Album Info
| Artist: | George Faith |
| Album: | To Be A Lover |
| Released: | Europe, 4 Dec 2020 |
Tracklist:
| A1 | Midnight Hour / Ya Ya | 7:16 |
| A2 | To Be A Lover (Have Mercy) | 6:04 |
| A3 | Opportunity | 4:27 |
| A4 | So Fine | 4:40 |
| B1 | I've Got The Groove | 5:46 |
| B2 | Diana | 4:40 |
| B3 | All The Love I've Got | 4:52 |
| B4 | Turn Back The Hands Of Time | 4:28 |
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Description
George Faith's album "To Be A Lover" was released in 1977, and it stands as a significant piece in the reggae genre, particularly within the context of the roots reggae movement. Faith, a Jamaican singer, is often celebrated for his smooth vocal style and his ability to blend traditional reggae with elements of soul and pop, making his music accessible to a wider audience.
The album is particularly notable for its production, which was handled by the legendary Lee "Scratch" Perry. Perry is known for his innovative production techniques and his role in shaping the sound of reggae music in the 1970s. His influence is palpable throughout the album, with lush arrangements and a distinctive sound that captures the essence of the era. The collaboration between Faith and Perry resulted in a collection of tracks that not only showcase Faith's vocal prowess but also highlight Perry's genius as a producer.
"To Be A Lover" features several standout tracks that have resonated with fans over the years. The title track, "To Be A Lover," is a beautiful, soulful ballad that showcases Faith's smooth vocals and heartfelt delivery. The song's themes of love and longing are universal, making it relatable to listeners from all walks of life. Another notable track is "Just Another Girl," which combines a catchy melody with poignant lyrics, reflecting on the complexities of relationships. The album also includes a cover of the classic "I Can See Clearly Now," which Faith interprets with a unique reggae twist, breathing new life into the well-known song.
Critical reception of the album has been generally positive, with many reviewers praising Faith's vocal abilities and the quality of the production. Major publications have recognized the album as a significant contribution to the reggae genre, and it has been appreciated for its ability to bridge the gap between reggae and mainstream music. While it may not have received widespread commercial success at the time of its release, it has since gained a cult following among reggae enthusiasts and collectors.
One interesting aspect of the album is its cultural significance. Released during a time when reggae was gaining international recognition, "To Be A Lover" contributed to the genre's expansion beyond Jamaica. Faith's smooth style and the album's polished production helped to introduce reggae to a broader audience, paving the way for future artists to explore similar sounds. This album is often cited as an example of how reggae can be both deeply rooted in its cultural origins while also appealing to a global market.
In terms of personal anecdotes, George Faith has spoken about his experiences working with Lee Perry and how the collaboration influenced his music. He has mentioned that Perry's creative approach pushed him to explore new vocal techniques and styles, which is evident in the diverse range of sounds present on the album. Faith's reflections on this period in his career highlight the importance of collaboration in the music industry and how it can lead to innovative and memorable work.
Overall, "To Be A Lover" is a delightful listen that captures the essence of 1970s reggae while also showcasing George Faith's unique artistry. The album's blend of soulful melodies, heartfelt lyrics, and expert production makes it a timeless piece that continues to resonate with listeners today. Whether you're a long-time reggae fan or new to the genre, this album is definitely worth a listen. It serves as a reminder of the rich musical heritage of Jamaica and the power of love songs to connect us all.
