Album Info
Artist: | Sabrina Carpenter |
Album: | Emails I Can't Send |
Released: | US, 9 Dec 2022 |
Tracklist:
A1 | Emails I Can't Send | |
Keyboards - JP Saxe | ||
Mastered By - Chris Gehringer | ||
Mixed By - Leroy Clampitt | ||
Producer - Leroy Clampitt | ||
Recorded By - Leroy Clampitt | ||
Written-By - JP Saxe, Julia Michaels, Sabrina Carpenter | ||
A2 | Vicious | |
Bass - Jason Evigan | ||
Guitar - Jason Evigan | ||
Mastered By - Will Quinnell | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Producer - Jason Evigan | ||
Producer [Vocal Production] - Jason Evigan | ||
Programmed By - Jason Evigan | ||
Recorded By - Jackson Rau, Jason Evigan | ||
Synth - Jason Evigan | ||
Written-By - Amy Allen , Jason Evigan, Sabrina Carpenter | ||
A3 | Read Your Mind | |
Arranged By [String Arrangement] - Leroy Clampitt | ||
Bass - Leroy Clampitt | ||
Drums - Leroy Clampitt | ||
Guitar - Leroy Clampitt | ||
Keyboards - Leroy Clampitt | ||
Mastered By - Chris Gehringer | ||
Mellotron - Leroy Clampitt | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Percussion - Leroy Clampitt | ||
Producer - Leroy Clampitt | ||
Programmed By - Leroy Clampitt | ||
Recorded By - Leroy Clampitt | ||
Synth - Leroy Clampitt | ||
Violin - Crystal Alforque | ||
Written-By - Leroy Clampitt, Sabrina Carpenter, Skyler Stonestreet | ||
A4 | Tornado Warnings | |
Bass - JP Saxe, Jorgen Odegard | ||
Drums - Jorgen Odegard | ||
Guitar - Alex Sutton , JP Saxe | ||
Keyboards - Jorgen Odegard | ||
Mastered By - Chris Gehringer | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Percussion - Jorgen Odegard | ||
Producer - Jorgen Odegard | ||
Recorded By - Jorgen Odegard | ||
Written-By - JP Saxe, Jorgen Odegard, Julia Michaels, Sabrina Carpenter | ||
A5 | Because I Liked A Boy | |
Engineer [For Mix] - Bryce Bordone | ||
Mastered By - Will Quinnell | ||
Mixed By - Serban Ghenea | ||
Producer - John Ryan | ||
Recorded By - John Ryan | ||
Written-By - JP Saxe, John Ryan , Julia Michaels, Sabrina Carpenter | ||
A6 | Already Over | |
Backing Vocals - JP Saxe, John Ryan , Julia Michaels, Sabrina Carpenter | ||
Engineer [For Mix] - Bryce Bordone | ||
Mastered By - Chris Gehringer | ||
Mixed By - Josh Gudwin, Serban Ghenea | ||
Mixed By [Assistant] - Heidi Wang | ||
Producer - John Ryan | ||
Programmed By - John Ryan | ||
Recorded By - John Ryan | ||
Written-By - JP Saxe, John Ryan , Julia Michaels, Sabrina Carpenter | ||
B1 | How Many Things | |
Guitar - JP Saxe | ||
Mastered By - Chris Gehringer | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Producer - Ryan Marrone | ||
Recorded By - Ryan Marrone | ||
Written-By - JP Saxe, Ryan Marrone, Sabrina Carpenter | ||
B2 | Bet U Wanna | |
A&R - Jackie Winkler | ||
Backing Vocals - Steph Jones | ||
Bass - Julian Bunetta | ||
Coordinator [A&R Coordination] - Jordan Perteet | ||
Drums - Julian Bunetta | ||
Guitar - Leroy Clampitt | ||
Keyboards - Julian Bunetta, Leroy Clampitt | ||
Mastered By - Will Quinnell | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Percussion - Julian Bunetta, Leroy Clampitt | ||
Producer - Julian Bunetta, Leroy Clampitt | ||
Programmed By - Julian Bunetta, Leroy Clampitt | ||
Strings - Forest Miller | ||
Written-By - Julian Bunetta, Leroy Clampitt, Sabrina Carpenter, Steph Jones | ||
B3 | Nonsense | |
Mastered By - Chris Gehringer | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Producer - Julian Bunetta | ||
Recorded By - Julian Bunetta | ||
Written-By - Julian Bunetta, Sabrina Carpenter, Steph Jones | ||
B4 | Fast Times | |
Backing Vocals - John Ryan , Sabrina Carpenter | ||
Bass - John Ryan | ||
Drums - John Ryan | ||
Engineer [For Mix] - Bryce Bordone | ||
Guitar - John Ryan | ||
Keyboards - John Ryan | ||
Mastered By - Chris Gehringer | ||
Mixed By - Serban Ghenea | ||
Percussion - John Ryan | ||
Producer - John Ryan | ||
Strings - Peter Johnson | ||
Written-By - JP Saxe, John Ryan , Julia Michaels, Sabrina Carpenter | ||
B5 | Skinny Dipping | |
Backing Vocals - Alida Garpestad Peck | ||
Bass - Leroy Clampitt | ||
Cello - Yi-Mei Templeman | ||
Drums - Leroy Clampitt | ||
Guitar - JP Saxe, Leroy Clampitt | ||
Keyboards - Leroy Clampitt | ||
Mastered By - Chris Gehringer | ||
Mixed By - Josh Gudwin | ||
Percussion - Leroy Clampitt | ||
Producer - Leroy Clampitt | ||
Programmed By - Leroy Clampitt | ||
Recorded By - Leroy Clampitt | ||
Trumpet - Noah Conrad | ||
Vocals - Sabrina Carpenter | ||
Written-By - JP Saxe, Julia Michaels, Leroy Clampitt, Sabrina Carpenter | ||
B6 | Bad For Business | |
Bass - Leroy Clampitt | ||
Drums - Leroy Clampitt | ||
Guitar - Leroy Clampitt | ||
Lap Steel Guitar - Leroy Clampitt | ||
