Album Info
Artist: | Pet Shop Boys |
Album: | Elysium |
Released: | Europe, 20 Oct 2017 |
Tracklist:
A1 | Leaving | |
Arranged By [Orchestra] - Andrew Dawson, Ben Leathers, Joachim Horsley | ||
Conductor - Joachim Horsley | ||
Contractor - Mark Robertson | ||
Engineer [Assistant String Engineer] - Charlie Paakkari | ||
Engineer [Orchestra], Mixed By [Orchestra] - Robert Fernandez | ||
Percussion - Lenny Castro | ||
Recorded By [Additional Vocals] - Mike Riley | ||
Vocals [Additional] - James Fauntleroy, Julie Waters, Maxine Waters, Oren Waters | ||
A2 | Invisible | |
Recorded By [Additional Vocals Assistant] - Max Plisskin | ||
Recorded By [Additional Vocals] - Mike Riley | ||
Vocals [Additional] - James Fauntleroy, Julie Waters, Maxine Waters, Oren Waters | ||
A3 | Winner | |
Arranged By [Orchestra] - Andrew Dawson, Ben Leathers, Joachim Horsley | ||
Conductor - Joachim Horsley | ||
Contractor - Mark Robertson | ||
Drums, Recorded By [Drums] - Ryan Hoyle | ||
Engineer [Assistant String Engineer] - Charlie Paakkari | ||
Engineer [Orchestra], Mixed By [Orchestra] - Robert Fernandez | ||
Programmed By [Additional], Guitar - Andrew Dawson | ||
A4 | Your Early Stuff | |
Recorded By [Additional Vocals] - Mike Riley | ||
Vocals [Additional] - Julie Waters, Maxine Waters, Oren Waters | ||
A5 | A Face Like That | |
Programmed By [Additional Programming] - Andrew Dawson | ||
A6 | Breathing Space | |
Arranged By [Orchestra] - Andrew Dawson, Ben Leathers, Joachim Horsley | ||
Conductor - Joachim Horsley | ||
Contractor - Mark Robertson | ||
Drums - Andrew Dawson | ||
Engineer [Assistant String Engineer] - Charlie Paakkari | ||
Engineer [Orchestra], Mixed By [Orchestra] - Robert Fernandez | ||
Guitar - Adam Tressler, Andrew Dawson | ||
Vocals [Additional] - Sonos | ||
B1 | Ego Music | |
Vocals [Additional] - Sonos | ||
B2 | Hold On | |
Arranged By [Orchestra] - Andrew Dawson, Ben Leathers, Joachim Horsley | ||
Bass - Vivi Rama | ||
Conductor - Joachim Horsley | ||
Contractor - Mark Robertson | ||
Drums, Recorded By [Drums] - Ryan Hoyle | ||
Engineer - Jim Caruana, Mike Riley | ||
Engineer [Assistant String Engineer] - Charlie Paakkari | ||
Engineer [Assistant] - Anna Ugarte | ||
Engineer [Orchestra], Mixed By [Orchestra] - Robert Fernandez | ||
Vocals [Additional] - Alex Brown, Carmen Carter, Julie Waters, Luther Waters, Maxine Waters, Oren Waters, Sonos | ||
B3 | Give It A Go | |
Arranged By [Orchestra] - Andrew Dawson, Ben Leathers, Joachim Horsley | ||
Conductor - Joachim Horsley | ||
Contractor - Mark Robertson | ||
Engineer [Assistant String Engineer] - Charlie Paakkari | ||
Engineer [Orchestra], Mixed By [Orchestra] - Robert Fernandez | ||
Guitar - Adam Tressler | ||
Percussion - Lenny Castro | ||
Recorded By [Additional Vocals] - Mike Riley | ||
Recorded By [Lead Vocals] - Pete Gleadall | ||
Vocals [Additional] - Julie Waters, Maxine Waters, Oren Waters | ||
B4 | Memory Of The Future | |
Engineer - Jim Caruana | ||
Engineer [Assistant] - Anna Ugarte | ||
B5 | Everything Means Something | |
Engineer - Jim Caruana | ||
Engineer [Assistant] - Anna Ugarte | ||
Programmed By [Additional Programming], Keyboards - Andrew Dawson | ||
B6 | Requiem In Denim And Leopardskin | |
Arranged By [Orchestra] - Andrew Dawson, Ben Leathers, Joachim Horsley | ||
Arranged By [Original Arrangement] - Pet Shop Boys | ||
Bass - Vivi Rama | ||
Conductor - Joachim Horsley | ||
Contractor - Mark Robertson | ||
Engineer [Assistant String Engineer] - Charlie Paakkari | ||
Engineer [Orchestra], Mixed By [Orchestra] - Robert Fernandez | ||
Guitar - Adam Tressler | ||
Percussion - Lenny Castro | ||
Recorded By [Additional Vocals] - Mike Riley | ||
Recorded By [Lead Vocals] - Pete Gleadall | ||
Vocals [Additional] - Julie Waters, Maxine Waters, Oren Waters |
