Album Info
Artist: | Talk Talk |
Album: | The Colour Of Spring |
Released: | Europe, 2014 |
Tracklist:
A1 | Happiness Is Easy | |
Acoustic Bass - Danny Thompson | ||
Choir - Children From The School Of Miss Speake | ||
Drums - Lee Harris | ||
Electric Bass - Alan Gorrie | ||
Guitar - Robbie McIntosh | ||
Organ - Steve Winwood | ||
Percussion - Martin Ditcham, Morris Pert, Phil Reis | ||
Piano, Electric Piano [Kurzweil] - Tim Friese-Greene | ||
Vocals, Performer [Instrumental] - Mark Hollis | ||
A2 | I Don't Believe In You | |
Bass - Paul Webb | ||
Drums - Lee Harris | ||
Guitar - Robbie McIntosh | ||
Harp - Gaynor Sadler | ||
Organ - Steve Winwood | ||
Percussion - Morris Pert | ||
Performer [Instrumental] - Ian Curnow | ||
Piano - Tim Friese-Greene | ||
Soprano Saxophone - David Roach | ||
Vocals - Mark Hollis | ||
A3 | Life's What You Make It | |
Backing Vocals - Paul Webb | ||
Drums - Lee Harris | ||
Guitar - David Rhodes | ||
Organ, Mellotron - Tim Friese-Greene | ||
Percussion - Martin Ditcham | ||
Vocals, Piano - Mark Hollis | ||
A4 | April 5th | |
Dobro - Robbie McIntosh | ||
Electronic Wind Instrument [Variophon] - Tim Friese-Greene | ||
Soprano Saxophone - David Roach | ||
Vocals, Electronic Wind Instrument [Variophon], Organ, Piano - Mark Hollis | ||
B1 | Living In Another World | |
Bass, Backing Vocals - Paul Webb | ||
Drums - Lee Harris | ||
Guitar - David Rhodes, Robbie McIntosh | ||
Harmonica - Mark Feltham | ||
Organ - Steve Winwood | ||
Percussion - Martin Ditcham, Morris Pert | ||
Soprano Saxophone - David Roach | ||
Vocals, Piano - Mark Hollis | ||
B2 | Give It Up | |
Bass - Paul Webb | ||
Dobro - Robbie McIntosh | ||
Drums - Lee Harris | ||
Guitar - David Rhodes | ||
Organ - Tim Friese-Greene | ||
Percussion - Martin Ditcham | ||
Performer [Instrumental] - Ian Curnow | ||
Vocals, Piano, Mellotron - Mark Hollis | ||
B3 | Chameleon Day | |
Electronic Wind Instrument [Variophon] - Tim Friese-Greene | ||
Vocals, Piano, Electronic Wind Instrument [Variophon] - Mark Hollis | ||
B4 | Time It's Time | |
Acoustic Guitar - Robbie McIntosh | ||
Bass - Paul Webb | ||
Choir - Ambrosia Choir | ||
Drums - Lee Harris | ||
Percussion - Martin Ditcham, Morris Pert | ||
Piano, Organ - Tim Friese-Greene | ||
Vocals, Melodica, Guitar - Mark Hollis | ||
DVD | DVD | |
1 | Happiness Is Easy | |
Acoustic Bass - Danny Thompson | ||
Choir - Children From The School Of Miss Speake | ||
Drums - Lee Harris | ||
Electric Bass - Alan Gorrie | ||
Guitar - Robbie McIntosh | ||
Organ - Steve Winwood | ||
Percussion - Martin Ditcham, Morris Pert, Phil Reis | ||
Piano, Electric Piano [Kurzweil] - Tim Friese-Greene | ||
Vocals, Performer [Instrumental] - Mark Hollis | ||
2 | I Don't Believe In You | |
Bass - Paul Webb | ||
Drums - Lee Harris | ||
Guitar - Robbie McIntosh | ||
Harp - Gaynor Sadler | ||
Organ - Steve Winwood | ||
Percussion - Morris Pert | ||
Performer [Instrumental] - Ian Curnow | ||
Piano - Tim Friese-Greene | ||
Soprano Saxophone - David Roach | ||
Vocals - Mark Hollis | ||
3 | Life's What You Make It | |
Backing Vocals - Paul Webb | ||
Drums - Lee Harris | ||
Guitar - David Rhodes | ||
Organ, Mellotron - Tim Friese-Greene | ||
Percussion - Martin Ditcham | ||
Vocals, Piano - Mark Hollis | ||
4 | April 5th | |
Dobro - Robbie McIntosh | ||
Electronic Wind Instrument [Variophon] - Tim Friese-Greene | ||
Soprano Saxophone - David Roach | ||
Vocals, Electronic Wind Instrument [Variophon], Organ, Piano - Mark Hollis | ||
5 | Living In Another World | |
Bass, Backing Vocals - Paul Webb | ||
Drums - Lee Harris | ||
Guitar - David Rhodes, Robbie McIntosh | ||
Harmonica - Mark Feltham | ||
Organ - Steve Winwood | ||
Percussion - Martin Ditcham, Morris Pert | ||
Soprano Saxophone - David Roach | ||
Vocals, Piano - Mark Hollis | ||
6 | Give It Up | |
Bass - Paul Webb | ||
Dobro - Robbie McIntosh | ||
Drums - Lee Harris | ||
Guitar - David Rhodes | ||
Organ - Tim Friese-Greene | ||
Percussion - Martin Ditcham | ||
Performer [Instrumental] - Ian Curnow | ||
Vocals, Piano, Mellotron - Mark Hollis | ||
7 | Chameleon Day | |
Electronic Wind Instrument [Variophon] - Tim Friese-Greene | ||
Vocals, Piano, Electronic Wind Instrument [Variophon] - Mark Hollis | ||
8 | Time It's Time | |
Acoustic Guitar - Robbie McIntosh | ||
Bass - Paul Webb | ||
Choir - Ambrosia Choir | ||
Drums - Lee Harris | ||
Percussion - Martin Ditcham, Morris Pert | ||
