By, Conductor - Steven Bernstein | ||
| Electric Piano - Steve Weisberg | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Mellophone, Glockenspiel - Steven Bernstein | ||
| Piano, Organ - Rob Burger | ||
| Tenor Saxophone - Doug Wieselman, Ken Peploski, Lenny Pickett, Marty Ehrlich | ||
| Vocals [Vocal] - Antony , Marianne Faithfull | ||
| Written-By - Smokey Robinson, Pete Moore | ||
| B2 | Kimbie | |
| Arranged By [Arrangement By] - Jackson Frank, Marc Ribot | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Piano, Organ - Rob Burger | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Traditional | ||
| B3 | Children Of Stone | |
| Arranged By, Conductor - Steve Weisberg | ||
| Cello - Jane Scarpantoni | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Piano, Organ - Rob Burger | ||
| Viola - Michael Nicholas | ||
| Violin - Maxim Moston, Rob Moose | ||
| Vocals [Vocal] - Marianne Faithfull, Rufus Wainwright | ||
| Written-By - Espers | ||
| C1 | The Phoenix | |
| Guitar - Barry Reynolds | ||
| Guitar, Vocals - Sean Lennon | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Judee Sill | ||
| C2 | In Germany Before The War | |
| Arranged By, Conductor - Greg Cohen | ||
| Clarinet - Doug Wieselman | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Randy Newman | ||
| C3 | Dear God Please Help Me | |
| Arranged By, Conductor - Steve Weisberg | ||
| Cello - Jane Scarpantoni | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Viola - Michael Nicholas | ||
| Violin - Maxim Moston, Rob Moose | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Morrissey | ||
| C4 | Salvation | |
| Guitar - Barry Reynolds | ||
| Guitar, Vocals - Sean Lennon | ||
| Violin - Warren Ellis | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Jago, Hayes, Robert Turner | ||
| C5 | Somewhere (A Place For Us) | |
| Arranged By, Conductor - Gil Goldstein | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Tenor Saxophone - Marty Ehrlich | ||
| Trombone - Art Baron | ||
| Vocals [Vocal] - Jarvis Cocker, Marianne Faithfull | ||
| Written-By - Leonard Bernstein, Stephen Sondheim | ||
| D1 | Many A Mile To Freedom | |
| Arranged By - Rob Burger | ||
| Backing Vocals [Bkg Vocals] - Jenni Muldaur, Teddy Thompson | ||
| Clarinet - Doug Wieselman | ||
| Guitar - Barry Reynolds, Marc RIbot | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Capaldi, Winwood | ||
| D2 | Black Coffee | |
| Arranged By, Conductor - Greg Cohen | ||
| Clarinet - Doug Wieselman | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Webster, Burke | ||
| D3 | Flandyke Shore | |
| Accordion [Accordian] - Gil Goldstein | ||
| Arranged By, Conductor - Gil Goldstein | ||
| Backing Vocals [Bkg Vocal] - Kate & Anna McGarrigle | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Tenor Saxophone - Marty Ehrlich | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Written-By - Traditional | ||
| D4 | How Many Worlds | |
| Arranged By, Conductor - Steve Weisberg | ||
| Cello - Jane Scarpantoni | ||
| Flute - Doug Wieselman, Lenny Pickett, Marty Ehrlich | ||
| Guitar - Barry Reynolds, Marc Ribot | ||
| Trombone - Art Baron | ||
| Trumpet - Steven Bernstein | ||
| Viola - Michael Nicholas | ||
| Violin - Maxim Moston, Rob Moose | ||
| Vocals [Vocal] - Marianne Faithfull, Teddy Thompson | ||
| Written-By - Brian Eno | ||
| D5 | Sing Me Back Home | |
| Guitar - Barry Reynolds, Marc Ribot | ||
| Organ - Rob Burger | ||
| Vocals [Vocal] - Marianne Faithfull | ||
| Vocals [Vocal], Guitar - Keith Richards | ||
| Written-By - Merle Haggard |
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Description
"Marianne Faithfull - Easy Come Easy Go" is an album that stands out in Marianne Faithfull's illustrious career, showcasing her ability to interpret a wide range of material with depth and authenticity. Released in 2008, this collection of covers spans genres and eras, from folk and jazz to rock and pop, reflecting Faithfull's eclectic taste and her knack for making any song distinctly her own. This review will delve into the album's production, thematic elements, musicality, and its place within Faithfull's body of work.
The album opens with a rendition of Dolly Parton's "Down from Dover," where Faithfull's gravelly, emotive voice adds a layer of gravitas to the poignant narrative. The arrangement is sparse yet atmospheric, allowing Faithfull's vocal performance to take center stage and set the tone for an album that explores themes of love, loss, and redemption.
One of the standout tracks is Faithfull's cover of "The Crane Wife 3" by The Decemberists. Her interpretation transforms the folk ballad into a haunting, ethereal lament, showcasing her ability to convey complex emotions through her distinctive vocal delivery. The track exemplifies the album's overarching theme of storytelling, with Faithfull acting as a conduit for the tales woven into each song.
The production of "Easy Come Easy Go," helmed by Hal Willner, is characterized by its lush arrangements and attention to detail. The use of a wide array of instruments, from strings and horns to keyboards and guitars, creates a rich sonic palette that complements Faithfull's voice and enhances the emotional impact of the songs. The album's sound is both timeless and contemporary, bridging the gap between classic and modern sensibilities.
A particularly ambitious track is Faithfull's version of "Salvation" by Black Rebel Motorcycle Club. The song's driving rhythm and rock-infused energy mark a departure from the more subdued moments on the album, showcasing Faithfull's versatility and her ability to tackle a broad spectrum of musical styles.
Thematically, "Easy Come Easy Go" is a journey through the human experience, with each song offering a different perspective on love, heartache, and the search for meaning. Faithfull's song selections, ranging from the introspective "In Germany Before the War" by Randy Newman to the defiant "Solitude" by Duke Ellington, reflect her deep understanding of the complexities of life and relationships.
Musically, the album is a testament to Faithfull's interpretive prowess and her ability to seamlessly blend genres. Her renditions of songs by artists as diverse as Neko Case, Espers, and Smokey Robinson underscore her eclectic taste and her talent for bringing a unique emotional depth to every track.
In the context of Marianne Faithfull's discography, "Easy Come Easy Go" is a highlight that encapsulates her evolution as an artist. From her beginnings as a pop ingenue to her reinvention as a nuanced, expressive vocalist, this album reflects the breadth of her musical journey and her enduring impact on the music world.
In conclusion, "Marianne Faithfull - Easy Come Easy Go" is an album that celebrates the art of interpretation, with Faithfull lending her distinctive voice to an array of songs that span genres and generations. The album is a rich tapestry of sound and emotion, showcasing Faithfull's unique ability to inhabit each song and make it her own. It stands as a testament to her resilience, her versatility, and her place as one of the most compelling voices in contemporary music.