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Description
Released on September 10, 2012, "Elysium" marks the Pet Shop Boys' eleventh studio album, and it’s a fascinating entry in their extensive discography. The duo, consisting of Neil Tennant and Chris Lowe, has always been known for their synth-pop sound, clever lyrics, and a knack for blending the personal with the political. With "Elysium," they take a slightly different approach, offering a more reflective and introspective sound that resonates deeply with listeners.
The album was produced by Andrew Dawson, who has worked with a variety of artists across genres, and it features a lush, atmospheric sound that complements the themes of longing and introspection. The production is polished yet retains a certain warmth, which is a hallmark of the Pet Shop Boys' style. The duo has always been adept at creating music that feels both grand and intimate, and "Elysium" is no exception.
One of the standout tracks on the album is "Winner," which was released as the lead single. The song has an anthemic quality, with lyrics that speak to resilience and triumph, making it a fitting choice for the London 2012 Olympics. The track received a mixed reception from critics, with some praising its uplifting message while others felt it lacked the punch of previous Pet Shop Boys hits. Nevertheless, it showcases the duo's ability to craft songs that resonate with a wide audience.
Another highlight is "Leaving," a poignant ballad that explores themes of loss and departure. The song's emotional depth is enhanced by its lush instrumentation and Tennant's heartfelt delivery. It’s a track that many fans have connected with on a personal level, and it exemplifies the duo's skill in blending personal narratives with universal themes.
Critics have generally received "Elysium" positively, with many noting its mature sound and introspective lyrics. Major publications like The Guardian and Rolling Stone praised the album for its reflective nature and the way it captures a sense of melancholy and hope. The album was nominated for a Grammy Award for Best Electronic/Dance Album, which is a testament to its quality and the duo's enduring influence in the music industry.
Culturally, "Elysium" reflects a moment in time where the Pet Shop Boys were not just looking back at their legacy but also forward, contemplating their place in a rapidly changing musical landscape. The themes of the album resonate with listeners who are navigating their own journeys of self-discovery and reflection. It’s an album that feels particularly relevant in today’s world, where many are seeking solace and understanding in their experiences.
Interestingly, the album's title, "Elysium," refers to the concept of a paradise in Greek mythology, which adds a layer of depth to the album's themes. The idea of seeking a personal paradise or a place of peace is woven throughout the tracks, making it a thoughtful exploration of what it means to find happiness and fulfillment.
In terms of personal anecdotes, Neil Tennant has mentioned in interviews that the album was inspired by their experiences and observations of life in Los Angeles, where they recorded much of the album. This influence is palpable in the sound and feel of the music, which carries a certain Californian warmth and openness.
Overall, "Elysium" is a beautifully crafted album that showcases the Pet Shop Boys' evolution as artists. It’s a reflective journey that invites listeners to explore their own emotions and experiences. While it may not have the same commercial impact as some of their earlier works, it stands as a testament to their artistry and ability to adapt and grow. For fans of the duo and newcomers alike, "Elysium" offers a rich listening experience that is both rewarding and thought-provoking.