Mastered By - Chris Gehringer | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Percussion - Leroy Clampitt | ||
Producer - Leroy Clampitt | ||
Programmed By - Leroy Clampitt | ||
Recorded By - Leroy Clampitt | ||
Written-By - Leroy Clampitt, Sabrina Carpenter, Steph Jones | ||
B7 | Decode | |
Mastered By - Chris Gehringer | ||
Mixed By - Josh Gudwin | ||
Mixed By [Assistant] - Heidi Wang | ||
Producer - John Ryan | ||
Recorded By - John Ryan | ||
Written-By - JP Saxe, John Ryan , Julia Michaels, Sabrina Carpenter |
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Description
Sabrina Carpenter's album "Emails I Can't Send" was released on July 15, 2022, and it marks a significant moment in her career as she transitions from a Disney star to a serious artist in her own right. This album is a collection of personal stories and reflections, showcasing her growth and maturity as both a songwriter and a performer. It’s a project that resonates with many young adults navigating the complexities of relationships, self-discovery, and the challenges of growing up.
From the very first listen, it’s clear that Carpenter has poured her heart into this album. The production is polished yet intimate, allowing her vocals to shine through. The opening track, "Emails I Can’t Send," sets the tone perfectly, with its confessional lyrics and catchy melody. It’s a song that many can relate to, capturing the essence of unspoken feelings and the struggle to communicate in a digital age. The way she blends pop sensibilities with deeper lyrical content is impressive and speaks to her evolution as an artist.
One of the standout tracks on the album is "Vicious," which showcases Carpenter's vocal range and emotional depth. The song deals with the complexities of love and heartbreak, and it’s delivered with such raw honesty that it’s hard not to feel moved. Critics have praised this track for its relatable themes and catchy chorus, making it a favorite among fans. Another highlight is "Skinny Dipping," which has a more upbeat vibe and reflects a carefree attitude, perfect for summer playlists.
The album has received positive reviews from major publications, with many noting Carpenter's growth as a songwriter. Rolling Stone highlighted her ability to blend personal narratives with universal themes, while Billboard praised her for taking creative risks and stepping out of her comfort zone. The critical reception has been largely favorable, with many reviewers noting that this album feels like a true representation of who she is as an artist.
Interestingly, Carpenter has mentioned in interviews that the album was inspired by her own experiences and the emails she wished she could send but never did. This concept of unexpressed thoughts and feelings resonates throughout the album, making it feel very personal and relatable. It’s a clever framing device that allows listeners to connect with her on a deeper level.
In terms of cultural significance, "Emails I Can't Send" arrives at a time when many young people are grappling with their identities and the pressures of social media. Carpenter’s candid approach to these themes is refreshing and necessary, especially in a pop landscape that often prioritizes superficiality over substance. By sharing her vulnerabilities, she not only entertains but also encourages her audience to embrace their own complexities.
The album also features collaborations with notable producers and songwriters, which adds to its depth. The production quality is top-notch, with a mix of electronic elements and acoustic sounds that create a rich listening experience. It’s clear that Carpenter has surrounded herself with talented individuals who understand her vision and help bring it to life.
As for awards and nominations, while "Emails I Can't Send" may not have swept the major awards yet, it has certainly positioned Carpenter as a serious contender in the pop music scene. The album has sparked conversations about her future projects and what she might explore next, leaving fans eagerly anticipating her next steps.
In conclusion, "Emails I Can't Send" is more than just an album; it’s a heartfelt exploration of the trials and tribulations of young adulthood. Sabrina Carpenter has crafted a collection of songs that are both relatable and impactful, showcasing her growth as an artist. With its catchy hooks, emotional depth, and personal storytelling, this album is a must-listen for anyone who has ever struggled to express their feelings. It’s a beautiful reminder that we’re all navigating this journey together, one email at a time.