Album Info
Artist: | Pet Shop Boys |
Album: | Fundamental |
Released: | Europe, 28 Jul 2017 |
Tracklist:
A1 | Psychological | 4:10 |
Arranged By, Conductor - Nick Ingman | ||
Backing Vocals - Alanna Tavernier, Laura Edwards | ||
Bass - Patrick Lannigan | ||
Harp - Skaila Kanga | ||
Keyboards [Additional] - Jamie Muhoberac, Pete Murray | ||
Vibraphone, Drums [Acoustic And Electric Drums] - Earl Harvin | ||
A2 | The Sodom And Gomorrah Show | 5:19 |
Arranged By [Brass, Orchestra], Conductor - Anne Dudley | ||
Backing Vocals - Emma Brain Gabbot, Helen Parker, Julia Doyle, Sarah Eyden, Tessa Niles | ||
Choir [Choir Master] - Jenny O'Grady | ||
Drums [Acoustic] - Cliff Hewitt | ||
Guitar - Lalo Creme, Phil Palmer, Steve Lipson | ||
Guitar, Bass - Trevor Horn | ||
Harp - Lucinda Barry | ||
Keyboards [Additional] - Jamie Muhoberac | ||
Percussion - Frank Ricotti | ||
Programmed By [Additional], Keyboards [Additional] - Dave Clayton, Luca Baldini | ||
Vibraphone, Marimba, Drums [Acoustic And Electric Drums] - Earl Harvin | ||
Voice [Additional] - Oliver Pouliot | ||
Voice [Narrator] - Fred Applegate | ||
A3 | I Made My Excuses And Left | 4:53 |
Arranged By, Conductor - Nick Ingman | ||
Bass - Patrick Lannigan | ||
Bass, Drums [Acoustic And Electric Drums] - Earl Harvin | ||
Harp - Skaila Kanga | ||
Keyboards [Additional] - Jamie Muhoberac, Trevor Horn | ||
A4 | Minimal | 4:20 |
Acoustic Guitar - Lalo Creme | ||
Arranged By, Conductor - Nick Ingman | ||
Bass - Patrick Lannigan | ||
Guitar, Acoustic Guitar - Phil Palmer | ||
Harp - Lucinda Barry, Skaila Kanga | ||
Keyboards [Additional] - Pete Murray | ||
Keyboards [Additional], Bass - Jamie Muhoberac | ||
Vibraphone, Marimba, Drums [Acoustic And Electric Drums] - Earl Harvin | ||
Vocals [Additional], Bass - Trevor Horn | ||
A5 | Numb | 4:43 |
Arranged By, Conductor - Steve Sidwell | ||
Drums - Earl Harvin | ||
Engineer [Assistant] - Phil Tyremann | ||
Guitar, Acoustic Guitar - Tim Pierce | ||
Keyboards [Additional] - Jamie Muhoberac, Pete Murray | ||
Leader [Orchestra Leader] - Gavyn Wright | ||
Percussion - Louis Jardim | ||
Written-By - Diane Warren | ||
B1 | God Willing | 1:17 |
Arranged By, Conductor - Nick Ingman | ||
Guitar, Bass - Trevor Horn | ||
Harp - Skaila Kanga | ||
Programmed By, Keyboards - Dave Clayton | ||
B2 | Luna Park | 5:31 |
Arranged By, Conductor - Nick Ingman | ||
Drums [Acoustic And Electric Drums] - Earl Harvin | ||
Drums [Electric Drums] - Cliff Hewitt | ||
Guitar - Phil Palmer | ||
Harp - Lucinda Barry, Skaila Kanga | ||
Keyboards [Additional] - Jamie Muhoberac, Simon Chamberlain | ||
Percussion - Frank Ricotti, Virgil Howe | ||
Programmed By [Additional], Keyboards [Additional] - Dave Clayton, Trevor Horn | ||
Recorded By [Lead Vocals], Shaker - Robert Orton | ||
B3 | I'm With Stupid | 3:24 |
Backing Vocals - Tessa Niles | ||
Drums [Electric Drums] - Cliff Hewitt, Earl Harvin | ||
Guitar - Phil Palmer | ||
Guitar, Acoustic Guitar - Lalo Creme | ||
Keyboards [Additional] - Jamie Muhoberac | ||
B4 | Casanova In Hell | 3:13 |
Arranged By, Conductor - Nick Ingman | ||
Backing Vocals - Debi Doss, Tessa Niles | ||
Backing Vocals, Harp - Lucinda Barry | ||
Drums [Acoustic Drums] - Cliff Hewitt | ||
Drums [Electric And Acoustic Drums] - Earl Harvin | ||
Guitar - Phil Palmer, Trevor Horn | ||
Harp - Lucinda Barry, Skaila Kanga | ||
Percussion - Frank Ricotti | ||
Programmed By [Additional], Keyboards [Additional] - Dave Clayton | ||
B5 | Twentieth Century | 4:39 |
Drums [Electric Drums] - Earl Harvin | ||
Guitar - Lalo Creme | ||
Guitar, Acoustic Guitar - Phil Palmer | ||
Keyboards [Additional] - Jamie Muhoberac, Pete Murray | ||
Recorded By [Lead Vocals] - Tim Weidner | ||
B6 | Indefinite Leave To Remain | 3:08 |
Arranged By [Brass, Orchestra], Conductor - Anne Dudley | ||
Drums [Acoustic And Electric Drums] - Earl Harvin | ||
Guitar - Trevor Horn | ||
Guitar, Acoustic Guitar - Phil Palmer | ||
Keyboards [Additional] - Jamie Muhoberac, Luca Baldini, Pete Murray | ||
Recorded By [Lead Vocals] - Robert Orton | ||
B7 | Integral | 3:53 |
Arranged By, Conductor - Nick Ingman | ||
Backing Vocals - Andy Caine, Bruce Woolley, Debi Doss, Lucinda Barry, Tessa Niles | ||
Drums [Acoustic And Electric Drums] - Earl Harvin | ||
Guitar - Lalo Creme, Steve Lipson, Trevor Horn | ||