Piano, Organ - Tim Friese-Greene | ||
Vocals, Melodica, Guitar - Mark Hollis | ||
9 | It's Getting Late In The Evening |
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Description
Released on April 7, 1986, "The Colour of Spring" by Talk Talk marks a significant moment in the evolution of post-punk and art rock. This album is often celebrated for its lush soundscapes and emotional depth, showcasing a band that was willing to push the boundaries of popular music at the time. It’s a record that not only reflects the band's artistic growth but also serves as a precursor to the more experimental works that would follow, particularly their later album, "Spirit of Eden."
From the very first track, "Happiness Is Easy," listeners are greeted with a rich tapestry of sound that combines elements of jazz, rock, and ambient music. The song features a haunting melody and intricate arrangements, setting the tone for an album that is both introspective and expansive. The production, handled by the band alongside producer Tim Friese-Greene, is nothing short of masterful. The use of synthesizers, strings, and layered vocals creates a sonic landscape that feels both organic and ethereal.
One of the standout tracks, "Life's What You Make It," became a hit single and is often regarded as one of Talk Talk's signature songs. Its infectious groove and uplifting lyrics resonate with listeners, making it a timeless anthem about embracing life’s possibilities. The song's success helped to elevate the band's profile, and it remains a staple in their live performances. Critics have praised the track for its ability to blend pop sensibilities with deeper philosophical themes, a hallmark of Talk Talk's songwriting.
Another notable track is "Give It Up," which showcases Mark Hollis's distinctive vocal style and the band's ability to create tension and release within their music. The song's arrangement is intricate, with a driving rhythm that builds to a powerful climax. It’s a perfect example of how Talk Talk was able to fuse accessible melodies with complex musical structures, a feat that many bands struggle to achieve.
The critical reception of "The Colour of Spring" was largely positive, with many reviewers highlighting the band’s artistic maturity and the album's innovative sound. Publications like NME and Rolling Stone praised the album for its ambition and emotional resonance. Over the years, it has been re-evaluated and is now often cited as one of the essential albums of the 1980s, influencing countless artists across various genres.
Culturally, the album represents a shift in the music landscape of the 1980s, where bands were beginning to explore more avant-garde approaches to songwriting and production. Talk Talk's willingness to experiment with sound and structure paved the way for future genres, including post-rock and ambient music. Their influence can be heard in the works of artists like Radiohead and Sigur Rós, who have cited Talk Talk as a significant inspiration.
Interestingly, Mark Hollis, the band's frontman, has often spoken about the creative process behind the album. He emphasized the importance of spontaneity and emotional honesty in their music, which is evident in the rawness of the performances. The band’s approach to recording was also unconventional; they often recorded live in the studio, capturing the energy and immediacy of their performances. This method contributed to the album's organic feel, allowing the music to breathe and evolve naturally.
In terms of awards, while "The Colour of Spring" did not win any major accolades upon its release, it has since been recognized in various retrospective lists, including being named one of the best albums of the 1980s by several music publications. Its legacy continues to grow, and it is frequently discussed in the context of albums that changed the course of music history.
In conclusion, "The Colour of Spring" is not just an album; it’s an experience that invites listeners to explore the depths of emotion and sound. Talk Talk's ability to blend genres and push musical boundaries makes this album a timeless piece of art that resonates with both new listeners and long-time fans. If you haven’t yet delved into this masterpiece, I highly recommend giving it a listen. You might just find yourself swept away by its beauty and complexity.