Harp - Skaila Kanga | ||
Keyboards [Additional] - Jamie Muhoberac | ||
Percussion - Cliff Hewitt, Frank Ricotti |
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Description
Released on April 18, 2006, "Fundamental" by the Pet Shop Boys marks a significant entry in the duo's discography, showcasing their unique blend of synth-pop and intelligent lyrics. This album came at a time when the Pet Shop Boys were looking to re-establish their presence in the music scene after a few years of relative quiet. With its themes of politics, love, and the complexities of modern life, "Fundamental" resonates deeply with listeners, making it a standout in their catalog.
The album was well-received by critics, with many praising its production quality and lyrical depth. Major publications like The Guardian and NME highlighted the duo's ability to craft catchy melodies while addressing serious themes. The production, handled by the Pet Shop Boys themselves along with the help of producer Trevor Horn, is polished and vibrant, featuring lush synths and intricate arrangements that are hallmarks of their sound. Horn, known for his work with artists like Frankie Goes to Hollywood and Seal, brought a fresh perspective to the duo's established style, resulting in a sound that feels both contemporary and timeless.
One of the standout tracks on the album is "I'm with Stupid," which cleverly critiques political relationships and the often absurd nature of political alliances. The song's catchy chorus and infectious beat make it a dancefloor favorite, while its lyrics invite listeners to think critically about the world around them. Another highlight is "Minimal," a track that encapsulates the essence of the Pet Shop Boys' sound—simple yet profound, with a driving rhythm that keeps you engaged from start to finish. The song's exploration of minimalism in both music and life is a testament to the duo's ability to weave complex ideas into accessible pop music.
"Fundamental" also features the poignant track "The Sodom and Gomorrah Show," which reflects on themes of morality and societal judgment. The song's theatricality is reminiscent of the duo's earlier work, showcasing their knack for storytelling through music. The album's closing track, "Integral," is another gem, addressing the impact of technology on society and the importance of personal connections in an increasingly digital world. Its sweeping melodies and thought-provoking lyrics leave a lasting impression, making it a fitting conclusion to the album.
In terms of accolades, "Fundamental" was nominated for a Grammy Award for Best Electronic/Dance Album, which speaks to its critical acclaim and the respect the Pet Shop Boys command in the music industry. The album also received a nomination for Best British Album at the 2007 BRIT Awards, further solidifying its place in the cultural landscape of the mid-2000s.
The cultural significance of "Fundamental" cannot be overstated. Released during a time of political upheaval in the UK and around the world, the album's themes resonate with listeners who were grappling with issues of identity, politics, and the human experience. The Pet Shop Boys have always been known for their ability to reflect the zeitgeist through their music, and "Fundamental" is no exception. The album's commentary on contemporary issues feels as relevant today as it did upon its release.
Interestingly, the Pet Shop Boys have often shared anecdotes about their creative process, emphasizing their collaborative approach. Neil Tennant and Chris Lowe have a unique dynamic that allows them to push each other creatively, and this synergy is evident throughout "Fundamental." They have mentioned in interviews how they draw inspiration from various sources, including literature, art, and current events, which enriches their songwriting.
Overall, "Fundamental" is a testament to the enduring legacy of the Pet Shop Boys. It showcases their ability to evolve while staying true to their roots, offering listeners a rich tapestry of sound and thought-provoking lyrics. Whether you're a long-time fan or new to their music, this album is a must-listen, inviting you to dance while also encouraging you to think critically about the world around you.